Carnal Rhetoric: Milton's Iconoclasm and the Poetics of Desire
In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
Durham
Duke University Press
[1995]
|
Schlagworte: | |
Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
Zusammenfassung: | In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton's works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable traces the development of Milton's iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton's engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language |
Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
Beschreibung: | 1 online resource (246 pages) |
ISBN: | 9780822382409 |
DOI: | 10.1515/9780822382409 |
Internformat
MARC
LEADER | 00000nmm a2200000zc 4500 | ||
---|---|---|---|
001 | BV047113618 | ||
003 | DE-604 | ||
005 | 00000000000000.0 | ||
007 | cr|uuu---uuuuu | ||
008 | 210129s1995 |||| o||u| ||||||eng d | ||
020 | |a 9780822382409 |9 978-0-8223-8240-9 | ||
024 | 7 | |a 10.1515/9780822382409 |2 doi | |
035 | |a (ZDB-23-DGG)9780822382409 | ||
035 | |a (OCoLC)1235889121 | ||
035 | |a (DE-599)BVBBV047113618 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
082 | 0 | |a 821/.4 |2 20 | |
100 | 1 | |a Cable, Lana |e Verfasser |4 aut | |
245 | 1 | 0 | |a Carnal Rhetoric |b Milton's Iconoclasm and the Poetics of Desire |c Lana Cable |
264 | 1 | |a Durham |b Duke University Press |c [1995] | |
264 | 4 | |c © 1995 | |
300 | |a 1 online resource (246 pages) | ||
336 | |b txt |2 rdacontent | ||
337 | |b c |2 rdamedia | ||
338 | |b cr |2 rdacarrier | ||
500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) | ||
520 | |a In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton's works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable traces the development of Milton's iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton's engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language | ||
546 | |a In English | ||
650 | 7 | |a POETRY / European / English, Irish, Scottish, Welsh |2 bisacsh | |
650 | 4 | |a Desire in literature | |
650 | 4 | |a English language |y Early modern, 1500-1700 |x Rhetoric | |
650 | 4 | |a Iconoclasm in literature | |
650 | 4 | |a Metaphor | |
650 | 4 | |a Modernism (Literature) |z England | |
650 | 4 | |a Poetics |x History |y 17th century | |
856 | 4 | 0 | |u https://doi.org/10.1515/9780822382409 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
912 | |a ZDB-23-DGG | ||
999 | |a oai:aleph.bib-bvb.de:BVB01-032520048 | ||
966 | e | |u https://doi.org/10.1515/9780822382409 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822382409 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822382409 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822382409 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822382409 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822382409 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822382409 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
966 | e | |u https://doi.org/10.1515/9780822382409 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext |
Datensatz im Suchindex
_version_ | 1804182150561398784 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Cable, Lana |
author_facet | Cable, Lana |
author_role | aut |
author_sort | Cable, Lana |
author_variant | l c lc |
building | Verbundindex |
bvnumber | BV047113618 |
collection | ZDB-23-DGG |
ctrlnum | (ZDB-23-DGG)9780822382409 (OCoLC)1235889121 (DE-599)BVBBV047113618 |
dewey-full | 821/.4 |
dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
dewey-ones | 821 - English poetry |
dewey-raw | 821/.4 |
dewey-search | 821/.4 |
dewey-sort | 3821 14 |
dewey-tens | 820 - English & Old English literatures |
discipline | Anglistik / Amerikanistik |
discipline_str_mv | Anglistik / Amerikanistik |
doi_str_mv | 10.1515/9780822382409 |
format | Electronic eBook |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04145nmm a2200541zc 4500</leader><controlfield tag="001">BV047113618</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210129s1995 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822382409</subfield><subfield code="9">978-0-8223-8240-9</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780822382409</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780822382409</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1235889121</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047113618</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">821/.4</subfield><subfield code="2">20</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Cable, Lana</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Carnal Rhetoric</subfield><subfield code="b">Milton's Iconoclasm and the Poetics of Desire</subfield><subfield code="c">Lana Cable</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[1995]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 1995</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (246 pages)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton's works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable traces the development of Milton's iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton's engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">POETRY / European / English, Irish, Scottish, Welsh</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Desire in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">English language</subfield><subfield code="y">Early modern, 1500-1700</subfield><subfield code="x">Rhetoric</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Iconoclasm in literature</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Metaphor</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Modernism (Literature)</subfield><subfield code="z">England</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Poetics</subfield><subfield code="x">History</subfield><subfield code="y">17th century</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032520048</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822382409</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
id | DE-604.BV047113618 |
illustrated | Not Illustrated |
index_date | 2024-07-03T16:26:54Z |
indexdate | 2024-07-10T09:02:58Z |
institution | BVB |
isbn | 9780822382409 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032520048 |
oclc_num | 1235889121 |
open_access_boolean | |
owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
physical | 1 online resource (246 pages) |
psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
publishDate | 1995 |
publishDateSearch | 1995 |
publishDateSort | 1995 |
publisher | Duke University Press |
record_format | marc |
spelling | Cable, Lana Verfasser aut Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire Lana Cable Durham Duke University Press [1995] © 1995 1 online resource (246 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In recent years, New Historicists have situated the iconoclasm of Milton's poetry and prose within the context of political, cultural, and philosophical discourses that foreshadow early modernism. In Carnal Rhetoric, Lana Cable carries these investigations further by exploring the iconoclastic impulse in Milton's works through detailed analyses of his use of metaphor. Building on a provocative iconoclastic theory of metaphor, she breaks new ground in the area of affective stylistics, not only as it pertains to the writings of Milton but also to all expressive language.Cable traces the development of Milton's iconoclastic poetics from its roots in the antiprelatical tracts, through the divorce tracts and Areopagitica, to its fullest dramatic representation in Eikonoklastes and Samson Agonistes. Arguing that, like every creative act, metaphor is by nature a radical and self-transgressing agent of change, she explores the site where metaphoric language and imaginative desire merge. Examining the demands Milton places on metaphor, particularly his emphasis on language as a vehicle for mortal redemption, Cable demonstrates the ways in which metaphor acts for him as that creative and radical agent of change. In the process, she reveals Milton's engagement, at the deepest levels of linguistic creativity, with the early modern commitment to an imaginative and historic remaking of the world.An insightful and synthetic book, Carnal Rhetoric will appeal to scholars of English literature, Milton, and the Renaissance, as well as to those with an interest in the theory of affective stylistics as it pertains to reader-response criticism, semantics, epistemology, and the philosophy and psychology of language In English POETRY / European / English, Irish, Scottish, Welsh bisacsh Desire in literature English language Early modern, 1500-1700 Rhetoric Iconoclasm in literature Metaphor Modernism (Literature) England Poetics History 17th century https://doi.org/10.1515/9780822382409 Verlag URL des Erstveröffentlichers Volltext |
spellingShingle | Cable, Lana Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire POETRY / European / English, Irish, Scottish, Welsh bisacsh Desire in literature English language Early modern, 1500-1700 Rhetoric Iconoclasm in literature Metaphor Modernism (Literature) England Poetics History 17th century |
title | Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire |
title_auth | Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire |
title_exact_search | Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire |
title_exact_search_txtP | Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire |
title_full | Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire Lana Cable |
title_fullStr | Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire Lana Cable |
title_full_unstemmed | Carnal Rhetoric Milton's Iconoclasm and the Poetics of Desire Lana Cable |
title_short | Carnal Rhetoric |
title_sort | carnal rhetoric milton s iconoclasm and the poetics of desire |
title_sub | Milton's Iconoclasm and the Poetics of Desire |
topic | POETRY / European / English, Irish, Scottish, Welsh bisacsh Desire in literature English language Early modern, 1500-1700 Rhetoric Iconoclasm in literature Metaphor Modernism (Literature) England Poetics History 17th century |
topic_facet | POETRY / European / English, Irish, Scottish, Welsh Desire in literature English language Early modern, 1500-1700 Rhetoric Iconoclasm in literature Metaphor Modernism (Literature) England Poetics History 17th century |
url | https://doi.org/10.1515/9780822382409 |
work_keys_str_mv | AT cablelana carnalrhetoricmiltonsiconoclasmandthepoeticsofdesire |