Orientalism's Interlocutors: Painting, Architecture, Photography
Until now, Orientalist art-exemplified by paintings of harems, slave markets, or bazaars-has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientali...
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| Weitere Verfasser: | , , , , , , , , , |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2002]
|
| Schriftenreihe: | Objects/Histories
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Until now, Orientalist art-exemplified by paintings of harems, slave markets, or bazaars-has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, on examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints-especially women's-within Western Orientalism decentered and destabilized colonial authority.Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouaou Mammeri and Mohammed Racim; Turkish painter Osman Hamdi; British landscape painter Barbara Bodichon; and the French painter Henri Regnault. From the liminal "Third Space" created by mosques in postcolonial Britain to the ways nineteenth-century harem women negotiated their portraits by British artists, the essays in this collection force a rethinking of the Orientalist canon.This innovative volume will appeal to those interested in art history, theories of gender, and postcolonial studies.Contributors. Jill Beaulieu, Roger Benjamin, Zeynep Çelik, Deborah Cherry, Hollis Clayson, Mark Crinson, Mary Roberts |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (244 pages) 53 photographs (6 in color) |
| ISBN: | 9780822383857 |
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| 520 | |a The essays also demonstrate how marginalized voices and viewpoints-especially women's-within Western Orientalism decentered and destabilized colonial authority.Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouaou Mammeri and Mohammed Racim; Turkish painter Osman Hamdi; British landscape painter Barbara Bodichon; and the French painter Henri Regnault. | ||
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| index_date | 2024-07-03T16:26:55Z |
| indexdate | 2024-07-10T09:02:59Z |
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| spelling | Orientalism's Interlocutors Painting, Architecture, Photography Jill Beaulieu, Mary Roberts, Nicholas Thomas Durham Duke University Press [2002] © 2002 1 online resource (244 pages) 53 photographs (6 in color) txt rdacontent c rdamedia cr rdacarrier Objects/Histories Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Until now, Orientalist art-exemplified by paintings of harems, slave markets, or bazaars-has predominantly been understood to reflect Western interpretations and to perpetuate reductive, often demeaning stereotypes of the exotic East. Orientalism's Interlocutors contests the idea that Orientalist art simply expresses the politics of Western domination and argues instead that it was often produced through cross-cultural interactions. Focusing on paintings and other representations of North African and Ottoman cultures, by both local artists and westerners, the contributors contend that the stylistic similarities between indigenous and Western Orientalist art mask profound interpretive differences, which, on examination, can reveal a visual language of resistance to colonization. The essays also demonstrate how marginalized voices and viewpoints-especially women's-within Western Orientalism decentered and destabilized colonial authority.Looking at the political significance of cross-cultural encounters refracted through the visual languages of Orientalism, the contributors engage with pressing recent debates about indigenous agency, postcolonial identity, and gendered subjectivities. The very range of artists, styles, and forms discussed in this collection broadens contemporary understandings of Orientalist art. Among the artists considered are the Algerian painters Azouaou Mammeri and Mohammed Racim; Turkish painter Osman Hamdi; British landscape painter Barbara Bodichon; and the French painter Henri Regnault. From the liminal "Third Space" created by mosques in postcolonial Britain to the ways nineteenth-century harem women negotiated their portraits by British artists, the essays in this collection force a rethinking of the Orientalist canon.This innovative volume will appeal to those interested in art history, theories of gender, and postcolonial studies.Contributors. Jill Beaulieu, Roger Benjamin, Zeynep Çelik, Deborah Cherry, Hollis Clayson, Mark Crinson, Mary Roberts In English ART / Asian / General bisacsh Orientalism in art Europe Orientalism in art Orientalism Social aspects Beaulieu, Jill edt Benjamin, Roger Sonstige oth Crinson, Mark Sonstige oth Deborah, Cherry ctb Hollis, Clayson ctb Jill, Beaulieu ctb Mark, Crinson ctb Mary, Roberts ctb Roberts, Mary edt Roger, Benjamin ctb Thomas, Nicholas edt Zeynep , Çelik ctb Çelik, Zeynep Sonstige oth https://www.degruyter.com/isbn/9780822383857 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Orientalism's Interlocutors Painting, Architecture, Photography ART / Asian / General bisacsh Orientalism in art Europe Orientalism in art Orientalism Social aspects |
| title | Orientalism's Interlocutors Painting, Architecture, Photography |
| title_auth | Orientalism's Interlocutors Painting, Architecture, Photography |
| title_exact_search | Orientalism's Interlocutors Painting, Architecture, Photography |
| title_exact_search_txtP | Orientalism's Interlocutors Painting, Architecture, Photography |
| title_full | Orientalism's Interlocutors Painting, Architecture, Photography Jill Beaulieu, Mary Roberts, Nicholas Thomas |
| title_fullStr | Orientalism's Interlocutors Painting, Architecture, Photography Jill Beaulieu, Mary Roberts, Nicholas Thomas |
| title_full_unstemmed | Orientalism's Interlocutors Painting, Architecture, Photography Jill Beaulieu, Mary Roberts, Nicholas Thomas |
| title_short | Orientalism's Interlocutors |
| title_sort | orientalism s interlocutors painting architecture photography |
| title_sub | Painting, Architecture, Photography |
| topic | ART / Asian / General bisacsh Orientalism in art Europe Orientalism in art Orientalism Social aspects |
| topic_facet | ART / Asian / General Orientalism in art Europe Orientalism in art Orientalism Social aspects |
| url | https://www.degruyter.com/isbn/9780822383857 |
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