Women's Camera Work: Self/Body/Other in American Visual Culture
Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artist...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1998]
|
| Schriftenreihe: | New Americanists
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship-one that included Gertrude Käsebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin.Women's Camera Work ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers' distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women's eyes.In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021) |
| Beschreibung: | 1 online resource (512 pages) 220 b&w photographs |
| ISBN: | 9780822398998 |
| DOI: | 10.1515/9780822398998 |
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| 520 | |a Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship-one that included Gertrude Käsebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin.Women's Camera Work ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers' distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women's eyes.In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike | ||
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| dewey-full | 770/.82 |
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| doi_str_mv | 10.1515/9780822398998 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:26:57Z |
| indexdate | 2024-07-10T09:03:01Z |
| institution | BVB |
| isbn | 9780822398998 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032520702 |
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| physical | 1 online resource (512 pages) 220 b&w photographs |
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| publishDate | 1998 |
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| publisher | Duke University Press |
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| series2 | New Americanists |
| spelling | Davidov, Judith Fryer Verfasser aut Women's Camera Work Self/Body/Other in American Visual Culture Judith Fryer Davidov Durham Duke University Press [1998] © 1998 1 online resource (512 pages) 220 b&w photographs txt rdacontent c rdamedia cr rdacarrier New Americanists Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021) Women's Camera Work explores how photographs have been and are used to construct versions of history and examines how photographic representations of otherness often tell stories about the self. In the process, Judith Fryer Davidov focuses on the lives and work of a particular network of artists linked by time, interaction, influence, and friendship-one that included Gertrude Käsebier, Imogen Cunningham, Dorothea Lange, and Laura Gilpin.Women's Camera Work ranges from American women's photographic practices during the nineteenth and early twentieth centuries to a study of landscape photography. Using contemporary cultural studies discourse to critique influential male-centered historiography and the male-dominated art world, Davidov exhibits the work of these women; tells their absorbing stories; and discusses representations of North American Indians, African Americans, Asian Americans, and the migrant poor. Evaluating these photographers' distinct contributions to constructions of Americanness and otherness, she helps us to discover the power of reading images closely, and to learn to see through these women's eyes.In presenting one of the most important strands of American photography, this richly illustrated book will interest students of American visual culture, women's studies, and general readers alike In English Photography / Photoessays & Documentaries bisacsh Photography United States History Women photographers United States History https://doi.org/10.1515/9780822398998 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Davidov, Judith Fryer Women's Camera Work Self/Body/Other in American Visual Culture Photography / Photoessays & Documentaries bisacsh Photography United States History Women photographers United States History |
| title | Women's Camera Work Self/Body/Other in American Visual Culture |
| title_auth | Women's Camera Work Self/Body/Other in American Visual Culture |
| title_exact_search | Women's Camera Work Self/Body/Other in American Visual Culture |
| title_exact_search_txtP | Women's Camera Work Self/Body/Other in American Visual Culture |
| title_full | Women's Camera Work Self/Body/Other in American Visual Culture Judith Fryer Davidov |
| title_fullStr | Women's Camera Work Self/Body/Other in American Visual Culture Judith Fryer Davidov |
| title_full_unstemmed | Women's Camera Work Self/Body/Other in American Visual Culture Judith Fryer Davidov |
| title_short | Women's Camera Work |
| title_sort | women s camera work self body other in american visual culture |
| title_sub | Self/Body/Other in American Visual Culture |
| topic | Photography / Photoessays & Documentaries bisacsh Photography United States History Women photographers United States History |
| topic_facet | Photography / Photoessays & Documentaries Photography United States History Women photographers United States History |
| url | https://doi.org/10.1515/9780822398998 |
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