In Senghor's Shadow: Art, Politics, and the Avant-Garde in Senegal, 1960-1995
In Senghor's Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal's first president, and in the decades since he stepped down in 1980. As a major philosopher and poe...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Durham
Duke University Press
[2004]
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| Schriftenreihe: | Objects/Histories
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In Senghor's Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal's first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis-known as the Ecole de Dakar-Harney reconsiders Senghor's Negritude philosophy, his desire to express Senegal's postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists.Heavily illustrated with nearly one hundred images, including some in color, In Senghor's Shadow surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups-from those who worked at the height of Senghor's patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor's legacy and the broader art world's understandings of cultural syncretism. Ultimately, Harney's work illuminates the production and reception of modern Senegalese art within the global arena |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (360 pages) 14 color photos, 78 b&w photos |
| ISBN: | 9780822386056 |
| DOI: | 10.1515/9780822386056 |
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| index_date | 2024-07-03T16:26:56Z |
| indexdate | 2024-07-10T09:03:00Z |
| institution | BVB |
| isbn | 9780822386056 |
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| spelling | Harney, Elizabeth Verfasser aut In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 Elizabeth Harney; Nicholas Thomas Durham Duke University Press [2004] © 2004 1 online resource (360 pages) 14 color photos, 78 b&w photos txt rdacontent c rdamedia cr rdacarrier Objects/Histories Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In Senghor's Shadow is a unique study of modern art in postindependence Senegal. Elizabeth Harney examines the art that flourished during the administration of Léopold Sédar Senghor, Senegal's first president, and in the decades since he stepped down in 1980. As a major philosopher and poet of Negritude, Senghor envisioned an active and revolutionary role for modern artists, and he created a well-funded system for nurturing their work. In questioning the canon of art produced under his aegis-known as the Ecole de Dakar-Harney reconsiders Senghor's Negritude philosophy, his desire to express Senegal's postcolonial national identity through art, and the system of art schools and exhibits he developed. She expands scholarship on global modernisms by highlighting the distinctive cultural history that shaped Senegalese modernism and the complex and often contradictory choices made by its early artists.Heavily illustrated with nearly one hundred images, including some in color, In Senghor's Shadow surveys the work of a range of Senegalese artists, including painters, muralists, sculptors, and performance-based groups-from those who worked at the height of Senghor's patronage system to those who graduated from art school in the early 1990s. Harney reveals how, in the 1970s, avant-gardists contested Negritude beliefs by breaking out of established artistic forms. During the 1980s and 1990s, artists such as Moustapha Dimé, Germaine Anta Gaye, and Kan-Si engaged with avant-garde methods and local artistic forms to challenge both Senghor's legacy and the broader art world's understandings of cultural syncretism. Ultimately, Harney's work illuminates the production and reception of modern Senegalese art within the global arena In English ART / African bisacsh Art and state Senegal Avant-garde (Aesthetics) Senegal Dakar History 20th century Modernism (Art) Senegal Dakar Negritude (Literary movement) Senegal Influence Thomas, Nicholas edt https://doi.org/10.1515/9780822386056 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Harney, Elizabeth In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 ART / African bisacsh Art and state Senegal Avant-garde (Aesthetics) Senegal Dakar History 20th century Modernism (Art) Senegal Dakar Negritude (Literary movement) Senegal Influence |
| title | In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 |
| title_auth | In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 |
| title_exact_search | In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 |
| title_exact_search_txtP | In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 |
| title_full | In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 Elizabeth Harney; Nicholas Thomas |
| title_fullStr | In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 Elizabeth Harney; Nicholas Thomas |
| title_full_unstemmed | In Senghor's Shadow Art, Politics, and the Avant-Garde in Senegal, 1960-1995 Elizabeth Harney; Nicholas Thomas |
| title_short | In Senghor's Shadow |
| title_sort | in senghor s shadow art politics and the avant garde in senegal 1960 1995 |
| title_sub | Art, Politics, and the Avant-Garde in Senegal, 1960-1995 |
| topic | ART / African bisacsh Art and state Senegal Avant-garde (Aesthetics) Senegal Dakar History 20th century Modernism (Art) Senegal Dakar Negritude (Literary movement) Senegal Influence |
| topic_facet | ART / African Art and state Senegal Avant-garde (Aesthetics) Senegal Dakar History 20th century Modernism (Art) Senegal Dakar Negritude (Literary movement) Senegal Influence |
| url | https://doi.org/10.1515/9780822386056 |
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