Percussion: Drumming, Beating, Striking
Percussion is an attempt-in the author's words-to make sense of "senseless beating," to grasp how rhythm makes sense in music and society. Both a scholar and a former professional drummer, John Mowitt forges a striking encounter between cultural studies and new musicology that seeks t...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2002]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Percussion is an attempt-in the author's words-to make sense of "senseless beating," to grasp how rhythm makes sense in music and society. Both a scholar and a former professional drummer, John Mowitt forges a striking encounter between cultural studies and new musicology that seeks to lay out the "percussive field" through which beating-specifically the backbeat that defines early rock-and-roll-comes to matter for raced, urban subjects.For Mowitt, percussion is both an experience of embodiment-making contact in and on the skin-and a provocation for critical theory itself. In delimiting the percussive field, he plays drumming off against the musicological account of the beat, the sociological account of shock and the psychoanalytical account of fantasy. In the process he touches on such topics as the separation of slaves and drums in the era of the slave trade, the migration of rural blacks to urban centers of the North, the practice and politics of "rough music," the links between interpellation and possession, the general strike, beating fantasies, and the concept of the "skin ego."Percussion makes a fresh and provocative contribution to cultural studies, new musicology, the history of the body and critical race theory. It will be of interest to students of cultural studies and critical theory as well as readers with a serious interest in the history of music, rock-and-roll and drumming |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (272 pages) |
| ISBN: | 9780822383604 |
| DOI: | 10.1515/9780822383604 |
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| 520 | |a Percussion is an attempt-in the author's words-to make sense of "senseless beating," to grasp how rhythm makes sense in music and society. Both a scholar and a former professional drummer, John Mowitt forges a striking encounter between cultural studies and new musicology that seeks to lay out the "percussive field" through which beating-specifically the backbeat that defines early rock-and-roll-comes to matter for raced, urban subjects.For Mowitt, percussion is both an experience of embodiment-making contact in and on the skin-and a provocation for critical theory itself. In delimiting the percussive field, he plays drumming off against the musicological account of the beat, the sociological account of shock and the psychoanalytical account of fantasy. In the process he touches on such topics as the separation of slaves and drums in the era of the slave trade, the migration of rural blacks to urban centers of the North, the practice and politics of "rough music," the links between interpellation and possession, the general strike, beating fantasies, and the concept of the "skin ego."Percussion makes a fresh and provocative contribution to cultural studies, new musicology, the history of the body and critical race theory. It will be of interest to students of cultural studies and critical theory as well as readers with a serious interest in the history of music, rock-and-roll and drumming | ||
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Datensatz im Suchindex
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| isbn | 9780822383604 |
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| spelling | Mowitt, John Verfasser aut Percussion Drumming, Beating, Striking John Mowitt Durham Duke University Press [2002] © 2002 1 online resource (272 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Percussion is an attempt-in the author's words-to make sense of "senseless beating," to grasp how rhythm makes sense in music and society. Both a scholar and a former professional drummer, John Mowitt forges a striking encounter between cultural studies and new musicology that seeks to lay out the "percussive field" through which beating-specifically the backbeat that defines early rock-and-roll-comes to matter for raced, urban subjects.For Mowitt, percussion is both an experience of embodiment-making contact in and on the skin-and a provocation for critical theory itself. In delimiting the percussive field, he plays drumming off against the musicological account of the beat, the sociological account of shock and the psychoanalytical account of fantasy. In the process he touches on such topics as the separation of slaves and drums in the era of the slave trade, the migration of rural blacks to urban centers of the North, the practice and politics of "rough music," the links between interpellation and possession, the general strike, beating fantasies, and the concept of the "skin ego."Percussion makes a fresh and provocative contribution to cultural studies, new musicology, the history of the body and critical race theory. It will be of interest to students of cultural studies and critical theory as well as readers with a serious interest in the history of music, rock-and-roll and drumming In English MUSIC / Musical Instruments / Percussion bisacsh Music Philosophy and aesthetics Musical meter and rhythm Rock music History and criticism https://doi.org/10.1515/9780822383604 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mowitt, John Percussion Drumming, Beating, Striking MUSIC / Musical Instruments / Percussion bisacsh Music Philosophy and aesthetics Musical meter and rhythm Rock music History and criticism |
| title | Percussion Drumming, Beating, Striking |
| title_auth | Percussion Drumming, Beating, Striking |
| title_exact_search | Percussion Drumming, Beating, Striking |
| title_exact_search_txtP | Percussion Drumming, Beating, Striking |
| title_full | Percussion Drumming, Beating, Striking John Mowitt |
| title_fullStr | Percussion Drumming, Beating, Striking John Mowitt |
| title_full_unstemmed | Percussion Drumming, Beating, Striking John Mowitt |
| title_short | Percussion |
| title_sort | percussion drumming beating striking |
| title_sub | Drumming, Beating, Striking |
| topic | MUSIC / Musical Instruments / Percussion bisacsh Music Philosophy and aesthetics Musical meter and rhythm Rock music History and criticism |
| topic_facet | MUSIC / Musical Instruments / Percussion Music Philosophy and aesthetics Musical meter and rhythm Rock music History and criticism |
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