Social Choreography: Ideology as Performance in Dance and Everyday Movement
Through the concept of "social choreography" Andrew Hewitt demonstrates how choreography has served not only as metaphor for modernity but also as a structuring blueprint for thinking about and shaping modern social organization. Bringing dance history and critical theory together, he show...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2005]
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| Schriftenreihe: | Post-Contemporary Interventions
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Through the concept of "social choreography" Andrew Hewitt demonstrates how choreography has served not only as metaphor for modernity but also as a structuring blueprint for thinking about and shaping modern social organization. Bringing dance history and critical theory together, he shows that ideology needs to be understood as something embodied and practiced, not just as an abstract form of consciousness. Linking dance and the aesthetics of everyday movement-such as walking, stumbling, and laughter-to historical ideals of social order, he provides a powerful exposition of Marxist debates about the relation of ideology and aesthetics.Hewitt focuses on the period between the mid-nineteenth century and the early twentieth and considers dancers and social theorists in Germany, Britain, France, and the United States. Analyzing the arguments of writers including Friedrich Schiller, Theodor Adorno, Hans Brandenburg, Ernst Bloch, and Siegfried Kracauer, he reveals in their thinking about the movement of bodies a shift from an understanding of play as the condition of human freedom to one prioritizing labor as either the realization or alienation of embodied human potential. Whether considering understandings of the Charleston, Isadora Duncan, Nijinsky, or the famous British chorus line the Tiller Girls, Hewitt foregrounds gender as he uses dance and everyday movement to rethink the relationship of aesthetics and social order |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (261 pages) |
| ISBN: | 9780822386582 |
| DOI: | 10.1515/9780822386582 |
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| 520 | |a Through the concept of "social choreography" Andrew Hewitt demonstrates how choreography has served not only as metaphor for modernity but also as a structuring blueprint for thinking about and shaping modern social organization. Bringing dance history and critical theory together, he shows that ideology needs to be understood as something embodied and practiced, not just as an abstract form of consciousness. Linking dance and the aesthetics of everyday movement-such as walking, stumbling, and laughter-to historical ideals of social order, he provides a powerful exposition of Marxist debates about the relation of ideology and aesthetics.Hewitt focuses on the period between the mid-nineteenth century and the early twentieth and considers dancers and social theorists in Germany, Britain, France, and the United States. Analyzing the arguments of writers including Friedrich Schiller, Theodor Adorno, Hans Brandenburg, Ernst Bloch, and Siegfried Kracauer, he reveals in their thinking about the movement of bodies a shift from an understanding of play as the condition of human freedom to one prioritizing labor as either the realization or alienation of embodied human potential. Whether considering understandings of the Charleston, Isadora Duncan, Nijinsky, or the famous British chorus line the Tiller Girls, Hewitt foregrounds gender as he uses dance and everyday movement to rethink the relationship of aesthetics and social order | ||
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| spelling | Hewitt, Andrew Verfasser aut Social Choreography Ideology as Performance in Dance and Everyday Movement Andrew Hewitt; Fredric Jameson, Stanley Fish Durham Duke University Press [2005] © 2005 1 online resource (261 pages) txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Through the concept of "social choreography" Andrew Hewitt demonstrates how choreography has served not only as metaphor for modernity but also as a structuring blueprint for thinking about and shaping modern social organization. Bringing dance history and critical theory together, he shows that ideology needs to be understood as something embodied and practiced, not just as an abstract form of consciousness. Linking dance and the aesthetics of everyday movement-such as walking, stumbling, and laughter-to historical ideals of social order, he provides a powerful exposition of Marxist debates about the relation of ideology and aesthetics.Hewitt focuses on the period between the mid-nineteenth century and the early twentieth and considers dancers and social theorists in Germany, Britain, France, and the United States. Analyzing the arguments of writers including Friedrich Schiller, Theodor Adorno, Hans Brandenburg, Ernst Bloch, and Siegfried Kracauer, he reveals in their thinking about the movement of bodies a shift from an understanding of play as the condition of human freedom to one prioritizing labor as either the realization or alienation of embodied human potential. Whether considering understandings of the Charleston, Isadora Duncan, Nijinsky, or the famous British chorus line the Tiller Girls, Hewitt foregrounds gender as he uses dance and everyday movement to rethink the relationship of aesthetics and social order In English PERFORMING ARTS / Dance / General bisacsh Choreography Dance Sociological aspects Movement, Aesthetics of Fish, Stanley edt Jameson, Fredric edt https://doi.org/10.1515/9780822386582 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hewitt, Andrew Social Choreography Ideology as Performance in Dance and Everyday Movement PERFORMING ARTS / Dance / General bisacsh Choreography Dance Sociological aspects Movement, Aesthetics of |
| title | Social Choreography Ideology as Performance in Dance and Everyday Movement |
| title_auth | Social Choreography Ideology as Performance in Dance and Everyday Movement |
| title_exact_search | Social Choreography Ideology as Performance in Dance and Everyday Movement |
| title_exact_search_txtP | Social Choreography Ideology as Performance in Dance and Everyday Movement |
| title_full | Social Choreography Ideology as Performance in Dance and Everyday Movement Andrew Hewitt; Fredric Jameson, Stanley Fish |
| title_fullStr | Social Choreography Ideology as Performance in Dance and Everyday Movement Andrew Hewitt; Fredric Jameson, Stanley Fish |
| title_full_unstemmed | Social Choreography Ideology as Performance in Dance and Everyday Movement Andrew Hewitt; Fredric Jameson, Stanley Fish |
| title_short | Social Choreography |
| title_sort | social choreography ideology as performance in dance and everyday movement |
| title_sub | Ideology as Performance in Dance and Everyday Movement |
| topic | PERFORMING ARTS / Dance / General bisacsh Choreography Dance Sociological aspects Movement, Aesthetics of |
| topic_facet | PERFORMING ARTS / Dance / General Choreography Dance Sociological aspects Movement, Aesthetics of |
| url | https://doi.org/10.1515/9780822386582 |
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