Lamb at the Altar: The Story of a Dance
"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."-Deborah HayHer movements are uncharacteristic, her words subversive, her dances unlike anything done before-and this is the story of how it all works. A founding member of the famed Judson...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1994]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | "The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."-Deborah HayHer movements are uncharacteristic, her words subversive, her dances unlike anything done before-and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay's account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay's creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance's four-month emergence.In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements-precise and mysterious, mental and physical-that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021) |
| Beschreibung: | 1 online resource (136 pages) 40 b&w photographs, 95 diagrams |
| ISBN: | 9780822399742 |
| DOI: | 10.1515/9780822399742 |
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Datensatz im Suchindex
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| author | Hay, Deborah |
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| dewey-full | 792.8/42 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 792 - Stage presentations |
| dewey-raw | 792.8/42 |
| dewey-search | 792.8/42 |
| dewey-sort | 3792.8 242 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
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| doi_str_mv | 10.1515/9780822399742 |
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| institution | BVB |
| isbn | 9780822399742 |
| language | English |
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| spelling | Hay, Deborah Verfasser aut Lamb at the Altar The Story of a Dance Deborah Hay Durham Duke University Press [1994] © 1994 1 online resource (136 pages) 40 b&w photographs, 95 diagrams txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021) "The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."-Deborah HayHer movements are uncharacteristic, her words subversive, her dances unlike anything done before-and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay's account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay's creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance's four-month emergence.In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements-precise and mysterious, mental and physical-that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece In English MUSIC / Genres & Styles / Ballet bisacsh https://doi.org/10.1515/9780822399742 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hay, Deborah Lamb at the Altar The Story of a Dance MUSIC / Genres & Styles / Ballet bisacsh |
| title | Lamb at the Altar The Story of a Dance |
| title_auth | Lamb at the Altar The Story of a Dance |
| title_exact_search | Lamb at the Altar The Story of a Dance |
| title_exact_search_txtP | Lamb at the Altar The Story of a Dance |
| title_full | Lamb at the Altar The Story of a Dance Deborah Hay |
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| title_full_unstemmed | Lamb at the Altar The Story of a Dance Deborah Hay |
| title_short | Lamb at the Altar |
| title_sort | lamb at the altar the story of a dance |
| title_sub | The Story of a Dance |
| topic | MUSIC / Genres & Styles / Ballet bisacsh |
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