National Abjection: The Asian American Body Onstage
National Abjection explores the vexed relationship between "Asian Americanness" and "Americanness" through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function of national abjection-a process...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2002]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | National Abjection explores the vexed relationship between "Asian Americanness" and "Americanness" through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function of national abjection-a process that demands that Americanness be defined by the exclusion of Asian Americans, who are either cast as symbolic foreigners incapable of integration or Americanization or distorted into an "honorary" whiteness. She examines how Asian Americans become culturally visible on and off stage, revealing the ways Asian American theater companies and artists respond to the cultural implications of this abjection.Shimakawa looks at the origins of Asian American theater, particularly through the memories of some of its pioneers. Her examination of the emergence of Asian American theater companies illuminates their strategies for countering the stereotypes of Asian Americans and the lack of visibility of Asian American performers within the theater world. She shows how some plays-Wakako Yamauchi's 12-1-A, Frank Chin's Chickencoop Chinaman, and The Year of the Dragon-have both directly and indirectly addressed the displacement of Asian Americans. She analyzes works attempting to negate the process of abjection-such as the 1988 Broadway production of M. Butterfly as well as Miss Saigon, a mainstream production that enacted the process of cultural displacement both onstage and off. Finally, Shimakawa considers Asian Americanness in the context of globalization by meditating on the work of Ping Chong, particularly his East-West Quartet |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (208 pages) 7 b&w photos |
| ISBN: | 9780822384243 |
| DOI: | 10.1515/9780822384243 |
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| 520 | |a National Abjection explores the vexed relationship between "Asian Americanness" and "Americanness" through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function of national abjection-a process that demands that Americanness be defined by the exclusion of Asian Americans, who are either cast as symbolic foreigners incapable of integration or Americanization or distorted into an "honorary" whiteness. She examines how Asian Americans become culturally visible on and off stage, revealing the ways Asian American theater companies and artists respond to the cultural implications of this abjection.Shimakawa looks at the origins of Asian American theater, particularly through the memories of some of its pioneers. Her examination of the emergence of Asian American theater companies illuminates their strategies for countering the stereotypes of Asian Americans and the lack of visibility of Asian American performers within the theater world. She shows how some plays-Wakako Yamauchi's 12-1-A, Frank Chin's Chickencoop Chinaman, and The Year of the Dragon-have both directly and indirectly addressed the displacement of Asian Americans. She analyzes works attempting to negate the process of abjection-such as the 1988 Broadway production of M. Butterfly as well as Miss Saigon, a mainstream production that enacted the process of cultural displacement both onstage and off. Finally, Shimakawa considers Asian Americanness in the context of globalization by meditating on the work of Ping Chong, particularly his East-West Quartet | ||
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| index_date | 2024-07-03T16:26:55Z |
| indexdate | 2024-07-10T09:02:59Z |
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| isbn | 9780822384243 |
| language | English |
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| spelling | Shimakawa, Karen Verfasser aut National Abjection The Asian American Body Onstage Karen Shimakawa Durham Duke University Press [2002] © 2002 1 online resource (208 pages) 7 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) National Abjection explores the vexed relationship between "Asian Americanness" and "Americanness" through a focus on drama and performance art. Karen Shimakawa argues that the forms of Asian Americanness that appear in U.S. culture are a function of national abjection-a process that demands that Americanness be defined by the exclusion of Asian Americans, who are either cast as symbolic foreigners incapable of integration or Americanization or distorted into an "honorary" whiteness. She examines how Asian Americans become culturally visible on and off stage, revealing the ways Asian American theater companies and artists respond to the cultural implications of this abjection.Shimakawa looks at the origins of Asian American theater, particularly through the memories of some of its pioneers. Her examination of the emergence of Asian American theater companies illuminates their strategies for countering the stereotypes of Asian Americans and the lack of visibility of Asian American performers within the theater world. She shows how some plays-Wakako Yamauchi's 12-1-A, Frank Chin's Chickencoop Chinaman, and The Year of the Dragon-have both directly and indirectly addressed the displacement of Asian Americans. She analyzes works attempting to negate the process of abjection-such as the 1988 Broadway production of M. Butterfly as well as Miss Saigon, a mainstream production that enacted the process of cultural displacement both onstage and off. Finally, Shimakawa considers Asian Americanness in the context of globalization by meditating on the work of Ping Chong, particularly his East-West Quartet In English SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Abjection in literature American drama Asian American authors Asian Americans Ethnic identity Asian Americans Race identity Human body Social aspects United States Orientalism United States Performance art United States Racism in literature https://doi.org/10.1515/9780822384243 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Shimakawa, Karen National Abjection The Asian American Body Onstage SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Abjection in literature American drama Asian American authors Asian Americans Ethnic identity Asian Americans Race identity Human body Social aspects United States Orientalism United States Performance art United States Racism in literature |
| title | National Abjection The Asian American Body Onstage |
| title_auth | National Abjection The Asian American Body Onstage |
| title_exact_search | National Abjection The Asian American Body Onstage |
| title_exact_search_txtP | National Abjection The Asian American Body Onstage |
| title_full | National Abjection The Asian American Body Onstage Karen Shimakawa |
| title_fullStr | National Abjection The Asian American Body Onstage Karen Shimakawa |
| title_full_unstemmed | National Abjection The Asian American Body Onstage Karen Shimakawa |
| title_short | National Abjection |
| title_sort | national abjection the asian american body onstage |
| title_sub | The Asian American Body Onstage |
| topic | SOCIAL SCIENCE / Ethnic Studies / Asian American Studies bisacsh Abjection in literature American drama Asian American authors Asian Americans Ethnic identity Asian Americans Race identity Human body Social aspects United States Orientalism United States Performance art United States Racism in literature |
| topic_facet | SOCIAL SCIENCE / Ethnic Studies / Asian American Studies Abjection in literature American drama Asian American authors Asian Americans Ethnic identity Asian Americans Race identity Human body Social aspects United States Orientalism United States Performance art United States Racism in literature |
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