Inka Bodies and the Body of Christ: Corpus Christi in Colonial Cuzco, Peru
In Inka Bodies and the Body of Christ Carolyn Dean investigates the multiple meanings of the Roman Catholic feast of Corpus Christi as it was performed in the Andean city of Cuzco after the Spanish conquest. By concentrating on the era's paintings and its historical archives, Dean explores how...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Durham
Duke University Press
[1999]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In Inka Bodies and the Body of Christ Carolyn Dean investigates the multiple meanings of the Roman Catholic feast of Corpus Christi as it was performed in the Andean city of Cuzco after the Spanish conquest. By concentrating on the era's paintings and its historical archives, Dean explores how the festival celebrated the victory of the Christian God over sin and death, the triumph of Christian orthodoxy over the imperial Inka patron (the Sun), and Spain's conquest of Peruvian society.As Dean clearly illustrates, the central rite of the festival-the taking of the Eucharist-symbolized both the acceptance of Christ and the power of the colonizers over the colonized. The most remarkable of Andean celebrants were those who appeared costumed as the vanquished Inka kings of Peru's pagan past. Despite the subjugation of the indigenous population, Dean shows how these and other Andean nobles used the occasion of Corpus Christi as an opportunity to construct new identities through tinkuy, a native term used to describe the conjoining of opposites. By mediating the chasms between the Andean region and Europe, pagans and Christians, and the past and the present, these Andean elites negotiated a new sense of themselves. Dean moves beyond the colonial period to examine how these hybrid forms of Inka identity are still evident in the festive life of modern Cuzco.Inka Bodies and the Body of Christ offers the first in-depth analysis of the culture and paintings of colonial Cuzco. This volume will be welcomed by historians of Peruvian culture, art, and politics. It will also interest those engaged in performance studies, religion, and postcolonial and Latin American studies |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (312 pages) 51 illustrations, 8 in color |
| ISBN: | 9780822397038 |
| DOI: | 10.1515/9780822397038 |
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| 520 | |a In Inka Bodies and the Body of Christ Carolyn Dean investigates the multiple meanings of the Roman Catholic feast of Corpus Christi as it was performed in the Andean city of Cuzco after the Spanish conquest. By concentrating on the era's paintings and its historical archives, Dean explores how the festival celebrated the victory of the Christian God over sin and death, the triumph of Christian orthodoxy over the imperial Inka patron (the Sun), and Spain's conquest of Peruvian society.As Dean clearly illustrates, the central rite of the festival-the taking of the Eucharist-symbolized both the acceptance of Christ and the power of the colonizers over the colonized. The most remarkable of Andean celebrants were those who appeared costumed as the vanquished Inka kings of Peru's pagan past. Despite the subjugation of the indigenous population, Dean shows how these and other Andean nobles used the occasion of Corpus Christi as an opportunity to construct new identities through tinkuy, a native term used to describe the conjoining of opposites. By mediating the chasms between the Andean region and Europe, pagans and Christians, and the past and the present, these Andean elites negotiated a new sense of themselves. Dean moves beyond the colonial period to examine how these hybrid forms of Inka identity are still evident in the festive life of modern Cuzco.Inka Bodies and the Body of Christ offers the first in-depth analysis of the culture and paintings of colonial Cuzco. This volume will be welcomed by historians of Peruvian culture, art, and politics. It will also interest those engaged in performance studies, religion, and postcolonial and Latin American studies | ||
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Datensatz im Suchindex
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:26:57Z |
| indexdate | 2024-07-10T09:03:01Z |
| institution | BVB |
| isbn | 9780822397038 |
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| spelling | Dean, Carolyn J Verfasser aut Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru Carolyn J Dean Durham Duke University Press [1999] © 1999 1 online resource (312 pages) 51 illustrations, 8 in color txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In Inka Bodies and the Body of Christ Carolyn Dean investigates the multiple meanings of the Roman Catholic feast of Corpus Christi as it was performed in the Andean city of Cuzco after the Spanish conquest. By concentrating on the era's paintings and its historical archives, Dean explores how the festival celebrated the victory of the Christian God over sin and death, the triumph of Christian orthodoxy over the imperial Inka patron (the Sun), and Spain's conquest of Peruvian society.As Dean clearly illustrates, the central rite of the festival-the taking of the Eucharist-symbolized both the acceptance of Christ and the power of the colonizers over the colonized. The most remarkable of Andean celebrants were those who appeared costumed as the vanquished Inka kings of Peru's pagan past. Despite the subjugation of the indigenous population, Dean shows how these and other Andean nobles used the occasion of Corpus Christi as an opportunity to construct new identities through tinkuy, a native term used to describe the conjoining of opposites. By mediating the chasms between the Andean region and Europe, pagans and Christians, and the past and the present, these Andean elites negotiated a new sense of themselves. Dean moves beyond the colonial period to examine how these hybrid forms of Inka identity are still evident in the festive life of modern Cuzco.Inka Bodies and the Body of Christ offers the first in-depth analysis of the culture and paintings of colonial Cuzco. This volume will be welcomed by historians of Peruvian culture, art, and politics. It will also interest those engaged in performance studies, religion, and postcolonial and Latin American studies In English ART / History / General bisacsh Corpus Christi Festival Peru Cuzco Incas Missions Peru Cuzco Incas Religion Incas Rites and ceremonies https://doi.org/10.1515/9780822397038 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Dean, Carolyn J Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru ART / History / General bisacsh Corpus Christi Festival Peru Cuzco Incas Missions Peru Cuzco Incas Religion Incas Rites and ceremonies |
| title | Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru |
| title_auth | Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru |
| title_exact_search | Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru |
| title_exact_search_txtP | Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru |
| title_full | Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru Carolyn J Dean |
| title_fullStr | Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru Carolyn J Dean |
| title_full_unstemmed | Inka Bodies and the Body of Christ Corpus Christi in Colonial Cuzco, Peru Carolyn J Dean |
| title_short | Inka Bodies and the Body of Christ |
| title_sort | inka bodies and the body of christ corpus christi in colonial cuzco peru |
| title_sub | Corpus Christi in Colonial Cuzco, Peru |
| topic | ART / History / General bisacsh Corpus Christi Festival Peru Cuzco Incas Missions Peru Cuzco Incas Religion Incas Rites and ceremonies |
| topic_facet | ART / History / General Corpus Christi Festival Peru Cuzco Incas Missions Peru Cuzco Incas Religion Incas Rites and ceremonies |
| url | https://doi.org/10.1515/9780822397038 |
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