Shades of Black: Assembling Black Arts in 1980s Britain
In the 1980s-at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities-the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2005]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In the 1980s-at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities-the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement-particularly given that "black" in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin.In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today's artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource.Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (368 pages) 116 (31 in color; 85 in timeline as b-w) |
| ISBN: | 9780822386445 |
| DOI: | 10.1515/9780822386445 |
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| 520 | |a In the 1980s-at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities-the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. | ||
| 520 | |a They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement-particularly given that "black" in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin.In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today's artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. | ||
| 520 | |a A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource.Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson | ||
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Datensatz im Suchindex
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| author2 | Adelaide, Bannerman Bailey, David A. Baucom, Ian Boyce, Sonia David, Bailey Ian, Baucom Jean, Fisher Leon, Wainwright Sonia, Boyce |
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| author_facet | Adelaide, Bannerman Bailey, David A. Baucom, Ian Boyce, Sonia David, Bailey Ian, Baucom Jean, Fisher Leon, Wainwright Sonia, Boyce |
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| dewey-ones | 704 - Special topics in fine and decorative arts |
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| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9780822386445 |
| format | Electronic eBook |
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| index_date | 2024-07-03T16:26:56Z |
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| isbn | 9780822386445 |
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| spelling | Shades of Black Assembling Black Arts in 1980s Britain David A. Bailey, Ian Baucom, Sonia Boyce Durham Duke University Press [2005] © 2005 1 online resource (368 pages) 116 (31 in color; 85 in timeline as b-w) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In the 1980s-at the height of Thatcherism and in the wake of civil unrest and rioting in a number of British cities-the Black Arts Movement burst onto the British art scene with breathtaking intensity, changing the nature and perception of British culture irreversibly. This richly illustrated volume presents a history of that movement. It brings together in a lively dialogue leading artists, curators, art historians, and critics, many of whom were actively involved in the Black Arts Movement. Combining cultural theory with anecdote and experience, the contributors debate how the work of the black British artists of the 1980s should be viewed historically. They consider the political, cultural, and artistic developments that sparked the movement even as they explore the extent to which such a diverse body of work can be said to constitute a distinct artistic movement-particularly given that "black" in Britain in the 1980s encompassed those of South Asian, North and sub-Saharan African, and Caribbean descent, referring as much to shared experiences of disenfranchisement as to shades of skin.In thirteen original essays, the contributors examine the movement in relation to artistic practice, public funding, and the transnational art market and consider its legacy for today's artists and activists. The volume includes a unique catalog of images, an extensive list of suggested readings, and a descriptive timeline situating the movement vis-à-vis relevant artworks and films, exhibitions, cultural criticism, and political events from 1960 to 2000. A dynamic living archive of conversations, texts, and images, Shades of Black will be an essential resource.Contributors. Stanley Abe, Jawad Al-Nawab, Rasheed Araeen, David A. Bailey, Adelaide Bannerman, Ian Baucom, Dawoud Bey, Sonia Boyce, Allan deSouza, Jean Fisher, Stuart Hall, Lubaina Himid, Naseem Khan, susan pui san lok, Kobena Mercer, Yong Soon Min, Keith Piper, Zineb Sedira, Gilane Tawadros, Leon Wainwright, Judith Wilson In English ART / History / General bisacsh Art, Black Great Britain Congresses Art, British 20th century Congresses Multiculturalism in art Congresses Postcolonialism and the arts Congresses Adelaide, Bannerman ctb Bailey, David A. edt Baucom, Ian edt Boyce, Sonia edt David, Bailey ctb Ian, Baucom ctb Jean, Fisher ctb Leon, Wainwright ctb Sonia, Boyce ctb https://doi.org/10.1515/9780822386445 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shades of Black Assembling Black Arts in 1980s Britain ART / History / General bisacsh Art, Black Great Britain Congresses Art, British 20th century Congresses Multiculturalism in art Congresses Postcolonialism and the arts Congresses |
| title | Shades of Black Assembling Black Arts in 1980s Britain |
| title_auth | Shades of Black Assembling Black Arts in 1980s Britain |
| title_exact_search | Shades of Black Assembling Black Arts in 1980s Britain |
| title_exact_search_txtP | Shades of Black Assembling Black Arts in 1980s Britain |
| title_full | Shades of Black Assembling Black Arts in 1980s Britain David A. Bailey, Ian Baucom, Sonia Boyce |
| title_fullStr | Shades of Black Assembling Black Arts in 1980s Britain David A. Bailey, Ian Baucom, Sonia Boyce |
| title_full_unstemmed | Shades of Black Assembling Black Arts in 1980s Britain David A. Bailey, Ian Baucom, Sonia Boyce |
| title_short | Shades of Black |
| title_sort | shades of black assembling black arts in 1980s britain |
| title_sub | Assembling Black Arts in 1980s Britain |
| topic | ART / History / General bisacsh Art, Black Great Britain Congresses Art, British 20th century Congresses Multiculturalism in art Congresses Postcolonialism and the arts Congresses |
| topic_facet | ART / History / General Art, Black Great Britain Congresses Art, British 20th century Congresses Multiculturalism in art Congresses Postcolonialism and the arts Congresses |
| url | https://doi.org/10.1515/9780822386445 |
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