Containment Culture: American Narratives, Postmodernism, and the Atomic Age
Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, wit...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1995]
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| Schriftenreihe: | New Americanists
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UBG01 UPA01 URL des Erstveröffentlichers |
| Zusammenfassung: | Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history.Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch-22 and The Man Who Shot Liberty Valence.An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation's cultural agenda and a source of meaning for its citizenry |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (352 pages) |
| ISBN: | 9780822381976 |
| DOI: | 10.1515/9780822381976 |
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| 520 | |a Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history.Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch-22 and The Man Who Shot Liberty Valence.An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation's cultural agenda and a source of meaning for its citizenry | ||
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| index_date | 2024-07-03T16:26:54Z |
| indexdate | 2024-07-10T09:02:58Z |
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| isbn | 9780822381976 |
| language | English |
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| spelling | Nadel, Alan Verfasser aut Containment Culture American Narratives, Postmodernism, and the Atomic Age Alan Nadel; Donald E. Pease Durham Duke University Press [1995] © 1995 1 online resource (352 pages) txt rdacontent c rdamedia cr rdacarrier New Americanists Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Alan Nadel provides a unique analysis of the rise of American postmodernism by viewing it as a breakdown in Cold War cultural narratives of containment. These narratives, which embodied an American postwar foreign policy charged with checking the spread of Communism, also operated, Nadel argues, within a wide spectrum of cultural life in the United States to contain atomic secrets, sexual license, gender roles, nuclear energy, and artistic expression. Because these narratives were deployed in films, books, and magazines at a time when American culture was for the first time able to dominate global entertainment and capitalize on global production, containment became one of the most widely disseminated and highly privileged national narratives in history.Examining a broad sweep of American culture, from the work of George Kennan to Playboy Magazine, from the movies of Doris Day and Walt Disney to those of Cecil B. DeMille and Alfred Hitchcock, from James Bond to Holden Caulfield, Nadel discloses the remarkable pervasiveness of the containment narrative. Drawing subtly on insights provided by contemporary theorists, including Baudrillard, Foucault, Jameson, Sedgwick, Certeau, and Hayden White, he situates the rhetoric of the Cold War within a gendered narrative powered by the unspoken potency of the atom. He then traces the breakdown of this discourse of containment through such events as the Bay of Pigs invasion and the Free Speech Movement at Berkeley, and ties its collapse to the onset of American postmodernism, typified by works such as Catch-22 and The Man Who Shot Liberty Valence.An important work of cultural criticism, Containment Culture links atomic power with postmodernism and postwar politics, and shows how a multifarious national policy can become part of a nation's cultural agenda and a source of meaning for its citizenry In English HISTORY / United States / 20th Century bisacsh Arts, American 20th century Postmodernism United States Pease, Donald E. 1945- (DE-588)1118392302 edt https://doi.org/10.1515/9780822381976 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Nadel, Alan Containment Culture American Narratives, Postmodernism, and the Atomic Age HISTORY / United States / 20th Century bisacsh Arts, American 20th century Postmodernism United States |
| title | Containment Culture American Narratives, Postmodernism, and the Atomic Age |
| title_auth | Containment Culture American Narratives, Postmodernism, and the Atomic Age |
| title_exact_search | Containment Culture American Narratives, Postmodernism, and the Atomic Age |
| title_exact_search_txtP | Containment Culture American Narratives, Postmodernism, and the Atomic Age |
| title_full | Containment Culture American Narratives, Postmodernism, and the Atomic Age Alan Nadel; Donald E. Pease |
| title_fullStr | Containment Culture American Narratives, Postmodernism, and the Atomic Age Alan Nadel; Donald E. Pease |
| title_full_unstemmed | Containment Culture American Narratives, Postmodernism, and the Atomic Age Alan Nadel; Donald E. Pease |
| title_short | Containment Culture |
| title_sort | containment culture american narratives postmodernism and the atomic age |
| title_sub | American Narratives, Postmodernism, and the Atomic Age |
| topic | HISTORY / United States / 20th Century bisacsh Arts, American 20th century Postmodernism United States |
| topic_facet | HISTORY / United States / 20th Century Arts, American 20th century Postmodernism United States |
| url | https://doi.org/10.1515/9780822381976 |
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