Class Fictions: Shame and Resistance in the British Working Class Novel, 1890-1945
Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late n...
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1994]
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| Schriftenreihe: | Post-Contemporary Interventions
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (241 pages) |
| ISBN: | 9780822382935 |
| DOI: | 10.1515/9780822382935 |
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| 520 | |a Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced | ||
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| index_date | 2024-07-03T16:26:55Z |
| indexdate | 2024-07-10T09:02:59Z |
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| isbn | 9780822382935 |
| language | English |
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| spelling | Fox, Pamela Verfasser aut Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 Pamela Fox; Fredric Jameson, Stanley Fish Durham Duke University Press [1994] © 1994 1 online resource (241 pages) txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Many recent discussions of working-class culture in literary and cultural studies have tended to present an oversimplified view of resistance. In this groundbreaking work, Pamela Fox offers a far more complex theory of working-class identity, particularly as reflected in British novels of the late nineteenth and early twentieth centuries. Through the concept of class shame, she produces a model of working-class subjectivity that understands resistance in a more accurate and useful way-as a complicated kind of refusal, directed at both dominated and dominant culture.With a focus on certain classics in the working-class literary "canon," such as The Ragged Trousered Philanthropists and Love on the Dole, as well as lesser-known texts by working-class women, Fox uncovers the anxieties that underlie representations of class and consciousness. Shame repeatedly emerges as a powerful counterforce in these works, continually unsettling the surface narrative of protest to reveal an ambivalent relation toward the working-class identities the novels apparently champion.Class Fictions offers an equally rigorous analysis of cultural studies itself, which has historically sought to defend and value the radical difference of working-class culture. Fox also brings to her analysis a strong feminist perspective that devotes considerable attention to the often overlooked role of gender in working-class fiction. She demonstrates that working-class novels not only expose master narratives of middle-class culture that must be resisted, but that they also reveal to us a need to create counter narratives or formulas of working-class life. In doing so, this book provides a more subtle sense of the role of resistance in working class culture. While of interest to scholars of Victorian and working-class fiction, Pamela Fox's argument has far-reaching implications for the way literary and cultural studies will be defined and practiced In English LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction 20th century History and criticism Literature and society Great Britain History 20th century Shame in literature Working class in literature Working class writings, English History and criticism Working class Great Britain Intellectual life Fish, Stanley edt Jameson, Fredric edt https://doi.org/10.1515/9780822382935 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Fox, Pamela Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction 20th century History and criticism Literature and society Great Britain History 20th century Shame in literature Working class in literature Working class writings, English History and criticism Working class Great Britain Intellectual life |
| title | Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 |
| title_auth | Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 |
| title_exact_search | Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 |
| title_exact_search_txtP | Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 |
| title_full | Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 Pamela Fox; Fredric Jameson, Stanley Fish |
| title_fullStr | Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 Pamela Fox; Fredric Jameson, Stanley Fish |
| title_full_unstemmed | Class Fictions Shame and Resistance in the British Working Class Novel, 1890-1945 Pamela Fox; Fredric Jameson, Stanley Fish |
| title_short | Class Fictions |
| title_sort | class fictions shame and resistance in the british working class novel 1890 1945 |
| title_sub | Shame and Resistance in the British Working Class Novel, 1890-1945 |
| topic | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh bisacsh English fiction 20th century History and criticism Literature and society Great Britain History 20th century Shame in literature Working class in literature Working class writings, English History and criticism Working class Great Britain Intellectual life |
| topic_facet | LITERARY CRITICISM / European / English, Irish, Scottish, Welsh English fiction 20th century History and criticism Literature and society Great Britain History 20th century Shame in literature Working class in literature Working class writings, English History and criticism Working class Great Britain Intellectual life |
| url | https://doi.org/10.1515/9780822382935 |
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