Cultures of the Death Drive: Melanie Klein and Modernist Melancholia
Cultures of the Death Drive is a comprehensive guide to the work of pioneering psychoanalyst Melanie Klein (1882-1960) and to developments in Kleinian theory to date. It is also an analysis and a demonstration of the distinctive usefulness of Klein's thought for understanding modernist literatu...
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Weitere Verfasser: | , |
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[2003]
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Schriftenreihe: | Post-Contemporary Interventions
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | Cultures of the Death Drive is a comprehensive guide to the work of pioneering psychoanalyst Melanie Klein (1882-1960) and to developments in Kleinian theory to date. It is also an analysis and a demonstration of the distinctive usefulness of Klein's thought for understanding modernist literature and visual art. Esther Sánchez-Pardo examines the issues that the seminal discourses of psychoanalysis and artistic modernism brought to the fore in the early twentieth century and points toward the uses of Kleinian thinking for reconceptualizing the complexities of identity and social relations today.Sánchez-Pardo argues that the troubled political atmosphere leading to both world wars created a melancholia fueled by "cultures of the death drive" and the related specters of object loss-loss of coherent and autonomous selves, of social orders where stability reigned, of metaphysical guarantees, and, in some cases, loss and fragmentation of empire. This melancholia permeated, and even propelled, modernist artistic discourses. Sánchez-Pardo shows how the work of Melanie Klein, the theorist of melancholia par excellence, uniquely illuminates modernist texts, particularly their representations of gender and sexualities. She offers a number of readings-of works by Virginia Woolf, René Magritte, Lytton Strachey, Djuna Barnes, and Countee Cullen-that reveal the problems melancholia posed for verbal and visual communication and the narrative and rhetorical strategies modernist artists derived to either express or overcome them. In her afterword, Sánchez-Pardo explicates the connections between modernist and contemporary melancholia.A valuable contribution to psychoanalytic theory, gender and sexuality studies, and the study of representation in literature and the visual arts, Cultures of the Death Drive is a necessary resource for those interested in the work of Melanie Klein |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
Beschreibung: | 1 online resource (503 pages) 5 illus |
ISBN: | 9780822384748 |
DOI: | 10.1515/9780822384748 |
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Datensatz im Suchindex
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discipline | Psychologie |
discipline_str_mv | Psychologie |
doi_str_mv | 10.1515/9780822384748 |
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spelling | Sánchez-Pardo, Esther Verfasser aut Cultures of the Death Drive Melanie Klein and Modernist Melancholia Esther Sánchez-Pardo; Fredric Jameson, Stanley Fish Durham Duke University Press [2003] © 2003 1 online resource (503 pages) 5 illus txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Cultures of the Death Drive is a comprehensive guide to the work of pioneering psychoanalyst Melanie Klein (1882-1960) and to developments in Kleinian theory to date. It is also an analysis and a demonstration of the distinctive usefulness of Klein's thought for understanding modernist literature and visual art. Esther Sánchez-Pardo examines the issues that the seminal discourses of psychoanalysis and artistic modernism brought to the fore in the early twentieth century and points toward the uses of Kleinian thinking for reconceptualizing the complexities of identity and social relations today.Sánchez-Pardo argues that the troubled political atmosphere leading to both world wars created a melancholia fueled by "cultures of the death drive" and the related specters of object loss-loss of coherent and autonomous selves, of social orders where stability reigned, of metaphysical guarantees, and, in some cases, loss and fragmentation of empire. This melancholia permeated, and even propelled, modernist artistic discourses. Sánchez-Pardo shows how the work of Melanie Klein, the theorist of melancholia par excellence, uniquely illuminates modernist texts, particularly their representations of gender and sexualities. She offers a number of readings-of works by Virginia Woolf, René Magritte, Lytton Strachey, Djuna Barnes, and Countee Cullen-that reveal the problems melancholia posed for verbal and visual communication and the narrative and rhetorical strategies modernist artists derived to either express or overcome them. In her afterword, Sánchez-Pardo explicates the connections between modernist and contemporary melancholia.A valuable contribution to psychoanalytic theory, gender and sexuality studies, and the study of representation in literature and the visual arts, Cultures of the Death Drive is a necessary resource for those interested in the work of Melanie Klein In English PSYCHOLOGY / Movements / Psychoanalysis bisacsh Death instinct Psychoanalysis Fish, Stanley edt Jameson, Fredric edt https://doi.org/10.1515/9780822384748 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Sánchez-Pardo, Esther Cultures of the Death Drive Melanie Klein and Modernist Melancholia PSYCHOLOGY / Movements / Psychoanalysis bisacsh Death instinct Psychoanalysis |
title | Cultures of the Death Drive Melanie Klein and Modernist Melancholia |
title_auth | Cultures of the Death Drive Melanie Klein and Modernist Melancholia |
title_exact_search | Cultures of the Death Drive Melanie Klein and Modernist Melancholia |
title_exact_search_txtP | Cultures of the Death Drive Melanie Klein and Modernist Melancholia |
title_full | Cultures of the Death Drive Melanie Klein and Modernist Melancholia Esther Sánchez-Pardo; Fredric Jameson, Stanley Fish |
title_fullStr | Cultures of the Death Drive Melanie Klein and Modernist Melancholia Esther Sánchez-Pardo; Fredric Jameson, Stanley Fish |
title_full_unstemmed | Cultures of the Death Drive Melanie Klein and Modernist Melancholia Esther Sánchez-Pardo; Fredric Jameson, Stanley Fish |
title_short | Cultures of the Death Drive |
title_sort | cultures of the death drive melanie klein and modernist melancholia |
title_sub | Melanie Klein and Modernist Melancholia |
topic | PSYCHOLOGY / Movements / Psychoanalysis bisacsh Death instinct Psychoanalysis |
topic_facet | PSYCHOLOGY / Movements / Psychoanalysis Death instinct Psychoanalysis |
url | https://doi.org/10.1515/9780822384748 |
work_keys_str_mv | AT sanchezpardoesther culturesofthedeathdrivemelaniekleinandmodernistmelancholia AT fishstanley culturesofthedeathdrivemelaniekleinandmodernistmelancholia AT jamesonfredric culturesofthedeathdrivemelaniekleinandmodernistmelancholia |