The Flash of Capital: Film and Geopolitics in Japan
The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that high...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2002]
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| Schriftenreihe: | Asia-Pacific: Culture, Politics, and Society
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders-where culture and capital crisscross-and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment-tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (330 pages) 72 illus |
| ISBN: | 9780822383918 |
| DOI: | 10.1515/9780822383918 |
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| 520 | |a The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders-where culture and capital crisscross-and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment-tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical | ||
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:26:55Z |
| indexdate | 2024-07-10T09:02:59Z |
| institution | BVB |
| isbn | 9780822383918 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032520179 |
| oclc_num | 1235884790 |
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| physical | 1 online resource (330 pages) 72 illus |
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| series2 | Asia-Pacific: Culture, Politics, and Society |
| spelling | Cazdyn, Eric Verfasser aut The Flash of Capital Film and Geopolitics in Japan Eric Cazdyn; Masao Miyoshi, Harry Harootunian, Rey Chow Durham Duke University Press [2002] © 2002 1 online resource (330 pages) 72 illus txt rdacontent c rdamedia cr rdacarrier Asia-Pacific: Culture, Politics, and Society Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) The Flash of Capital analyzes the links between Japan's capitalist history and its film history, illuminating what these connections reveal about film culture and everyday life in Japan. Looking at a hundred-year history of film and capitalism, Eric Cazdyn theorizes a cultural history that highlights the spaces where film and the nation transcend their customary borders-where culture and capital crisscross-and, in doing so, develops a new way of understanding historical change and transformation in modern Japan and beyond.Cazdyn focuses on three key moments of historical contradiction: colonialism, post-war reconstruction, and globalization. Considering great classics of Japanese film, documentaries, works of science fiction, animation, and pornography, he brings to light cinematic attempts to come to terms with the tensions inherent in each historical moment-tensions between the colonizer and the colonized, between the individual and the collective, and between the national and the transnational. Paying close attention to political context, Cazdyn shows how formal inventions in the realms of acting, film history and theory, thematics, documentary filmmaking, and adaptation articulate a struggle to solve implacable historical problems. This innovative work of cultural history and criticism offers explanations of historical change that challenge conventional distinctions between the aesthetic and the geopolitical In English PERFORMING ARTS / Film & Video / General bisacsh Motion picture industry Economic aspects Japan Motion picture industry Japan History Motion pictures Japan History Chow, Rey edt Harootunian, Harry edt Miyoshi, Masao edt https://doi.org/10.1515/9780822383918 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cazdyn, Eric The Flash of Capital Film and Geopolitics in Japan PERFORMING ARTS / Film & Video / General bisacsh Motion picture industry Economic aspects Japan Motion picture industry Japan History Motion pictures Japan History |
| title | The Flash of Capital Film and Geopolitics in Japan |
| title_auth | The Flash of Capital Film and Geopolitics in Japan |
| title_exact_search | The Flash of Capital Film and Geopolitics in Japan |
| title_exact_search_txtP | The Flash of Capital Film and Geopolitics in Japan |
| title_full | The Flash of Capital Film and Geopolitics in Japan Eric Cazdyn; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_fullStr | The Flash of Capital Film and Geopolitics in Japan Eric Cazdyn; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_full_unstemmed | The Flash of Capital Film and Geopolitics in Japan Eric Cazdyn; Masao Miyoshi, Harry Harootunian, Rey Chow |
| title_short | The Flash of Capital |
| title_sort | the flash of capital film and geopolitics in japan |
| title_sub | Film and Geopolitics in Japan |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Motion picture industry Economic aspects Japan Motion picture industry Japan History Motion pictures Japan History |
| topic_facet | PERFORMING ARTS / Film & Video / General Motion picture industry Economic aspects Japan Motion picture industry Japan History Motion pictures Japan History |
| url | https://doi.org/10.1515/9780822383918 |
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