Shows of Force: Power, Politics, and Ideology in Art Exhibitions
It has long been considered a mark of naïveté to ask of a work of art: What does it say? But as Timothy W. Luke demonstrates in Shows of Force, artwork is capable of saying plenty, and much of the message resides in the way it is exhibited. By critically examining the exhibition of art in contempora...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1992]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | It has long been considered a mark of naïveté to ask of a work of art: What does it say? But as Timothy W. Luke demonstrates in Shows of Force, artwork is capable of saying plenty, and much of the message resides in the way it is exhibited. By critically examining the exhibition of art in contemporary American museums, Luke identifies how art showings are elaborate works of theater that reveal underlying political, social, and economic agendas.The first section, "Envisioning a Past, Imagining the West," looks at art exhibitions devoted to artworks about or from the American West. Luke shows how these exhibitions-displaying nineteenth- and early-twentieth century works by artists such as George Caleb Bingham, Frederic Remington, Frederic Edwin Church, and Georgia O'Keefe-express contemporary political agendas in the way the portray "the past" and shape new visions of "the West."In "Developing the Present, Defining a World," Luke considers artists from the post-1945 era, including Ilya Kabokov, Hans Haacke, Sue Coe, Roger Brown, and Robert Longo. Recent art exhibits, his analysis reveals, attempt to develop politically charged conceptions of the present, which in turn struggle to define the changing contemporary world and art's various roles within it.Luke brings to light the contradictions encoded in the exhibition of art and, in doing so, illuminates the political realities and cultural ideologies of the present. Shows of Force offers a timely and surely controversial contribution to current discussions of the politics of exhibiting art |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021) |
| Beschreibung: | 1 online resource (264 pages) |
| ISBN: | 9780822398066 |
| DOI: | 10.1515/9780822398066 |
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| 520 | |a It has long been considered a mark of naïveté to ask of a work of art: What does it say? But as Timothy W. Luke demonstrates in Shows of Force, artwork is capable of saying plenty, and much of the message resides in the way it is exhibited. By critically examining the exhibition of art in contemporary American museums, Luke identifies how art showings are elaborate works of theater that reveal underlying political, social, and economic agendas.The first section, "Envisioning a Past, Imagining the West," looks at art exhibitions devoted to artworks about or from the American West. Luke shows how these exhibitions-displaying nineteenth- and early-twentieth century works by artists such as George Caleb Bingham, Frederic Remington, Frederic Edwin Church, and Georgia O'Keefe-express contemporary political agendas in the way the portray "the past" and shape new visions of "the West."In "Developing the Present, Defining a World," Luke considers artists from the post-1945 era, including Ilya Kabokov, Hans Haacke, Sue Coe, Roger Brown, and Robert Longo. Recent art exhibits, his analysis reveals, attempt to develop politically charged conceptions of the present, which in turn struggle to define the changing contemporary world and art's various roles within it.Luke brings to light the contradictions encoded in the exhibition of art and, in doing so, illuminates the political realities and cultural ideologies of the present. Shows of Force offers a timely and surely controversial contribution to current discussions of the politics of exhibiting art | ||
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Datensatz im Suchindex
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| doi_str_mv | 10.1515/9780822398066 |
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| isbn | 9780822398066 |
| language | English |
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| spelling | Luke, Timothy W. Verfasser aut Shows of Force Power, Politics, and Ideology in Art Exhibitions Timothy W. Luke Durham Duke University Press [1992] © 1992 1 online resource (264 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 06. Jan 2021) It has long been considered a mark of naïveté to ask of a work of art: What does it say? But as Timothy W. Luke demonstrates in Shows of Force, artwork is capable of saying plenty, and much of the message resides in the way it is exhibited. By critically examining the exhibition of art in contemporary American museums, Luke identifies how art showings are elaborate works of theater that reveal underlying political, social, and economic agendas.The first section, "Envisioning a Past, Imagining the West," looks at art exhibitions devoted to artworks about or from the American West. Luke shows how these exhibitions-displaying nineteenth- and early-twentieth century works by artists such as George Caleb Bingham, Frederic Remington, Frederic Edwin Church, and Georgia O'Keefe-express contemporary political agendas in the way the portray "the past" and shape new visions of "the West."In "Developing the Present, Defining a World," Luke considers artists from the post-1945 era, including Ilya Kabokov, Hans Haacke, Sue Coe, Roger Brown, and Robert Longo. Recent art exhibits, his analysis reveals, attempt to develop politically charged conceptions of the present, which in turn struggle to define the changing contemporary world and art's various roles within it.Luke brings to light the contradictions encoded in the exhibition of art and, in doing so, illuminates the political realities and cultural ideologies of the present. Shows of Force offers a timely and surely controversial contribution to current discussions of the politics of exhibiting art In English ART / Reference bisacsh Art Political aspects Art Psychology https://doi.org/10.1515/9780822398066 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Luke, Timothy W. Shows of Force Power, Politics, and Ideology in Art Exhibitions ART / Reference bisacsh Art Political aspects Art Psychology |
| title | Shows of Force Power, Politics, and Ideology in Art Exhibitions |
| title_auth | Shows of Force Power, Politics, and Ideology in Art Exhibitions |
| title_exact_search | Shows of Force Power, Politics, and Ideology in Art Exhibitions |
| title_exact_search_txtP | Shows of Force Power, Politics, and Ideology in Art Exhibitions |
| title_full | Shows of Force Power, Politics, and Ideology in Art Exhibitions Timothy W. Luke |
| title_fullStr | Shows of Force Power, Politics, and Ideology in Art Exhibitions Timothy W. Luke |
| title_full_unstemmed | Shows of Force Power, Politics, and Ideology in Art Exhibitions Timothy W. Luke |
| title_short | Shows of Force |
| title_sort | shows of force power politics and ideology in art exhibitions |
| title_sub | Power, Politics, and Ideology in Art Exhibitions |
| topic | ART / Reference bisacsh Art Political aspects Art Psychology |
| topic_facet | ART / Reference Art Political aspects Art Psychology |
| url | https://doi.org/10.1515/9780822398066 |
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