Staging the World: Chinese Nationalism at the Turn of the Twentieth Century
In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China's defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identific...
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| Weitere Verfasser: | , , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2002]
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| Schriftenreihe: | Asia-Pacific: Culture, Politics, and Society
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China's defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identification with what we now call the Third World first made the modern world visible as a totality and that the key components of Chinese nationalist discourse developed in reference to this worldview.The emergence of Chinese nationalism during this period is often portrayed as following from China's position vis-à-vis Japan and the West. Karl has mined the archives of the late Qing period to discern the foci of Chinese intellectuals from 1895 to 1911 to assert that even though the China/Japan/West triangle was crucial, it alone is an incomplete-and therefore flawed-model of the development of nationalism in China. Although the perceptions and concerns of these thinkers form the basis of Staging the World, Karl begins by examining a 1904 Shanghai production of an opera about a fictional partition of Poland and its modern reincarnation as an ethno-nation. By focusing on the type of dialogue this opera generated in China, Karl elucidates concepts such as race, colonization, globalization, and history. From there, she discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawai'i as a center of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (328 pages) |
| ISBN: | 9780822383529 |
| DOI: | 10.1515/9780822383529 |
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| 520 | |a In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China's defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identification with what we now call the Third World first made the modern world visible as a totality and that the key components of Chinese nationalist discourse developed in reference to this worldview.The emergence of Chinese nationalism during this period is often portrayed as following from China's position vis-à-vis Japan and the West. Karl has mined the archives of the late Qing period to discern the foci of Chinese intellectuals from 1895 to 1911 to assert that even though the China/Japan/West triangle was crucial, it alone is an incomplete-and therefore flawed-model of the development of nationalism in China. Although the perceptions and concerns of these thinkers form the basis of Staging the World, Karl begins by examining a 1904 Shanghai production of an opera about a fictional partition of Poland and its modern reincarnation as an ethno-nation. By focusing on the type of dialogue this opera generated in China, Karl elucidates concepts such as race, colonization, globalization, and history. From there, she discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawai'i as a center of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa | ||
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Datensatz im Suchindex
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| author | Karl, Rebecca E. |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:26:55Z |
| indexdate | 2024-07-10T09:02:59Z |
| institution | BVB |
| isbn | 9780822383529 |
| language | English |
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| series2 | Asia-Pacific: Culture, Politics, and Society |
| spelling | Karl, Rebecca E. Verfasser aut Staging the World Chinese Nationalism at the Turn of the Twentieth Century Rebecca E. Karl; Harry Harootunian, Rey Chow, Masao Miyoshi Durham Duke University Press [2002] © 2002 1 online resource (328 pages) txt rdacontent c rdamedia cr rdacarrier Asia-Pacific: Culture, Politics, and Society Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In Staging the World Rebecca E. Karl rethinks the production of nationalist discourse in China during the late Qing period, between China's defeat in the Sino-Japanese War in 1895 and the proclamation of the Republic in 1911. She argues that at this historical moment a growing Chinese identification with what we now call the Third World first made the modern world visible as a totality and that the key components of Chinese nationalist discourse developed in reference to this worldview.The emergence of Chinese nationalism during this period is often portrayed as following from China's position vis-à-vis Japan and the West. Karl has mined the archives of the late Qing period to discern the foci of Chinese intellectuals from 1895 to 1911 to assert that even though the China/Japan/West triangle was crucial, it alone is an incomplete-and therefore flawed-model of the development of nationalism in China. Although the perceptions and concerns of these thinkers form the basis of Staging the World, Karl begins by examining a 1904 Shanghai production of an opera about a fictional partition of Poland and its modern reincarnation as an ethno-nation. By focusing on the type of dialogue this opera generated in China, Karl elucidates concepts such as race, colonization, globalization, and history. From there, she discusses how Chinese conceptions of nationalism were affected by the "discovery" of Hawai'i as a center of the Pacific, the Philippine revolution against the United States, and the relationship between nationality and ethnicity made apparent by the Boer War in South Africa In English POLITICAL SCIENCE / General bisacsh Nationalism China Chow, Rey edt Harootunian, Harry edt Miyoshi, Masao edt https://doi.org/10.1515/9780822383529 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Karl, Rebecca E. Staging the World Chinese Nationalism at the Turn of the Twentieth Century POLITICAL SCIENCE / General bisacsh Nationalism China |
| title | Staging the World Chinese Nationalism at the Turn of the Twentieth Century |
| title_auth | Staging the World Chinese Nationalism at the Turn of the Twentieth Century |
| title_exact_search | Staging the World Chinese Nationalism at the Turn of the Twentieth Century |
| title_exact_search_txtP | Staging the World Chinese Nationalism at the Turn of the Twentieth Century |
| title_full | Staging the World Chinese Nationalism at the Turn of the Twentieth Century Rebecca E. Karl; Harry Harootunian, Rey Chow, Masao Miyoshi |
| title_fullStr | Staging the World Chinese Nationalism at the Turn of the Twentieth Century Rebecca E. Karl; Harry Harootunian, Rey Chow, Masao Miyoshi |
| title_full_unstemmed | Staging the World Chinese Nationalism at the Turn of the Twentieth Century Rebecca E. Karl; Harry Harootunian, Rey Chow, Masao Miyoshi |
| title_short | Staging the World |
| title_sort | staging the world chinese nationalism at the turn of the twentieth century |
| title_sub | Chinese Nationalism at the Turn of the Twentieth Century |
| topic | POLITICAL SCIENCE / General bisacsh Nationalism China |
| topic_facet | POLITICAL SCIENCE / General Nationalism China |
| url | https://doi.org/10.1515/9780822383529 |
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