Dancing in Spite of Myself: Essays on Popular Culture
In Dancing in Spite of Myself, Lawrence Grossberg-well known as a pioneering figure in cultural studies-has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an orig...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1997]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In Dancing in Spite of Myself, Lawrence Grossberg-well known as a pioneering figure in cultural studies-has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an original and sophisticated view of the growing power of popular culture and its increasing inseparability from contemporary structures of economic and political power and from our everyday lives.In the course of conducting this exploration into the meaning of "popularity," he investigates the nature of fandom, the social effects of rock music and youth culture, and the possibilities for understanding the history of popular texts and practices. Describing what he calls "the postmodernity of everyday life," Grossberg offers important insights into the relation of pop music to issues of postmodernity and inton the growing power of the new cultural conservatism and its relationship to "the popular." Exploring the limits of existing theories of hegemony in cultural studies, Grossberg reveals the ways in which popular culture is being mobilized in the service of economic and political struggles. In articulating his own critical practice, Grossberg surveys and challenges some of the major assumptions of popular culture studies, including notions of domination and resistance, mainstream and marginality, and authenticity and incorporation.Dancing in Spite of Myself provides an introduction to contemporary theories of popular culture and a clear statement of relationships among theories of the nature of rock music, postmodernity, and conservative hegemony |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (320 pages) |
| ISBN: | 9780822396529 |
| DOI: | 10.1515/9780822396529 |
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| 520 | |a In Dancing in Spite of Myself, Lawrence Grossberg-well known as a pioneering figure in cultural studies-has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an original and sophisticated view of the growing power of popular culture and its increasing inseparability from contemporary structures of economic and political power and from our everyday lives.In the course of conducting this exploration into the meaning of "popularity," he investigates the nature of fandom, the social effects of rock music and youth culture, and the possibilities for understanding the history of popular texts and practices. Describing what he calls "the postmodernity of everyday life," Grossberg offers important insights into the relation of pop music to issues of postmodernity and inton the growing power of the new cultural conservatism and its relationship to "the popular." Exploring the limits of existing theories of hegemony in cultural studies, Grossberg reveals the ways in which popular culture is being mobilized in the service of economic and political struggles. In articulating his own critical practice, Grossberg surveys and challenges some of the major assumptions of popular culture studies, including notions of domination and resistance, mainstream and marginality, and authenticity and incorporation.Dancing in Spite of Myself provides an introduction to contemporary theories of popular culture and a clear statement of relationships among theories of the nature of rock music, postmodernity, and conservative hegemony | ||
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| spelling | Grossberg, Lawrence Verfasser aut Dancing in Spite of Myself Essays on Popular Culture Lawrence Grossberg Durham Duke University Press [1997] © 1997 1 online resource (320 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In Dancing in Spite of Myself, Lawrence Grossberg-well known as a pioneering figure in cultural studies-has collected essays written over the past twenty years that have also established him as one of the leading theorists of popular culture and, specifically, of rock music. Grossberg offers an original and sophisticated view of the growing power of popular culture and its increasing inseparability from contemporary structures of economic and political power and from our everyday lives.In the course of conducting this exploration into the meaning of "popularity," he investigates the nature of fandom, the social effects of rock music and youth culture, and the possibilities for understanding the history of popular texts and practices. Describing what he calls "the postmodernity of everyday life," Grossberg offers important insights into the relation of pop music to issues of postmodernity and inton the growing power of the new cultural conservatism and its relationship to "the popular." Exploring the limits of existing theories of hegemony in cultural studies, Grossberg reveals the ways in which popular culture is being mobilized in the service of economic and political struggles. In articulating his own critical practice, Grossberg surveys and challenges some of the major assumptions of popular culture studies, including notions of domination and resistance, mainstream and marginality, and authenticity and incorporation.Dancing in Spite of Myself provides an introduction to contemporary theories of popular culture and a clear statement of relationships among theories of the nature of rock music, postmodernity, and conservative hegemony In English SOCIAL SCIENCE / Popular Culture bisacsh Popular culture United States History 20th century Rock music United States History and criticism https://doi.org/10.1515/9780822396529 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Grossberg, Lawrence Dancing in Spite of Myself Essays on Popular Culture SOCIAL SCIENCE / Popular Culture bisacsh Popular culture United States History 20th century Rock music United States History and criticism |
| title | Dancing in Spite of Myself Essays on Popular Culture |
| title_auth | Dancing in Spite of Myself Essays on Popular Culture |
| title_exact_search | Dancing in Spite of Myself Essays on Popular Culture |
| title_exact_search_txtP | Dancing in Spite of Myself Essays on Popular Culture |
| title_full | Dancing in Spite of Myself Essays on Popular Culture Lawrence Grossberg |
| title_fullStr | Dancing in Spite of Myself Essays on Popular Culture Lawrence Grossberg |
| title_full_unstemmed | Dancing in Spite of Myself Essays on Popular Culture Lawrence Grossberg |
| title_short | Dancing in Spite of Myself |
| title_sort | dancing in spite of myself essays on popular culture |
| title_sub | Essays on Popular Culture |
| topic | SOCIAL SCIENCE / Popular Culture bisacsh Popular culture United States History 20th century Rock music United States History and criticism |
| topic_facet | SOCIAL SCIENCE / Popular Culture Popular culture United States History 20th century Rock music United States History and criticism |
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