Becoming: The Photographs of Clementina, Viscountess Hawarden
Clementina, Viscountess Hawarden (1822-1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden tr...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Durham
Duke University Press
[1999]
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| Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 Volltext |
| Zusammenfassung: | Clementina, Viscountess Hawarden (1822-1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio-a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor's hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.With drama, wit, and verve, Lady Hawarden's girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scène is secretive, private, delicious, and arguably queer-a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs' interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the experience of the photograph and considers the relationship of Hawarden's works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor's voice unveils the peculiarities of the erotic in Lady Hawarden's images through a writerly approach that remembers and rewrites adolescence as sustained desire.In turn autobiographical, theoretical, historical, and analytical, Mavor's study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (264 pages) 119 b&w photographs, 15 duotone plates |
| ISBN: | 0822396157 9780822396154 |
| DOI: | 10.1515/9780822396154 |
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| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) | ||
| 520 | |a Clementina, Viscountess Hawarden (1822-1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio-a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor's hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.With drama, wit, and verve, Lady Hawarden's girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scène is secretive, private, delicious, and arguably queer-a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs' interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the experience of the photograph and considers the relationship of Hawarden's works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor's voice unveils the peculiarities of the erotic in Lady Hawarden's images through a writerly approach that remembers and rewrites adolescence as sustained desire.In turn autobiographical, theoretical, historical, and analytical, Mavor's study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography | ||
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Datensatz im Suchindex
| _version_ | 1811026463034441728 |
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| author | Mavor, Carol 1957- |
| author2 | Hawarden, Clementine 1822-1865 |
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| author_facet | Mavor, Carol 1957- Hawarden, Clementine 1822-1865 |
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| author_sort | Mavor, Carol 1957- |
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| dewey-full | 770/.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 770 - Photography, computer art, cinematography |
| dewey-raw | 770/.92 |
| dewey-search | 770/.92 |
| dewey-sort | 3770 292 |
| dewey-tens | 770 - Photography, computer art, cinematography |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| doi_str_mv | 10.1515/9780822396154 |
| format | Electronic eBook |
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| id | DE-604.BV047114117 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:26:57Z |
| indexdate | 2024-09-23T22:10:24Z |
| institution | BVB |
| isbn | 0822396157 9780822396154 |
| language | English |
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| physical | 1 online resource (264 pages) 119 b&w photographs, 15 duotone plates |
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| spelling | Mavor, Carol 1957- Verfasser (DE-588)1050353501 aut Becoming The Photographs of Clementina, Viscountess Hawarden Carol Mavor Durham Duke University Press [1999] © 1999 1 online resource (264 pages) 119 b&w photographs, 15 duotone plates txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Clementina, Viscountess Hawarden (1822-1865) produced over eight hundred photographs during her all-too-brief life. Most of these were portraits of her adolescent daughters. By whisking away the furniture and bric-a-brac common in scenes of upper-class homes of the Victorian period, Lady Hawarden transformed the sitting room of her London residence into a photographic studio-a private space for taking surprising photos of her daughters in fancy dress. In Carol Mavor's hands, these pictures become windows into Victorian culture, eroticism, mother-daughter relationships, and intimacy.With drama, wit, and verve, Lady Hawarden's girls, becoming women, entwine each other, their mirrored reflections and select feminine objects (an Indian traveling cabinet, a Gothic-style desk, a shell-covered box) as homoerotic partners. The resulting mise-en-scène is secretive, private, delicious, and arguably queer-a girltopia ripe with maternality and adolescent flirtation, as touching as it is erotic. Luxuriating in the photographs' interpretive possibilities, Mavor makes illuminating connections between Hawarden and other artists and writers, including Vermeer, Christina Rossetti, George Eliot, Lewis Carroll, and twentieth-century photographers Sally Mann and Francesca Woodman. Weaving psychoanalytic theory and other photographic analyses into her work, Mavor contemplates the experience of the photograph and considers the relationship of Hawarden's works to the concept of the female fetish, to voyeurism, mirrors and lenses, and twins and doubling. Under the spell of Roland Barthes, Mavor's voice unveils the peculiarities of the erotic in Lady Hawarden's images through a writerly approach that remembers and rewrites adolescence as sustained desire.In turn autobiographical, theoretical, historical, and analytical, Mavor's study caresses these mysteriously ripped and scissored images into fables of sapphic love and the real magic of photography In English Hawarden, Clementina / Viscountess / 1822-1865 / Criticism and interpretation Hawarden, Clementine 1822-1865 (DE-588)121546497 gnd rswk-swf Photography / Individual Photographers / General bisacsh Photography of women Hawarden, Clementine 1822-1865 (DE-588)121546497 p DE-604 Hawarden, Clementine 1822-1865 (DE-588)121546497 ctb Erscheint auch als Druck-Ausgabe 0822323559 https://doi.org/10.1515/9780822396154 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mavor, Carol 1957- Becoming The Photographs of Clementina, Viscountess Hawarden Hawarden, Clementina / Viscountess / 1822-1865 / Criticism and interpretation Hawarden, Clementine 1822-1865 (DE-588)121546497 gnd Photography / Individual Photographers / General bisacsh Photography of women |
| subject_GND | (DE-588)121546497 |
| title | Becoming The Photographs of Clementina, Viscountess Hawarden |
| title_auth | Becoming The Photographs of Clementina, Viscountess Hawarden |
| title_exact_search | Becoming The Photographs of Clementina, Viscountess Hawarden |
| title_exact_search_txtP | Becoming The Photographs of Clementina, Viscountess Hawarden |
| title_full | Becoming The Photographs of Clementina, Viscountess Hawarden Carol Mavor |
| title_fullStr | Becoming The Photographs of Clementina, Viscountess Hawarden Carol Mavor |
| title_full_unstemmed | Becoming The Photographs of Clementina, Viscountess Hawarden Carol Mavor |
| title_short | Becoming |
| title_sort | becoming the photographs of clementina viscountess hawarden |
| title_sub | The Photographs of Clementina, Viscountess Hawarden |
| topic | Hawarden, Clementina / Viscountess / 1822-1865 / Criticism and interpretation Hawarden, Clementine 1822-1865 (DE-588)121546497 gnd Photography / Individual Photographers / General bisacsh Photography of women |
| topic_facet | Hawarden, Clementina / Viscountess / 1822-1865 / Criticism and interpretation Hawarden, Clementine 1822-1865 Photography / Individual Photographers / General Photography of women |
| url | https://doi.org/10.1515/9780822396154 |
| work_keys_str_mv | AT mavorcarol becomingthephotographsofclementinaviscountesshawarden AT hawardenclementine becomingthephotographsofclementinaviscountesshawarden |