Figures of Resistance: Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts
In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted b...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1991]
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| Schriftenreihe: | Post-Contemporary Interventions
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (400 pages) |
| ISBN: | 9780822381723 |
| DOI: | 10.1515/9780822381723 |
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| 520 | |a In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture | ||
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| isbn | 9780822381723 |
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| spelling | Okada, Richard H. Verfasser aut Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts Richard H. Okada; Fredric Jameson, Stanley Fish Durham Duke University Press [1991] © 1991 1 online resource (400 pages) txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In this revisionist study of texts from the mid-Heian period in Japan, H. Richard Okada offers new readings of three well-known tales: The Tale of the Bamboo-cutter, The Tale of Ise, and The Tale of Genji. Okada contends that the cultural and gendered significance of these works has been distorted by previous commentaries and translations belonging to the larger patriarchal and colonialist discourse of Western civilization. He goes on to suggest that this universalist discourse, which silences the feminine aspects of these texts and subsumes their writing in misapplied Western canonical literary terms, is sanctioned and maintained by the discipline of Japanese literature.Okada develops a highly original and sophisticated reading strategy that demonstrates how readers might understand texts belonging to a different time and place without being complicit in their assimilation to categories derived from Western literary traditions. The author's reading stratgey is based on the texts' own resistance to modes of analysis that employ such Western canonical terms as novel, lyric, and third-person narrative. Emphasis is also given to the distinctive cultural circles, as well as socio-political and genealogical circumstances that surrounded the emergence of the texts.Indispensable readings for specialists in literature, cultural studies, and Japanese literature and history, Figures of Resistance will also appeal to general readers interested in the problems and complexities of studying another culture In English LITERARY CRITICISM / Asian / General bisacsh Japanese literature Heian period, 794-1185 History and criticism Fish, Stanley edt Jameson, Fredric edt https://doi.org/10.1515/9780822381723 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Okada, Richard H. Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts LITERARY CRITICISM / Asian / General bisacsh Japanese literature Heian period, 794-1185 History and criticism |
| title | Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts |
| title_auth | Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts |
| title_exact_search | Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts |
| title_exact_search_txtP | Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts |
| title_full | Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts Richard H. Okada; Fredric Jameson, Stanley Fish |
| title_fullStr | Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts Richard H. Okada; Fredric Jameson, Stanley Fish |
| title_full_unstemmed | Figures of Resistance Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts Richard H. Okada; Fredric Jameson, Stanley Fish |
| title_short | Figures of Resistance |
| title_sort | figures of resistance language poetry and narrating in the tale of the genji and other mid heian texts |
| title_sub | Language, Poetry, and Narrating in The Tale of the Genji and Other Mid-Heian Texts |
| topic | LITERARY CRITICISM / Asian / General bisacsh Japanese literature Heian period, 794-1185 History and criticism |
| topic_facet | LITERARY CRITICISM / Asian / General Japanese literature Heian period, 794-1185 History and criticism |
| url | https://doi.org/10.1515/9780822381723 |
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