Entertaining the Third Reich: Illusions of Wholeness in Nazi Cinema
In this persuasive reversal of previous scholarship, Linda Schulte-Sasse takes an unorthodox look at Nazi cinema, examining Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. Like other Nazi artistic productions, Nazi film has long been regarded...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1996]
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| Schriftenreihe: | Post-Contemporary Interventions
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | In this persuasive reversal of previous scholarship, Linda Schulte-Sasse takes an unorthodox look at Nazi cinema, examining Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. Like other Nazi artistic productions, Nazi film has long been regarded as kitsch rather than art, and therefore unworthy of critical textual analysis. By reading these films as consumer entertainment, Schulte-Sasse reveals the similarities between Nazi commercial film and classical Hollywood cinema and, with this shift in emphasis, demonstrates how Hollywood-style movie formulas frequently compromised Nazi messages.Drawing on theoretical work, particularly that of Lacan and Zizek, Schulte-Sasse shows how films such as Jew Süsss and The Great King construct fantasies of social harmony, often through distorted versions of familiar stories from eighteenth-century German literature, history, and philosophy. Schulte-Sasse observes, for example, that Nazi films, with their valorization of bourgeois culture and use of familiar narrative models, display a curious affinity with the world of Enlightenment culture that the politics of National Socialism would seem to contradict.Schulte-Sasse argues that film served National Socialism less because of its ideological homogeneity than because of the appeal and familiarity of its underlying literary paradigms and because the medium itself guarantees a pleasurable illusion of wholeness. Entertaining the Third Reich will be of interest to a wide range of scholars, including those engaged in the study of cinema, popular culture, Nazism and Nazi art, the workings of fascist culture, and the history of modern ideology |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021) |
| Beschreibung: | 1 online resource (368 pages) 67 b&w photographs |
| ISBN: | 9780822399872 |
| DOI: | 10.1515/9780822399872 |
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| 520 | |a In this persuasive reversal of previous scholarship, Linda Schulte-Sasse takes an unorthodox look at Nazi cinema, examining Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. Like other Nazi artistic productions, Nazi film has long been regarded as kitsch rather than art, and therefore unworthy of critical textual analysis. By reading these films as consumer entertainment, Schulte-Sasse reveals the similarities between Nazi commercial film and classical Hollywood cinema and, with this shift in emphasis, demonstrates how Hollywood-style movie formulas frequently compromised Nazi messages.Drawing on theoretical work, particularly that of Lacan and Zizek, Schulte-Sasse shows how films such as Jew Süsss and The Great King construct fantasies of social harmony, often through distorted versions of familiar stories from eighteenth-century German literature, history, and philosophy. Schulte-Sasse observes, for example, that Nazi films, with their valorization of bourgeois culture and use of familiar narrative models, display a curious affinity with the world of Enlightenment culture that the politics of National Socialism would seem to contradict.Schulte-Sasse argues that film served National Socialism less because of its ideological homogeneity than because of the appeal and familiarity of its underlying literary paradigms and because the medium itself guarantees a pleasurable illusion of wholeness. Entertaining the Third Reich will be of interest to a wide range of scholars, including those engaged in the study of cinema, popular culture, Nazism and Nazi art, the workings of fascist culture, and the history of modern ideology | ||
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| isbn | 9780822399872 |
| language | English |
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| spelling | Schulte-Sasse, Linda Verfasser aut Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema Linda Schulte-Sasse Durham Duke University Press [1996] © 1996 1 online resource (368 pages) 67 b&w photographs txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021) In this persuasive reversal of previous scholarship, Linda Schulte-Sasse takes an unorthodox look at Nazi cinema, examining Nazi films as movies that contain propaganda rather than as propaganda vehicles that happen to be movies. Like other Nazi artistic productions, Nazi film has long been regarded as kitsch rather than art, and therefore unworthy of critical textual analysis. By reading these films as consumer entertainment, Schulte-Sasse reveals the similarities between Nazi commercial film and classical Hollywood cinema and, with this shift in emphasis, demonstrates how Hollywood-style movie formulas frequently compromised Nazi messages.Drawing on theoretical work, particularly that of Lacan and Zizek, Schulte-Sasse shows how films such as Jew Süsss and The Great King construct fantasies of social harmony, often through distorted versions of familiar stories from eighteenth-century German literature, history, and philosophy. Schulte-Sasse observes, for example, that Nazi films, with their valorization of bourgeois culture and use of familiar narrative models, display a curious affinity with the world of Enlightenment culture that the politics of National Socialism would seem to contradict.Schulte-Sasse argues that film served National Socialism less because of its ideological homogeneity than because of the appeal and familiarity of its underlying literary paradigms and because the medium itself guarantees a pleasurable illusion of wholeness. Entertaining the Third Reich will be of interest to a wide range of scholars, including those engaged in the study of cinema, popular culture, Nazism and Nazi art, the workings of fascist culture, and the history of modern ideology In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Germany National socialism and motion pictures https://doi.org/10.1515/9780822399872 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Schulte-Sasse, Linda Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Germany National socialism and motion pictures |
| title | Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema |
| title_auth | Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema |
| title_exact_search | Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema |
| title_exact_search_txtP | Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema |
| title_full | Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema Linda Schulte-Sasse |
| title_fullStr | Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema Linda Schulte-Sasse |
| title_full_unstemmed | Entertaining the Third Reich Illusions of Wholeness in Nazi Cinema Linda Schulte-Sasse |
| title_short | Entertaining the Third Reich |
| title_sort | entertaining the third reich illusions of wholeness in nazi cinema |
| title_sub | Illusions of Wholeness in Nazi Cinema |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion pictures Political aspects Germany National socialism and motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion pictures Political aspects Germany National socialism and motion pictures |
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