The Wedding Complex: Forms of Belonging in Modern American Culture
In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings-as performances, fantasies, and rituals of transformation-are sites for imagining and enacting for...
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| Weitere Verfasser: | , , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2002]
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| Schriftenreihe: | Series Q
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings-as performances, fantasies, and rituals of transformation-are sites for imagining and enacting forms of social intimacy other than monogamous heterosexuality. Looking at the history of Anglo-American weddings and their depictions in American literature and popular culture from the antebellum era to the present, she reveals the cluster of queer desires at the heart of the "wedding complex"-longings not for marriage necessarily but for public forms of attachment, ceremony, pageantry, and celebration.Freeman draws on queer theory and social history to focus on a range of texts where weddings do not necessarily lead to legal marriage but instead reflect yearnings for intimate arrangements other than long-term, state-sanctioned, domestic couplehood. Beginning with a look at the debates over gay marriage, she proceeds to consider literary works by Nathaniel Hawthorne, William Faulkner, Carson McCullers, Vladimir Nabokov, and Edgar Allan Poe, along with such Hollywood films as Father of the Bride, The Graduate, and The Godfather. She also discusses less well-known texts such as Su Friedrich's experimental film First Comes Love and the off-Broadway, interactive dinner play Tony 'n' Tina's Wedding.Offering bold new ways to imagine attachment and belonging, and the public performance and recognition of social intimacy, The Wedding Complex is a major contribution to American studies, queer theory, and cultural studies |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (310 pages) 8 b&w photos |
| ISBN: | 9780822384007 |
| DOI: | 10.1515/9780822384007 |
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| 520 | |a In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings-as performances, fantasies, and rituals of transformation-are sites for imagining and enacting forms of social intimacy other than monogamous heterosexuality. Looking at the history of Anglo-American weddings and their depictions in American literature and popular culture from the antebellum era to the present, she reveals the cluster of queer desires at the heart of the "wedding complex"-longings not for marriage necessarily but for public forms of attachment, ceremony, pageantry, and celebration.Freeman draws on queer theory and social history to focus on a range of texts where weddings do not necessarily lead to legal marriage but instead reflect yearnings for intimate arrangements other than long-term, state-sanctioned, domestic couplehood. Beginning with a look at the debates over gay marriage, she proceeds to consider literary works by Nathaniel Hawthorne, William Faulkner, Carson McCullers, Vladimir Nabokov, and Edgar Allan Poe, along with such Hollywood films as Father of the Bride, The Graduate, and The Godfather. She also discusses less well-known texts such as Su Friedrich's experimental film First Comes Love and the off-Broadway, interactive dinner play Tony 'n' Tina's Wedding.Offering bold new ways to imagine attachment and belonging, and the public performance and recognition of social intimacy, The Wedding Complex is a major contribution to American studies, queer theory, and cultural studies | ||
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| discipline | Anglistik / Amerikanistik |
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| doi_str_mv | 10.1515/9780822384007 |
| format | Electronic eBook |
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| index_date | 2024-07-03T16:26:55Z |
| indexdate | 2024-07-10T09:02:59Z |
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| spelling | Freeman, Elizabeth Verfasser aut The Wedding Complex Forms of Belonging in Modern American Culture Elizabeth Freeman; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg Durham Duke University Press [2002] © 2002 1 online resource (310 pages) 8 b&w photos txt rdacontent c rdamedia cr rdacarrier Series Q Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In The Wedding Complex Elizabeth Freeman explores the significance of the wedding ceremony by asking what the wedding becomes when you separate it from the idea of marriage. Freeman finds that weddings-as performances, fantasies, and rituals of transformation-are sites for imagining and enacting forms of social intimacy other than monogamous heterosexuality. Looking at the history of Anglo-American weddings and their depictions in American literature and popular culture from the antebellum era to the present, she reveals the cluster of queer desires at the heart of the "wedding complex"-longings not for marriage necessarily but for public forms of attachment, ceremony, pageantry, and celebration.Freeman draws on queer theory and social history to focus on a range of texts where weddings do not necessarily lead to legal marriage but instead reflect yearnings for intimate arrangements other than long-term, state-sanctioned, domestic couplehood. Beginning with a look at the debates over gay marriage, she proceeds to consider literary works by Nathaniel Hawthorne, William Faulkner, Carson McCullers, Vladimir Nabokov, and Edgar Allan Poe, along with such Hollywood films as Father of the Bride, The Graduate, and The Godfather. She also discusses less well-known texts such as Su Friedrich's experimental film First Comes Love and the off-Broadway, interactive dinner play Tony 'n' Tina's Wedding.Offering bold new ways to imagine attachment and belonging, and the public performance and recognition of social intimacy, The Wedding Complex is a major contribution to American studies, queer theory, and cultural studies In English LITERARY CRITICISM / American / General bisacsh American fiction 20th century History and criticism Culture in motion pictures Popular culture United States Same-sex marriage in literature Same-sex marriage United States Sexual orientation in literature Weddings in literature Weddings in motion pictures Weddings in popular culture Weddings United States Barale, Michèle Aina edt Goldberg, Jonathan edt Moon, Michael edt Sedgwick, Eve Kosofsky edt https://doi.org/10.1515/9780822384007 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Freeman, Elizabeth The Wedding Complex Forms of Belonging in Modern American Culture LITERARY CRITICISM / American / General bisacsh American fiction 20th century History and criticism Culture in motion pictures Popular culture United States Same-sex marriage in literature Same-sex marriage United States Sexual orientation in literature Weddings in literature Weddings in motion pictures Weddings in popular culture Weddings United States |
| title | The Wedding Complex Forms of Belonging in Modern American Culture |
| title_auth | The Wedding Complex Forms of Belonging in Modern American Culture |
| title_exact_search | The Wedding Complex Forms of Belonging in Modern American Culture |
| title_exact_search_txtP | The Wedding Complex Forms of Belonging in Modern American Culture |
| title_full | The Wedding Complex Forms of Belonging in Modern American Culture Elizabeth Freeman; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_fullStr | The Wedding Complex Forms of Belonging in Modern American Culture Elizabeth Freeman; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_full_unstemmed | The Wedding Complex Forms of Belonging in Modern American Culture Elizabeth Freeman; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_short | The Wedding Complex |
| title_sort | the wedding complex forms of belonging in modern american culture |
| title_sub | Forms of Belonging in Modern American Culture |
| topic | LITERARY CRITICISM / American / General bisacsh American fiction 20th century History and criticism Culture in motion pictures Popular culture United States Same-sex marriage in literature Same-sex marriage United States Sexual orientation in literature Weddings in literature Weddings in motion pictures Weddings in popular culture Weddings United States |
| topic_facet | LITERARY CRITICISM / American / General American fiction 20th century History and criticism Culture in motion pictures Popular culture United States Same-sex marriage in literature Same-sex marriage United States Sexual orientation in literature Weddings in literature Weddings in motion pictures Weddings in popular culture Weddings United States |
| url | https://doi.org/10.1515/9780822384007 |
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