Shakespeare's Dramatic Transactions:
Shakespeare's Dramatic Transactions uses conventions of performance criticism-staging and theatrical presentation-to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1991]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | Shakespeare's Dramatic Transactions uses conventions of performance criticism-staging and theatrical presentation-to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of "mimesis" and "representation," this book describes how the actor's stage presentation affects the actor's representational role and the ways in which viewers experience Shakespearean tragedy.Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition-the correlation between an actor's stage location and the speech, action, and stylization associated with that position-to understand the actor/stage location relationship in Shakespeare's plays. In his examination of the original staging of Shakespeare's tragedies, Mooney looks at the traditional interplay between a downstage "place" and upstage "location" to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art.The innovative and insightful approach of Shakespeare's Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney's compelling argument enhances our understanding of Shakespeare and the theater |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (244 pages) |
| ISBN: | 9780822382836 |
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| 520 | |a Shakespeare's Dramatic Transactions uses conventions of performance criticism-staging and theatrical presentation-to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of "mimesis" and "representation," this book describes how the actor's stage presentation affects the actor's representational role and the ways in which viewers experience Shakespearean tragedy.Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition-the correlation between an actor's stage location and the speech, action, and stylization associated with that position-to understand the actor/stage location relationship in Shakespeare's plays. In his examination of the original staging of Shakespeare's tragedies, Mooney looks at the traditional interplay between a downstage "place" and upstage "location" to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art.The innovative and insightful approach of Shakespeare's Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney's compelling argument enhances our understanding of Shakespeare and the theater | ||
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Datensatz im Suchindex
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| author | Mooney, Michael |
| author_facet | Mooney, Michael |
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| dewey-full | 822.3/3 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822.3/3 |
| dewey-search | 822.3/3 |
| dewey-sort | 3822.3 13 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Electronic eBook |
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| indexdate | 2025-02-19T17:29:55Z |
| institution | BVB |
| isbn | 9780822382836 |
| language | English |
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| publishDate | 1991 |
| publishDateSearch | 1991 |
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| publisher | Duke University Press |
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| spelling | Mooney, Michael Verfasser aut Shakespeare's Dramatic Transactions Michael Mooney Durham Duke University Press [1991] © 1990 1 online resource (244 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Shakespeare's Dramatic Transactions uses conventions of performance criticism-staging and theatrical presentation-to analyze seven major Shakespearean tragedies: Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra, Richard II, and Richard III. As scholars and readers increasingly question the theoretical models used to describe the concepts of "mimesis" and "representation," this book describes how the actor's stage presentation affects the actor's representational role and the ways in which viewers experience Shakespearean tragedy.Michael Mooney draws on the work of East German critic Robert Weimann and his concept of figurenposition-the correlation between an actor's stage location and the speech, action, and stylization associated with that position-to understand the actor/stage location relationship in Shakespeare's plays. In his examination of the original staging of Shakespeare's tragedies, Mooney looks at the traditional interplay between a downstage "place" and upstage "location" to describe the difference between non-illusionistic action (often staged near the audience) and the illusionistic, localized action that characterizes mimetic art.The innovative and insightful approach of Shakespeare's Dramatic Transactions brings together the techniques of performance criticism and the traditional literary study of Shakespearean tragedy. In showing how the distinctions of stage location illuminate the interaction among language, representation, Mooney's compelling argument enhances our understanding of Shakespeare and the theater In English DRAMA / Shakespeare bisacsh Theater audiences England History 16th century Theater audiences England History 17th century https://www.degruyter.com/isbn/9780822382836 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mooney, Michael Shakespeare's Dramatic Transactions DRAMA / Shakespeare bisacsh Theater audiences England History 16th century Theater audiences England History 17th century |
| title | Shakespeare's Dramatic Transactions |
| title_auth | Shakespeare's Dramatic Transactions |
| title_exact_search | Shakespeare's Dramatic Transactions |
| title_exact_search_txtP | Shakespeare's Dramatic Transactions |
| title_full | Shakespeare's Dramatic Transactions Michael Mooney |
| title_fullStr | Shakespeare's Dramatic Transactions Michael Mooney |
| title_full_unstemmed | Shakespeare's Dramatic Transactions Michael Mooney |
| title_short | Shakespeare's Dramatic Transactions |
| title_sort | shakespeare s dramatic transactions |
| topic | DRAMA / Shakespeare bisacsh Theater audiences England History 16th century Theater audiences England History 17th century |
| topic_facet | DRAMA / Shakespeare Theater audiences England History 16th century Theater audiences England History 17th century |
| url | https://www.degruyter.com/isbn/9780822382836 |
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