Identities in Motion: Asian American Film and Video
This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history-how they define and are defined by cinematic projections of Asian American identity. Combining close readings of films and videos, sophisticated cultural analyses, and detailed production histori...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2002]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history-how they define and are defined by cinematic projections of Asian American identity. Combining close readings of films and videos, sophisticated cultural analyses, and detailed production histories that reveal the complex forces at play in the making and distributing of these movies, Identities in Motion offers an illuminating interpretative framework for assessing the extraordinary range of Asian American films produced in North America.Peter X Feng considers a wide range of works-from genres such as detective films to romantic comedies to ethnographic films, documentaries, avant-garde videos, newsreels, travelogues, and even home movies. Feng begins by examining movies about three crucial moments that defined the American nation and the roles of Asian Americans within it: the arrival of Chinese and Japanese women in the American West and Hawai'i; the incorporation of the Philippines into the U.S. empire; and the internment of Japanese Americans during World War II. In subsequent chapters Feng discusses cinematic depictions of ideological conflicts among Asian Americans and of the complex forces that compel migration, extending his nuanced analysis of the intersections of sexuality, ethnicity, and nationalist movements.Identities in Motion illuminates the fluidity of Asian American identities, expressing the diversity and complexity of Asian Americans-including Filipinos, Indonesians, Chinese, Japanese, Vietnamese, Laotians, Indians, and Koreans-from the nineteenth to the twenty-first century |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (304 pages) 44 illus |
| ISBN: | 9780822383987 |
| DOI: | 10.1515/9780822383987 |
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| 520 | |a This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history-how they define and are defined by cinematic projections of Asian American identity. Combining close readings of films and videos, sophisticated cultural analyses, and detailed production histories that reveal the complex forces at play in the making and distributing of these movies, Identities in Motion offers an illuminating interpretative framework for assessing the extraordinary range of Asian American films produced in North America.Peter X Feng considers a wide range of works-from genres such as detective films to romantic comedies to ethnographic films, documentaries, avant-garde videos, newsreels, travelogues, and even home movies. Feng begins by examining movies about three crucial moments that defined the American nation and the roles of Asian Americans within it: the arrival of Chinese and Japanese women in the American West and Hawai'i; the incorporation of the Philippines into the U.S. empire; and the internment of Japanese Americans during World War II. In subsequent chapters Feng discusses cinematic depictions of ideological conflicts among Asian Americans and of the complex forces that compel migration, extending his nuanced analysis of the intersections of sexuality, ethnicity, and nationalist movements.Identities in Motion illuminates the fluidity of Asian American identities, expressing the diversity and complexity of Asian Americans-including Filipinos, Indonesians, Chinese, Japanese, Vietnamese, Laotians, Indians, and Koreans-from the nineteenth to the twenty-first century | ||
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Datensatz im Suchindex
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| author | Feng, Peter X |
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| dewey-full | 791.43/6520395 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
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| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9780822383987 |
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| index_date | 2024-07-03T16:26:55Z |
| indexdate | 2024-07-10T09:02:59Z |
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| isbn | 9780822383987 |
| language | English |
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| spelling | Feng, Peter X Verfasser aut Identities in Motion Asian American Film and Video Peter X Feng Durham Duke University Press [2002] © 2002 1 online resource (304 pages) 44 illus txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) This innovative book shows how Asian American filmmakers and videomakers frame and are framed by history-how they define and are defined by cinematic projections of Asian American identity. Combining close readings of films and videos, sophisticated cultural analyses, and detailed production histories that reveal the complex forces at play in the making and distributing of these movies, Identities in Motion offers an illuminating interpretative framework for assessing the extraordinary range of Asian American films produced in North America.Peter X Feng considers a wide range of works-from genres such as detective films to romantic comedies to ethnographic films, documentaries, avant-garde videos, newsreels, travelogues, and even home movies. Feng begins by examining movies about three crucial moments that defined the American nation and the roles of Asian Americans within it: the arrival of Chinese and Japanese women in the American West and Hawai'i; the incorporation of the Philippines into the U.S. empire; and the internment of Japanese Americans during World War II. In subsequent chapters Feng discusses cinematic depictions of ideological conflicts among Asian Americans and of the complex forces that compel migration, extending his nuanced analysis of the intersections of sexuality, ethnicity, and nationalist movements.Identities in Motion illuminates the fluidity of Asian American identities, expressing the diversity and complexity of Asian Americans-including Filipinos, Indonesians, Chinese, Japanese, Vietnamese, Laotians, Indians, and Koreans-from the nineteenth to the twenty-first century In English PERFORMING ARTS / Film & Video / General bisacsh Asian Americans in motion pictures Asian Americans in the motion picture industry https://doi.org/10.1515/9780822383987 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Feng, Peter X Identities in Motion Asian American Film and Video PERFORMING ARTS / Film & Video / General bisacsh Asian Americans in motion pictures Asian Americans in the motion picture industry |
| title | Identities in Motion Asian American Film and Video |
| title_auth | Identities in Motion Asian American Film and Video |
| title_exact_search | Identities in Motion Asian American Film and Video |
| title_exact_search_txtP | Identities in Motion Asian American Film and Video |
| title_full | Identities in Motion Asian American Film and Video Peter X Feng |
| title_fullStr | Identities in Motion Asian American Film and Video Peter X Feng |
| title_full_unstemmed | Identities in Motion Asian American Film and Video Peter X Feng |
| title_short | Identities in Motion |
| title_sort | identities in motion asian american film and video |
| title_sub | Asian American Film and Video |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Asian Americans in motion pictures Asian Americans in the motion picture industry |
| topic_facet | PERFORMING ARTS / Film & Video / General Asian Americans in motion pictures Asian Americans in the motion picture industry |
| url | https://doi.org/10.1515/9780822383987 |
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