Shards of Love: Exile and the Origins of the Lyric
With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance s...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1993]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (312 pages) |
| ISBN: | 9780822381853 |
| DOI: | 10.1515/9780822381853 |
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| 520 | |a With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology | ||
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| spelling | Menocal, María Rosa Verfasser aut Shards of Love Exile and the Origins of the Lyric María Rosa Menocal Durham Duke University Press [1993] © 1994 1 online resource (312 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) With the Spanish conquest of Islamic Granada and the expulsion of the Jews from Spain, the year 1492 marks the exile from Europe of crucial strands of medieval culture. It also becomes a symbolic marker for the expulsion of a diversity in language and grammar that was disturbing to the Renaissance sensibility of purity and stability. In rewriting Columbus's narrative of his voyage of that year, Renaissance historians rewrote history, as was often their practice, to purge it of an offending vulgarity. The cultural fragments left behind following this exile form the core of Shards of Love, as María Rosa Menocal confronts the difficulty of writing their history.It is in exile that Menocal locates the founding conditions for philology--as a discipline that loves origins--and for the genre of love songs that philology reveres. She crosses the boundaries, both temporal and geographical, of 1492 to recover the "original" medieval culture, with its Mediterranean mix of European, Arabic, and Hebrew poetics. The result is a form of literary history more lyrical than narrative and, Menocal persuasively demonstrates, more appropriate to the Middle Ages than to the revisionary legacy of the Renaissance. In discussions ranging from Eric Clapton's adaption of Nizami's Layla and Majnun, to the uncanny ties between Jim Morrison and Petrarch, Shards of Love deepens our sense of how the Middle Ages is tied to our own age as it expands the history and meaning of what we call Romance philology In English LITERARY CRITICISM / Medieval bisacsh Exile (Punishment) in literature Exiles in literature Love poetry History and criticism Poetry, Medieval History and criticism Renaissance Romance philology https://doi.org/10.1515/9780822381853 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Menocal, María Rosa Shards of Love Exile and the Origins of the Lyric LITERARY CRITICISM / Medieval bisacsh Exile (Punishment) in literature Exiles in literature Love poetry History and criticism Poetry, Medieval History and criticism Renaissance Romance philology |
| title | Shards of Love Exile and the Origins of the Lyric |
| title_auth | Shards of Love Exile and the Origins of the Lyric |
| title_exact_search | Shards of Love Exile and the Origins of the Lyric |
| title_exact_search_txtP | Shards of Love Exile and the Origins of the Lyric |
| title_full | Shards of Love Exile and the Origins of the Lyric María Rosa Menocal |
| title_fullStr | Shards of Love Exile and the Origins of the Lyric María Rosa Menocal |
| title_full_unstemmed | Shards of Love Exile and the Origins of the Lyric María Rosa Menocal |
| title_short | Shards of Love |
| title_sort | shards of love exile and the origins of the lyric |
| title_sub | Exile and the Origins of the Lyric |
| topic | LITERARY CRITICISM / Medieval bisacsh Exile (Punishment) in literature Exiles in literature Love poetry History and criticism Poetry, Medieval History and criticism Renaissance Romance philology |
| topic_facet | LITERARY CRITICISM / Medieval Exile (Punishment) in literature Exiles in literature Love poetry History and criticism Poetry, Medieval History and criticism Renaissance Romance philology |
| url | https://doi.org/10.1515/9780822381853 |
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