Working Like a Homosexual: Camp, Capital, Cinema
What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? Why is cinema central to camp? With chapters on the films of Vincente Minnelli, Andy Warhol, Kenneth Anger, and John Waters, Working Like a Homosexual responds to these questions by arguing that...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2002]
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| Schriftenreihe: | Series Q
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? Why is cinema central to camp? With chapters on the films of Vincente Minnelli, Andy Warhol, Kenneth Anger, and John Waters, Working Like a Homosexual responds to these questions by arguing that post-World War II gay male subcultures have fostered their own ways not only of consuming mass culture but of producing it as well.With a special emphasis on the tensions between high and low forms of culture and between good and bad taste, Matthew Tinkcom offers a new vision of queer politics and aesthetics that is critically engaged with Marxist theories of capitalist production. He argues that camp-while embracing the cheap, the scorned, the gaudy, the tasteless, and what Warhol called "the leftovers" of artistic production-is a mode of intellectual production and a critical philosophy of modernity as much as it is an expression of a dissident sex/gender difference. From Minnelli's musicals and the "everyday glamour" of Warhol's films to Anger's experimental films and Waters's "trash aesthetic," Tinkcom demonstrates how camp allowed these gay men to design their own relationship to labor and to history in a way that protected them from censure even as they struggled to forge a role for themselves within a system of "value" that failed to recognize them |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (240 pages) |
| ISBN: | 9780822383772 |
| DOI: | 10.1515/9780822383772 |
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Datensatz im Suchindex
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| spelling | Tinkcom, Matthew Verfasser aut Working Like a Homosexual Camp, Capital, Cinema Matthew Tinkcom; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg Durham Duke University Press [2002] © 2002 1 online resource (240 pages) txt rdacontent c rdamedia cr rdacarrier Series Q Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) What does camp have to do with capitalism? How have queer men created a philosophy of commodity culture? Why is cinema central to camp? With chapters on the films of Vincente Minnelli, Andy Warhol, Kenneth Anger, and John Waters, Working Like a Homosexual responds to these questions by arguing that post-World War II gay male subcultures have fostered their own ways not only of consuming mass culture but of producing it as well.With a special emphasis on the tensions between high and low forms of culture and between good and bad taste, Matthew Tinkcom offers a new vision of queer politics and aesthetics that is critically engaged with Marxist theories of capitalist production. He argues that camp-while embracing the cheap, the scorned, the gaudy, the tasteless, and what Warhol called "the leftovers" of artistic production-is a mode of intellectual production and a critical philosophy of modernity as much as it is an expression of a dissident sex/gender difference. From Minnelli's musicals and the "everyday glamour" of Warhol's films to Anger's experimental films and Waters's "trash aesthetic," Tinkcom demonstrates how camp allowed these gay men to design their own relationship to labor and to history in a way that protected them from censure even as they struggled to forge a role for themselves within a system of "value" that failed to recognize them In English PERFORMING ARTS / Film & Video / General bisacsh Camp (Style) Gay motion picture producers and directors United States Biography Homosexuality and motion pictures Barale, Michèle Aina edt Goldberg, Jonathan edt Moon, Michael edt Sedgwick, Eve Kosofsky edt https://doi.org/10.1515/9780822383772 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tinkcom, Matthew Working Like a Homosexual Camp, Capital, Cinema PERFORMING ARTS / Film & Video / General bisacsh Camp (Style) Gay motion picture producers and directors United States Biography Homosexuality and motion pictures |
| title | Working Like a Homosexual Camp, Capital, Cinema |
| title_auth | Working Like a Homosexual Camp, Capital, Cinema |
| title_exact_search | Working Like a Homosexual Camp, Capital, Cinema |
| title_exact_search_txtP | Working Like a Homosexual Camp, Capital, Cinema |
| title_full | Working Like a Homosexual Camp, Capital, Cinema Matthew Tinkcom; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_fullStr | Working Like a Homosexual Camp, Capital, Cinema Matthew Tinkcom; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_full_unstemmed | Working Like a Homosexual Camp, Capital, Cinema Matthew Tinkcom; Michèle Aina Barale, Eve Kosofsky Sedgwick, Michael Moon, Jonathan Goldberg |
| title_short | Working Like a Homosexual |
| title_sort | working like a homosexual camp capital cinema |
| title_sub | Camp, Capital, Cinema |
| topic | PERFORMING ARTS / Film & Video / General bisacsh Camp (Style) Gay motion picture producers and directors United States Biography Homosexuality and motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / General Camp (Style) Gay motion picture producers and directors United States Biography Homosexuality and motion pictures |
| url | https://doi.org/10.1515/9780822383772 |
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