The Irish in Us: Irishness, Performativity, and Popular Culture
Over the past decade or so, Irishness has emerged as an idealized ethnicity, one with which large numbers of people around the world, and particularly in the United States, choose to identify. Seeking to explain the widespread appeal of all things Irish, the contributors to this collection show that...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2006]
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Over the past decade or so, Irishness has emerged as an idealized ethnicity, one with which large numbers of people around the world, and particularly in the United States, choose to identify. Seeking to explain the widespread appeal of all things Irish, the contributors to this collection show that for Americans, Irishness is rapidly becoming the white ethnicity of choice, a means of claiming an ethnic identity while maintaining the benefits of whiteness. At the same time, the essayists challenge essentialized representations of Irishness, bringing attention to the complexities of Irish history and culture that are glossed over in Irish-themed weddings and shamrock tattoos.Examining how Irishness is performed and commodified in the contemporary transnational environment, the contributors explore topics including Van Morrison's music, Frank McCourt's writing, the explosion of Irish-themed merchandising, the practices of heritage seekers, the movie The Crying Game, and the significance of red hair. Whether considering the implications of Garth Brooks's claim of Irishness and his enormous popularity in Ireland, representations of Irish masculinity in the TV series Buffy the Vampire Slayer and Angel, or Americans' recourse to a consoling Irishness amid the racial and nationalist tensions triggered by the events of September 11, the contributors delve into complex questions of ethnicity, consumerism, and globalization. Ultimately, they call for an increased awareness of the exclusionary effects of claims of Irishness and for the cultivation of flexible, inclusive ways of affiliating with Ireland and the Irish.Contributors. Natasha Casey, Maeve Connolly, Catherine M. Eagan, Sean Griffin, Michael Malouf, Mary McGlynn, Gerardine Meaney, Diane Negra, Lauren Onkey, Maria Pramaggiore, Stephanie Rains, Amanda Third |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
Beschreibung: | 1 online resource (392 pages) 33 illus |
ISBN: | 9780822387848 |
DOI: | 10.1515/9780822387848 |
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author2 | Amanda, Third Catherine M., Eagan Diane, Negra Gerardine, Meaney Lauren, Onkey Maeve, Connolly Maria, Pramaggiore Mary, McGlynn Michael, Malouf Natasha, Casey Negra, Diane Sean, Griffin Stephanie, Rains |
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discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
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spelling | The Irish in Us Irishness, Performativity, and Popular Culture Diane Negra Durham Duke University Press [2006] © 2006 1 online resource (392 pages) 33 illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Over the past decade or so, Irishness has emerged as an idealized ethnicity, one with which large numbers of people around the world, and particularly in the United States, choose to identify. Seeking to explain the widespread appeal of all things Irish, the contributors to this collection show that for Americans, Irishness is rapidly becoming the white ethnicity of choice, a means of claiming an ethnic identity while maintaining the benefits of whiteness. At the same time, the essayists challenge essentialized representations of Irishness, bringing attention to the complexities of Irish history and culture that are glossed over in Irish-themed weddings and shamrock tattoos.Examining how Irishness is performed and commodified in the contemporary transnational environment, the contributors explore topics including Van Morrison's music, Frank McCourt's writing, the explosion of Irish-themed merchandising, the practices of heritage seekers, the movie The Crying Game, and the significance of red hair. Whether considering the implications of Garth Brooks's claim of Irishness and his enormous popularity in Ireland, representations of Irish masculinity in the TV series Buffy the Vampire Slayer and Angel, or Americans' recourse to a consoling Irishness amid the racial and nationalist tensions triggered by the events of September 11, the contributors delve into complex questions of ethnicity, consumerism, and globalization. Ultimately, they call for an increased awareness of the exclusionary effects of claims of Irishness and for the cultivation of flexible, inclusive ways of affiliating with Ireland and the Irish.Contributors. Natasha Casey, Maeve Connolly, Catherine M. Eagan, Sean Griffin, Michael Malouf, Mary McGlynn, Gerardine Meaney, Diane Negra, Lauren Onkey, Maria Pramaggiore, Stephanie Rains, Amanda Third In English ART / General bisacsh Art, Irish Cross-cultural studies Art, Irish Influence Ethnicity United States Irish Americans in popular culture Irish Americans Ethnic identity Whites Race identity United States Amanda, Third ctb Casey, Natasha Sonstige oth Catherine M., Eagan ctb Diane, Negra ctb Eagan, Catherine M. Sonstige oth Gerardine, Meaney ctb Griffin, Sean Sonstige oth Lauren, Onkey ctb Maeve, Connolly ctb Maria, Pramaggiore ctb Mary, McGlynn ctb Michael, Malouf ctb Natasha, Casey ctb Negra, Diane edt Pramaggiore, Maria Sonstige oth Sean, Griffin ctb Stephanie, Rains ctb https://doi.org/10.1515/9780822387848 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | The Irish in Us Irishness, Performativity, and Popular Culture ART / General bisacsh Art, Irish Cross-cultural studies Art, Irish Influence Ethnicity United States Irish Americans in popular culture Irish Americans Ethnic identity Whites Race identity United States |
title | The Irish in Us Irishness, Performativity, and Popular Culture |
title_auth | The Irish in Us Irishness, Performativity, and Popular Culture |
title_exact_search | The Irish in Us Irishness, Performativity, and Popular Culture |
title_exact_search_txtP | The Irish in Us Irishness, Performativity, and Popular Culture |
title_full | The Irish in Us Irishness, Performativity, and Popular Culture Diane Negra |
title_fullStr | The Irish in Us Irishness, Performativity, and Popular Culture Diane Negra |
title_full_unstemmed | The Irish in Us Irishness, Performativity, and Popular Culture Diane Negra |
title_short | The Irish in Us |
title_sort | the irish in us irishness performativity and popular culture |
title_sub | Irishness, Performativity, and Popular Culture |
topic | ART / General bisacsh Art, Irish Cross-cultural studies Art, Irish Influence Ethnicity United States Irish Americans in popular culture Irish Americans Ethnic identity Whites Race identity United States |
topic_facet | ART / General Art, Irish Cross-cultural studies Art, Irish Influence Ethnicity United States Irish Americans in popular culture Irish Americans Ethnic identity Whites Race identity United States |
url | https://doi.org/10.1515/9780822387848 |
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