Rites of Realism: Essays on Corporeal Cinema
Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
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Durham
Duke University Press
[2003]
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| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary.By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns-particularly the link between cinematic realism and contingency-that the other essays explore further.Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami.Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (360 pages) 36 b&w photos |
| ISBN: | 9780822384618 |
| DOI: | 10.1515/9780822384618 |
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| 520 | |a Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary.By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns-particularly the link between cinematic realism and contingency-that the other essays explore further.Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami.Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang | ||
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| spelling | Rites of Realism Essays on Corporeal Cinema Ivone Margulies Durham Duke University Press [2003] © 2003 1 online resource (360 pages) 36 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Rites of Realism shifts the discussion of cinematic realism away from the usual focus on verisimilitude and faithfulness of record toward a notion of "performative realism," a realism that does not simply represent a given reality but enacts actual social tensions. These essays by a range of film scholars propose stimulating new approaches to the critical evaluation of modern realist films and such referential genres as reenactment, historical film, adaptation, portrait film, and documentary.By providing close readings of classic and contemporary works, Rites of Realism signals the need to return to a focus on films as the main innovators of realist representation. The collection is inspired by André Bazin's theories on film's inherent heterogeneity and unique ability to register contingency (the singular, one-time event). This volume features two new translations: of Bazin's seminal essay "Death Every Afternoon" and Serge Daney's essay reinterpreting Bazin's defense of the long shot as a way to set the stage for a clash or risky confrontation between man and animal. These pieces evince key concerns-particularly the link between cinematic realism and contingency-that the other essays explore further.Among the topics addressed are the provocative mimesis of Luis Buñuel's Land Without Bread; the adaptation of trial documents in Carl Dreyer's Passion of Joan of Arc; the use of the tableaux vivant by Wim Wenders and Peter Greenaway; and Pier Paolo Pasolini's strategies of analogy in his transposition of The Gospel According to St. Matthew from Palestine to southern Italy. Essays consider the work of filmmakers including Michelangelo Antonioni, Maya Deren, Mike Leigh, Cesare Zavattini, Zhang Yuan, and Abbas Kiarostami.Contributors: Paul Arthur, André Bazin, Mark A. Cohen, Serge Daney, Mary Ann Doane, James F. Lastra, Ivone Margulies, Abé Mark Normes, Brigitte Peucker, Richard Porton, Philip Rosen, Catherine Russell, James Schamus, Noa Steimatsky, Xiaobing Tang In English PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures Motion pictures Semiotics Realism in motion pictures Abé Mark, Nornes ctb André, Bazin ctb Brazin, Andre Sonstige oth Brigitte, Peucker ctb Catherine, Russell ctb Cohen, Mark Andrew Sonstige oth Daney, Serge Sonstige oth Ivone, Margulies ctb James F., Lastra ctb James, Schamus ctb Margulies, Ivone edt Mary Ann, Doane ctb Noa, Steimatsky ctb Paul, Arthur ctb Philip, Rosen ctb Richard, Porton ctb Rosen, Philip Sonstige oth Serge, Daney ctb Xiaobing, Tang ctb https://doi.org/10.1515/9780822384618 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rites of Realism Essays on Corporeal Cinema PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures Motion pictures Semiotics Realism in motion pictures |
| title | Rites of Realism Essays on Corporeal Cinema |
| title_auth | Rites of Realism Essays on Corporeal Cinema |
| title_exact_search | Rites of Realism Essays on Corporeal Cinema |
| title_exact_search_txtP | Rites of Realism Essays on Corporeal Cinema |
| title_full | Rites of Realism Essays on Corporeal Cinema Ivone Margulies |
| title_fullStr | Rites of Realism Essays on Corporeal Cinema Ivone Margulies |
| title_full_unstemmed | Rites of Realism Essays on Corporeal Cinema Ivone Margulies |
| title_short | Rites of Realism |
| title_sort | rites of realism essays on corporeal cinema |
| title_sub | Essays on Corporeal Cinema |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Human body in motion pictures Motion pictures Semiotics Realism in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / General Human body in motion pictures Motion pictures Semiotics Realism in motion pictures |
| url | https://doi.org/10.1515/9780822384618 |
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