Homosexuality in Cold War America: Resistance and the Crisis of Masculinity
Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the 1950s resisted pressures to remain in the closet. Robert J. Corber argues that a form of gay male identity emerged in the 1950s that simultaneously drew on a...
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[1997]
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Schriftenreihe: | New Americanists
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Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 Volltext |
Zusammenfassung: | Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the 1950s resisted pressures to remain in the closet. Robert J. Corber argues that a form of gay male identity emerged in the 1950s that simultaneously drew on and transcended left-wing opposition to the Cold War cultural and political consensus. Combining readings of novels, plays, and films of the period with historical research into the national security state, the growth of the suburbs, and postwar consumer culture, Corber examines how gay men resisted the "organization man" model of masculinity that rose to dominance in the wake of World War II.By exploring the representation of gay men in film noir, Corber suggests that even as this Hollywood genre reinforced homophobic stereotypes, it legitimized the gay male "gaze." He emphasizes how film noir's introduction of homosexual characters countered the national "project" to render gay men invisible, and marked a deep subversion of the Cold War mentality. Corber then considers the work of gay male writers Tennessee Williams, Gore Vidal, and James Baldwin, demonstrating how these authors declined to represent homosexuality as a discrete subculture and instead promoted a model of political solidarity rooted in the shared experience of oppression. Homosexuality in Cold War America reveals that the ideological critique of the dominant culture made by gay male authors of the 1950s laid the foundation for the gay liberation movement of the following decade |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
Beschreibung: | 1 online resource (252 pages) |
ISBN: | 9780822382447 |
DOI: | 10.1515/9780822382447 |
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520 | |a Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the 1950s resisted pressures to remain in the closet. Robert J. Corber argues that a form of gay male identity emerged in the 1950s that simultaneously drew on and transcended left-wing opposition to the Cold War cultural and political consensus. Combining readings of novels, plays, and films of the period with historical research into the national security state, the growth of the suburbs, and postwar consumer culture, Corber examines how gay men resisted the "organization man" model of masculinity that rose to dominance in the wake of World War II.By exploring the representation of gay men in film noir, Corber suggests that even as this Hollywood genre reinforced homophobic stereotypes, it legitimized the gay male "gaze." He emphasizes how film noir's introduction of homosexual characters countered the national "project" to render gay men invisible, and marked a deep subversion of the Cold War mentality. Corber then considers the work of gay male writers Tennessee Williams, Gore Vidal, and James Baldwin, demonstrating how these authors declined to represent homosexuality as a discrete subculture and instead promoted a model of political solidarity rooted in the shared experience of oppression. Homosexuality in Cold War America reveals that the ideological critique of the dominant culture made by gay male authors of the 1950s laid the foundation for the gay liberation movement of the following decade | ||
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isbn | 9780822382447 |
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spelling | Corber, Robert J. Verfasser aut Homosexuality in Cold War America Resistance and the Crisis of Masculinity Robert J. Corber; Donald E. Pease Durham Duke University Press [1997] © 1997 1 online resource (252 pages) txt rdacontent c rdamedia cr rdacarrier New Americanists Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Challenging widely held assumptions about postwar gay male culture and politics, Homosexuality in Cold War America examines how gay men in the 1950s resisted pressures to remain in the closet. Robert J. Corber argues that a form of gay male identity emerged in the 1950s that simultaneously drew on and transcended left-wing opposition to the Cold War cultural and political consensus. Combining readings of novels, plays, and films of the period with historical research into the national security state, the growth of the suburbs, and postwar consumer culture, Corber examines how gay men resisted the "organization man" model of masculinity that rose to dominance in the wake of World War II.By exploring the representation of gay men in film noir, Corber suggests that even as this Hollywood genre reinforced homophobic stereotypes, it legitimized the gay male "gaze." He emphasizes how film noir's introduction of homosexual characters countered the national "project" to render gay men invisible, and marked a deep subversion of the Cold War mentality. Corber then considers the work of gay male writers Tennessee Williams, Gore Vidal, and James Baldwin, demonstrating how these authors declined to represent homosexuality as a discrete subculture and instead promoted a model of political solidarity rooted in the shared experience of oppression. Homosexuality in Cold War America reveals that the ideological critique of the dominant culture made by gay male authors of the 1950s laid the foundation for the gay liberation movement of the following decade In English SOCIAL SCIENCE / LGBT Studies / Gay Studies bisacsh Film noir United States History and criticism Gay men's writings, American History and criticism Gays in popular culture United States Homosexuality in literature Homosexuality in motion pictures Masculinity in literature Masculinity in popular culture United States Motion pictures United States Pease, Donald E. 1945- (DE-588)1118392302 edt https://doi.org/10.1515/9780822382447 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Corber, Robert J. Homosexuality in Cold War America Resistance and the Crisis of Masculinity SOCIAL SCIENCE / LGBT Studies / Gay Studies bisacsh Film noir United States History and criticism Gay men's writings, American History and criticism Gays in popular culture United States Homosexuality in literature Homosexuality in motion pictures Masculinity in literature Masculinity in popular culture United States Motion pictures United States |
title | Homosexuality in Cold War America Resistance and the Crisis of Masculinity |
title_auth | Homosexuality in Cold War America Resistance and the Crisis of Masculinity |
title_exact_search | Homosexuality in Cold War America Resistance and the Crisis of Masculinity |
title_exact_search_txtP | Homosexuality in Cold War America Resistance and the Crisis of Masculinity |
title_full | Homosexuality in Cold War America Resistance and the Crisis of Masculinity Robert J. Corber; Donald E. Pease |
title_fullStr | Homosexuality in Cold War America Resistance and the Crisis of Masculinity Robert J. Corber; Donald E. Pease |
title_full_unstemmed | Homosexuality in Cold War America Resistance and the Crisis of Masculinity Robert J. Corber; Donald E. Pease |
title_short | Homosexuality in Cold War America |
title_sort | homosexuality in cold war america resistance and the crisis of masculinity |
title_sub | Resistance and the Crisis of Masculinity |
topic | SOCIAL SCIENCE / LGBT Studies / Gay Studies bisacsh Film noir United States History and criticism Gay men's writings, American History and criticism Gays in popular culture United States Homosexuality in literature Homosexuality in motion pictures Masculinity in literature Masculinity in popular culture United States Motion pictures United States |
topic_facet | SOCIAL SCIENCE / LGBT Studies / Gay Studies Film noir United States History and criticism Gay men's writings, American History and criticism Gays in popular culture United States Homosexuality in literature Homosexuality in motion pictures Masculinity in literature Masculinity in popular culture United States Motion pictures United States |
url | https://doi.org/10.1515/9780822382447 |
work_keys_str_mv | AT corberrobertj homosexualityincoldwaramericaresistanceandthecrisisofmasculinity AT peasedonalde homosexualityincoldwaramericaresistanceandthecrisisofmasculinity |