Art, Activism, and Oppositionality: Essays from Afterimage
There is a common perception in the arts today that overtly activist art-often seen to sacrifice an aesthetic pleasure for a subversive one-is no longer in fashion. In bringing together sixteen of the most important essays on activist and community-based art from the pages of Afterimage-one of the m...
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| Weitere Verfasser: | , , , , , , , , , , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1998]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | There is a common perception in the arts today that overtly activist art-often seen to sacrifice an aesthetic pleasure for a subversive one-is no longer in fashion. In bringing together sixteen of the most important essays on activist and community-based art from the pages of Afterimage-one of the most influential journals in the media and visual arts fields for more than twenty-five years-Grant H. Kester demonstrates that activist art, far from being antithetical to the true meaning of the aesthetic, can be its most legitimate expression.Forging a style of criticism where aesthetic, critical, theoretical, and activist concerns converge, Afterimage has shaped American debates around the politics of visual production and arts education while offering a voice to politically involved artists and scholars. Art, Activism, and Oppositionality insists not only on the continuing relevance of an activist stance to contemporary art practice and criticism, but also on the significance of an engaged art practice that is aligned with social or political activism. With essays that span fifteen years-roughly from Ronald Reagan's 1980 presidential win to the 1994 Republican victories in Congress, a period marked by waning public support for the arts and growing antagonism toward activist art-Art, Activism, and Oppositionality confronts issues ranging from arts patronage, pedagogy, and the very definitions of art and activism to struggles involving AIDS, reproductive rights, sexuality, and racial identity.Contributors. Maurice Berger, Richard Bolton, Ann Cvetkovich, Coco Fusco, Brian Goldfarb, Mable Haddock, Grant H. Kester, Ioannis Mookas, Chiquita Mullins Lee, Darrell Moore, Lorraine O'Grady, Michael Renov, Martha Rosler, Patricia Thomson, David Trend, Charles A. Wright Jr., Patricia R. Zimmerman |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (328 pages) 40 b&w photographs |
| ISBN: | 9780822396109 |
| DOI: | 10.1515/9780822396109 |
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| 520 | |a There is a common perception in the arts today that overtly activist art-often seen to sacrifice an aesthetic pleasure for a subversive one-is no longer in fashion. In bringing together sixteen of the most important essays on activist and community-based art from the pages of Afterimage-one of the most influential journals in the media and visual arts fields for more than twenty-five years-Grant H. Kester demonstrates that activist art, far from being antithetical to the true meaning of the aesthetic, can be its most legitimate expression.Forging a style of criticism where aesthetic, critical, theoretical, and activist concerns converge, Afterimage has shaped American debates around the politics of visual production and arts education while offering a voice to politically involved artists and scholars. Art, Activism, and Oppositionality insists not only on the continuing relevance of an activist stance to contemporary art practice and criticism, but also on the significance of an engaged art practice that is aligned with social or political activism. With essays that span fifteen years-roughly from Ronald Reagan's 1980 presidential win to the 1994 Republican victories in Congress, a period marked by waning public support for the arts and growing antagonism toward activist art-Art, Activism, and Oppositionality confronts issues ranging from arts patronage, pedagogy, and the very definitions of art and activism to struggles involving AIDS, reproductive rights, sexuality, and racial identity.Contributors. Maurice Berger, Richard Bolton, Ann Cvetkovich, Coco Fusco, Brian Goldfarb, Mable Haddock, Grant H. Kester, Ioannis Mookas, Chiquita Mullins Lee, Darrell Moore, Lorraine O'Grady, Michael Renov, Martha Rosler, Patricia Thomson, David Trend, Charles A. Wright Jr., Patricia R. Zimmerman | ||
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Datensatz im Suchindex
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| author2 | Ann, Cvetkovich Brian, Goldfarb Charles, Wright Chiquita, Lee Coco, Fusco Darrell, Moore David, Trend Grant, Kester Ioannis, Mookas Kester, Grant H. Lorraine, O'Grady Mable, Haddock Martha, RosIer Maurice, Berger Michael, Renov Patricia, Thomson Patricia, Zimmermann Richard, Bolton |
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| author_facet | Ann, Cvetkovich Brian, Goldfarb Charles, Wright Chiquita, Lee Coco, Fusco Darrell, Moore David, Trend Grant, Kester Ioannis, Mookas Kester, Grant H. Lorraine, O'Grady Mable, Haddock Martha, RosIer Maurice, Berger Michael, Renov Patricia, Thomson Patricia, Zimmermann Richard, Bolton |
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| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9780822396109 |
| format | Electronic eBook |
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| spelling | Art, Activism, and Oppositionality Essays from Afterimage Grant H. Kester Durham Duke University Press [1998] © 1998 1 online resource (328 pages) 40 b&w photographs txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) There is a common perception in the arts today that overtly activist art-often seen to sacrifice an aesthetic pleasure for a subversive one-is no longer in fashion. In bringing together sixteen of the most important essays on activist and community-based art from the pages of Afterimage-one of the most influential journals in the media and visual arts fields for more than twenty-five years-Grant H. Kester demonstrates that activist art, far from being antithetical to the true meaning of the aesthetic, can be its most legitimate expression.Forging a style of criticism where aesthetic, critical, theoretical, and activist concerns converge, Afterimage has shaped American debates around the politics of visual production and arts education while offering a voice to politically involved artists and scholars. Art, Activism, and Oppositionality insists not only on the continuing relevance of an activist stance to contemporary art practice and criticism, but also on the significance of an engaged art practice that is aligned with social or political activism. With essays that span fifteen years-roughly from Ronald Reagan's 1980 presidential win to the 1994 Republican victories in Congress, a period marked by waning public support for the arts and growing antagonism toward activist art-Art, Activism, and Oppositionality confronts issues ranging from arts patronage, pedagogy, and the very definitions of art and activism to struggles involving AIDS, reproductive rights, sexuality, and racial identity.Contributors. Maurice Berger, Richard Bolton, Ann Cvetkovich, Coco Fusco, Brian Goldfarb, Mable Haddock, Grant H. Kester, Ioannis Mookas, Chiquita Mullins Lee, Darrell Moore, Lorraine O'Grady, Michael Renov, Martha Rosler, Patricia Thomson, David Trend, Charles A. Wright Jr., Patricia R. Zimmerman In English ART / American / General bisacsh Ann, Cvetkovich ctb Brian, Goldfarb ctb Charles, Wright ctb Chiquita, Lee ctb Coco, Fusco ctb Darrell, Moore ctb David, Trend ctb Grant, Kester ctb Ioannis, Mookas ctb Kester, Grant H. edt Lorraine, O'Grady ctb Mable, Haddock ctb Martha, RosIer ctb Maurice, Berger ctb Michael, Renov ctb Patricia, Thomson ctb Patricia, Zimmermann ctb Richard, Bolton ctb https://doi.org/10.1515/9780822396109 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Art, Activism, and Oppositionality Essays from Afterimage ART / American / General bisacsh |
| title | Art, Activism, and Oppositionality Essays from Afterimage |
| title_auth | Art, Activism, and Oppositionality Essays from Afterimage |
| title_exact_search | Art, Activism, and Oppositionality Essays from Afterimage |
| title_exact_search_txtP | Art, Activism, and Oppositionality Essays from Afterimage |
| title_full | Art, Activism, and Oppositionality Essays from Afterimage Grant H. Kester |
| title_fullStr | Art, Activism, and Oppositionality Essays from Afterimage Grant H. Kester |
| title_full_unstemmed | Art, Activism, and Oppositionality Essays from Afterimage Grant H. Kester |
| title_short | Art, Activism, and Oppositionality |
| title_sort | art activism and oppositionality essays from afterimage |
| title_sub | Essays from Afterimage |
| topic | ART / American / General bisacsh |
| topic_facet | ART / American / General |
| url | https://doi.org/10.1515/9780822396109 |
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