Jazz Among the Discourses:
The study of jazz comes of age with this anthology. One of the first books to consider jazz outside of established critical modes, Jazz Among the Discourses brings together scholars from an array of disciplines to question and revise conventional methods of writing and thinking about jazz.Challengin...
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| Weitere Verfasser: | , , , , , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1995]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | The study of jazz comes of age with this anthology. One of the first books to consider jazz outside of established critical modes, Jazz Among the Discourses brings together scholars from an array of disciplines to question and revise conventional methods of writing and thinking about jazz.Challenging "official jazz histories," the contributors to this volume view jazz through the lenses of comparative literature; African American studies; music, film, and communication theory; English literature; American studies; history; and philosophy. With uncommon rigor and imagination, their essays probe the influence of various discourses-journalism, scholarship, politics, oral history, and entertainment-on writing about jazz. Employing modes of criticism and theory that have transformed study in the humanities, they address questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? How is an African American aesthetic articulated through the music? What are the consequences of the interaction between the critic and the jazz artist? How does the improvising artist navigate between chaos and discipline?Along with its companion volume, Representing Jazz, this versatile anthology marks the arrival of jazz studies as a mature, intellectually independent discipline. Its rethinking of conventional jazz discourse will further strengthen the position of jazz studies within the academy.Contributors. John Corbett, Steven B. Elworth, Krin Gabbard, Bernard Gendron, William Howland Kenney, Eric Lott, Nathaniel Mackey, Burton Peretti, Ronald M. Radano, Jed Rasula, Lorenzo Thomas, Robert Walser |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (304 pages) 7 illustrations |
| ISBN: | 9780822397083 |
| DOI: | 10.1515/9780822397083 |
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| 520 | |a The study of jazz comes of age with this anthology. One of the first books to consider jazz outside of established critical modes, Jazz Among the Discourses brings together scholars from an array of disciplines to question and revise conventional methods of writing and thinking about jazz.Challenging "official jazz histories," the contributors to this volume view jazz through the lenses of comparative literature; African American studies; music, film, and communication theory; English literature; American studies; history; and philosophy. With uncommon rigor and imagination, their essays probe the influence of various discourses-journalism, scholarship, politics, oral history, and entertainment-on writing about jazz. Employing modes of criticism and theory that have transformed study in the humanities, they address questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? How is an African American aesthetic articulated through the music? What are the consequences of the interaction between the critic and the jazz artist? How does the improvising artist navigate between chaos and discipline?Along with its companion volume, Representing Jazz, this versatile anthology marks the arrival of jazz studies as a mature, intellectually independent discipline. Its rethinking of conventional jazz discourse will further strengthen the position of jazz studies within the academy.Contributors. John Corbett, Steven B. Elworth, Krin Gabbard, Bernard Gendron, William Howland Kenney, Eric Lott, Nathaniel Mackey, Burton Peretti, Ronald M. Radano, Jed Rasula, Lorenzo Thomas, Robert Walser | ||
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| author2 | Bernard, Gendron Burton W., Peretti Eric, Lott Gabbard, Krin Krin, Gabbard Lorenzo, Thomas Nathaniel, Mackey Robert, Walser Ronald M., Radano Steven B., Elworth Ted, Rasula Tohn, Corbett William Howland, Kenney |
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| author_facet | Bernard, Gendron Burton W., Peretti Eric, Lott Gabbard, Krin Krin, Gabbard Lorenzo, Thomas Nathaniel, Mackey Robert, Walser Ronald M., Radano Steven B., Elworth Ted, Rasula Tohn, Corbett William Howland, Kenney |
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| id | DE-604.BV047114172 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:26:57Z |
| indexdate | 2024-07-10T09:03:01Z |
| institution | BVB |
| isbn | 9780822397083 |
| language | English |
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| spelling | Jazz Among the Discourses Krin Gabbard Durham Duke University Press [1995] © 1995 1 online resource (304 pages) 7 illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) The study of jazz comes of age with this anthology. One of the first books to consider jazz outside of established critical modes, Jazz Among the Discourses brings together scholars from an array of disciplines to question and revise conventional methods of writing and thinking about jazz.Challenging "official jazz histories," the contributors to this volume view jazz through the lenses of comparative literature; African American studies; music, film, and communication theory; English literature; American studies; history; and philosophy. With uncommon rigor and imagination, their essays probe the influence of various discourses-journalism, scholarship, politics, oral history, and entertainment-on writing about jazz. Employing modes of criticism and theory that have transformed study in the humanities, they address questions seldom if ever raised in jazz writing: What are the implications of building jazz history around the medium of the phonograph record? Why did jazz writers first make the claim that jazz is an art? How is an African American aesthetic articulated through the music? What are the consequences of the interaction between the critic and the jazz artist? How does the improvising artist navigate between chaos and discipline?Along with its companion volume, Representing Jazz, this versatile anthology marks the arrival of jazz studies as a mature, intellectually independent discipline. Its rethinking of conventional jazz discourse will further strengthen the position of jazz studies within the academy.Contributors. John Corbett, Steven B. Elworth, Krin Gabbard, Bernard Gendron, William Howland Kenney, Eric Lott, Nathaniel Mackey, Burton Peretti, Ronald M. Radano, Jed Rasula, Lorenzo Thomas, Robert Walser In English MUSIC / Genres & Styles / Jazz bisacsh Jazz History and criticism Musical canon Bernard, Gendron ctb Burton W., Peretti ctb Eric, Lott ctb Gabbard, Krin edt Krin, Gabbard ctb Lorenzo, Thomas ctb Nathaniel, Mackey ctb Robert, Walser ctb Ronald M., Radano ctb Steven B., Elworth ctb Ted, Rasula ctb Tohn, Corbett ctb William Howland, Kenney ctb https://doi.org/10.1515/9780822397083 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Jazz Among the Discourses MUSIC / Genres & Styles / Jazz bisacsh Jazz History and criticism Musical canon |
| title | Jazz Among the Discourses |
| title_auth | Jazz Among the Discourses |
| title_exact_search | Jazz Among the Discourses |
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| title_full | Jazz Among the Discourses Krin Gabbard |
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| title_short | Jazz Among the Discourses |
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| topic | MUSIC / Genres & Styles / Jazz bisacsh Jazz History and criticism Musical canon |
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