The audible past: cultural origins of sound reproduction
The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2003]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UBM01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death.Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 Online-Ressource (472 Seiten) Illustrationen |
| ISBN: | 9780822384250 |
| DOI: | 10.1515/9780822384250 |
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| 520 | |a The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death.Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology | ||
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Datensatz im Suchindex
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| isbn | 9780822384250 |
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| spelling | Sterne, Jonathan 1970- Verfasser (DE-588)135692253 aut The audible past cultural origins of sound reproduction Jonathan Sterne Durham Duke University Press [2003] © 2003 1 Online-Ressource (472 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) The Audible Past explores the cultural origins of sound reproduction. It describes a distinctive sound culture that gave birth to the sound recording and the transmission devices so ubiquitous in modern life. With an ear for the unexpected, scholar and musician Jonathan Sterne uses the technological and cultural precursors of telephony, phonography, and radio as an entry point into a history of sound in its own right. Sterne studies the constantly shifting boundary between phenomena organized as "sound" and "not sound." In The Audible Past, this history crisscrosses the liminal regions between bodies and machines, originals and copies, nature and culture, and life and death.Blending cultural studies and the history of communication technology, Sterne follows modern sound technologies back through a historical labyrinth. Along the way, he encounters capitalists and inventors, musicians and philosophers, embalmers and grave robbers, doctors and patients, deaf children and their teachers, professionals and hobbyists, folklorists and tribal singers. The Audible Past tracks the connections between the history of sound and the defining features of modernity: from developments in medicine, physics, and philosophy to the tumultuous shifts of industrial capitalism, colonialism, urbanization, modern technology, and the rise of a new middle class.A provocative history of sound, The Audible Past challenges theoretical commonplaces such as the philosophical privilege of the speaking subject, the visual bias in theories of modernity, and static descriptions of nature. It will interest those in cultural studies, media and communication studies, the new musicology, and the history of technology In English Technology & Engineering / History bisacsh Popular culture Sound in mass media Sound recording industry Social aspects Sound recordings Social aspects Sound Recording and reproducing History https://doi.org/10.1515/9780822384250 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Sterne, Jonathan 1970- The audible past cultural origins of sound reproduction Technology & Engineering / History bisacsh Popular culture Sound in mass media Sound recording industry Social aspects Sound recordings Social aspects Sound Recording and reproducing History |
| title | The audible past cultural origins of sound reproduction |
| title_auth | The audible past cultural origins of sound reproduction |
| title_exact_search | The audible past cultural origins of sound reproduction |
| title_exact_search_txtP | The audible past cultural origins of sound reproduction |
| title_full | The audible past cultural origins of sound reproduction Jonathan Sterne |
| title_fullStr | The audible past cultural origins of sound reproduction Jonathan Sterne |
| title_full_unstemmed | The audible past cultural origins of sound reproduction Jonathan Sterne |
| title_short | The audible past |
| title_sort | the audible past cultural origins of sound reproduction |
| title_sub | cultural origins of sound reproduction |
| topic | Technology & Engineering / History bisacsh Popular culture Sound in mass media Sound recording industry Social aspects Sound recordings Social aspects Sound Recording and reproducing History |
| topic_facet | Technology & Engineering / History Popular culture Sound in mass media Sound recording industry Social aspects Sound recordings Social aspects Sound Recording and reproducing History |
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