Soundtrack Available: Essays on Film and Popular Music
From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as w...
Gespeichert in:
| Weitere Verfasser: | , , , , , , , , , , , , , , , , , , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2001]
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring.With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both "nondiegetic" music in film-the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience-and "diegetic" music-music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack.Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (502 pages) 36 b&w photos |
| ISBN: | 9780822380986 |
| DOI: | 10.1515/9780822380986 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047113500 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210129s2001 |||| o||u| ||||||eng d | ||
| 020 | |a 9780822380986 |9 978-0-8223-8098-6 | ||
| 024 | 7 | |a 10.1515/9780822380986 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780822380986 | ||
| 035 | |a (OCoLC)1235884451 | ||
| 035 | |a (DE-599)BVBBV047113500 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 082 | 0 | |a 781.5/42/09 |2 21 | |
| 245 | 1 | 0 | |a Soundtrack Available |b Essays on Film and Popular Music |c Arthur Knight, Pamela Robertson Wojcik |
| 264 | 1 | |a Durham |b Duke University Press |c [2001] | |
| 264 | 4 | |c © 2001 | |
| 300 | |a 1 online resource (502 pages) |b 36 b&w photos | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) | ||
| 520 | |a From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring.With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both "nondiegetic" music in film-the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience-and "diegetic" music-music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack.Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi | ||
| 546 | |a In English | ||
| 650 | 7 | |a PERFORMING ARTS / Film & Video / History & Criticism |2 bisacsh | |
| 650 | 4 | |a Motion picture music |x History and criticism | |
| 650 | 4 | |a Motion pictures and music | |
| 650 | 4 | |a Popular music |x History and criticism | |
| 700 | 1 | |a Adam, Knee |4 ctb | |
| 700 | 1 | |a Allison, Mccracken |4 ctb | |
| 700 | 1 | |a Altman, Rick |e Sonstige |4 oth | |
| 700 | 1 | |a Andrew P., Killick |4 ctb | |
| 700 | 1 | |a Arthur, Knight |4 ctb | |
| 700 | 1 | |a Barbara, Ching |4 ctb | |
| 700 | 1 | |a Barlow, Priscilla |e Sonstige |4 oth | |
| 700 | 1 | |a Corey K., Creekmur |4 ctb | |
| 700 | 1 | |a Jeff, Smith |4 ctb | |
| 700 | 1 | |a Jill, Leeper |4 ctb | |
| 700 | 1 | |a Jonathan, Gill |4 ctb | |
| 700 | 1 | |a Kelley, Conway |4 ctb | |
| 700 | 1 | |a Knight, Arthur |4 edt | |
| 700 | 1 | |a Krin, Gabbard |4 ctb | |
| 700 | 1 | |a Murray, Pomerance |4 ctb | |
| 700 | 1 | |a Nabeel, Zuberi |4 ctb | |
| 700 | 1 | |a Neepa, Majumdar |4 ctb | |
| 700 | 1 | |a Pamela, Robertson Wojcik |4 ctb | |
| 700 | 1 | |a Paul B., Ramaeker |4 ctb | |
| 700 | 1 | |a Priscilla, Barlow |4 ctb | |
| 700 | 1 | |a Rick, Altman |4 ctb | |
| 700 | 1 | |a Wojcik, Pamela RobertsonXXeeditorXX4edtXX4http://id.loc.gov/vocabulary/relators/edt |e Sonstige |4 oth | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780822380986 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032519930 | ||
| 966 | e | |u https://doi.org/10.1515/9780822380986 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380986 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380986 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380986 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380986 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380986 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380986 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380986 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182149917573120 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Adam, Knee Allison, Mccracken Andrew P., Killick Arthur, Knight Barbara, Ching Corey K., Creekmur Jeff, Smith Jill, Leeper Jonathan, Gill Kelley, Conway Knight, Arthur Krin, Gabbard Murray, Pomerance Nabeel, Zuberi Neepa, Majumdar Pamela, Robertson Wojcik Paul B., Ramaeker Priscilla, Barlow Rick, Altman |
| author2_role | ctb ctb ctb ctb ctb ctb ctb ctb ctb ctb edt ctb ctb ctb ctb ctb ctb ctb ctb |
| author2_variant | k a ka m a ma p k a pk pka k a ka c b cb k c c kc kcc s j sj l j lj g j gj c k ck a k ak g k gk p m pm z n zn m n mn r w p rw rwp b r p br brp b p bp a r ar |
| author_facet | Adam, Knee Allison, Mccracken Andrew P., Killick Arthur, Knight Barbara, Ching Corey K., Creekmur Jeff, Smith Jill, Leeper Jonathan, Gill Kelley, Conway Knight, Arthur Krin, Gabbard Murray, Pomerance Nabeel, Zuberi Neepa, Majumdar Pamela, Robertson Wojcik Paul B., Ramaeker Priscilla, Barlow Rick, Altman |
| building | Verbundindex |
| bvnumber | BV047113500 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780822380986 (OCoLC)1235884451 (DE-599)BVBBV047113500 |
| dewey-full | 781.5/42/09 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 781 - General principles and musical forms |
| dewey-raw | 781.5/42/09 |
| dewey-search | 781.5/42/09 |
| dewey-sort | 3781.5 242 19 |
| dewey-tens | 780 - Music |
| discipline | Musikwissenschaft |
| discipline_str_mv | Musikwissenschaft |
| doi_str_mv | 10.1515/9780822380986 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>05105nmm a2200757zc 4500</leader><controlfield tag="001">BV047113500</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210129s2001 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822380986</subfield><subfield code="9">978-0-8223-8098-6</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780822380986</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780822380986</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1235884451</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047113500</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">781.5/42/09</subfield><subfield code="2">21</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Soundtrack Available</subfield><subfield code="b">Essays on Film and Popular Music</subfield><subfield code="c">Arthur Knight, Pamela Robertson Wojcik</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2001]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2001</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (502 pages)</subfield><subfield code="b">36 b&w photos</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring.With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both "nondiegetic" music in film-the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience-and "diegetic" music-music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack.Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion picture music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Motion pictures and music</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Popular music</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Adam, Knee</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Allison, Mccracken</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Altman, Rick</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Andrew P., Killick</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Arthur, Knight</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barbara, Ching</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Barlow, Priscilla</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Corey K., Creekmur</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jeff, Smith</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jill, Leeper</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Jonathan, Gill</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Kelley, Conway</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Knight, Arthur</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Krin, Gabbard</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Murray, Pomerance</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Nabeel, Zuberi</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Neepa, Majumdar</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Pamela, Robertson Wojcik</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Paul B., Ramaeker</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Priscilla, Barlow</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rick, Altman</subfield><subfield code="4">ctb</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wojcik, Pamela RobertsonXXeeditorXX4edtXX4http://id.loc.gov/vocabulary/relators/edt</subfield><subfield code="e">Sonstige</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032519930</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380986</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047113500 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:26:54Z |
| indexdate | 2024-07-10T09:02:58Z |
| institution | BVB |
| isbn | 9780822380986 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032519930 |
| oclc_num | 1235884451 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (502 pages) 36 b&w photos |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | Duke University Press |
| record_format | marc |
| spelling | Soundtrack Available Essays on Film and Popular Music Arthur Knight, Pamela Robertson Wojcik Durham Duke University Press [2001] © 2001 1 online resource (502 pages) 36 b&w photos txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) From the silent era to the present day, popular music has been a key component of the film experience. Yet there has been little serious writing on film soundtracks that feature popular music. Soundtrack Available fills this gap, as its contributors provide detailed analyses of individual films as well as historical overviews of genres, styles of music, and approaches to film scoring.With a cross-cultural emphasis, the contributors focus on movies that use popular songs from a variety of genres, including country, bubble-gum pop, disco, classical, jazz, swing, French cabaret, and showtunes. The films discussed range from silents to musicals, from dramatic and avant-garde films to documentaries in India, France, England, Australia, and the United States. The essays examine both "nondiegetic" music in film-the score playing outside the story space, unheard by the characters, but no less a part of the scene from the perspective of the audience-and "diegetic" music-music incorporated into the shared reality of the story and the audience. They include analyses of music written and performed for films, as well as the now common practice of scoring a film with pre-existing songs. By exploring in detail how musical patterns and structures relate to filmic patterns of narration, character, editing, framing, and mise-en-scene, this volume demonstrates that pop music is a crucial element in the film experience. It also analyzes the life of the soundtrack apart from the film, tracing how popular music circulates and acquires new meanings when it becomes an official soundtrack.Contributors. Rick Altman, Priscilla Barlow, Barbara Ching, Kelley Conway, Corey Creekmur, Krin Gabbard, Jonathan Gill, Andrew Killick, Arthur Knight, Adam Knee, Jill Leeper, Neepa Majumdar, Allison McCracken, Murray Pomerance, Paul Ramaeker, Jeff Smith, Pamela Robertson Wojcik, Nabeel Zuberi In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture music History and criticism Motion pictures and music Popular music History and criticism Adam, Knee ctb Allison, Mccracken ctb Altman, Rick Sonstige oth Andrew P., Killick ctb Arthur, Knight ctb Barbara, Ching ctb Barlow, Priscilla Sonstige oth Corey K., Creekmur ctb Jeff, Smith ctb Jill, Leeper ctb Jonathan, Gill ctb Kelley, Conway ctb Knight, Arthur edt Krin, Gabbard ctb Murray, Pomerance ctb Nabeel, Zuberi ctb Neepa, Majumdar ctb Pamela, Robertson Wojcik ctb Paul B., Ramaeker ctb Priscilla, Barlow ctb Rick, Altman ctb Wojcik, Pamela RobertsonXXeeditorXX4edtXX4http://id.loc.gov/vocabulary/relators/edt Sonstige oth https://doi.org/10.1515/9780822380986 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Soundtrack Available Essays on Film and Popular Music PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture music History and criticism Motion pictures and music Popular music History and criticism |
| title | Soundtrack Available Essays on Film and Popular Music |
| title_auth | Soundtrack Available Essays on Film and Popular Music |
| title_exact_search | Soundtrack Available Essays on Film and Popular Music |
| title_exact_search_txtP | Soundtrack Available Essays on Film and Popular Music |
| title_full | Soundtrack Available Essays on Film and Popular Music Arthur Knight, Pamela Robertson Wojcik |
| title_fullStr | Soundtrack Available Essays on Film and Popular Music Arthur Knight, Pamela Robertson Wojcik |
| title_full_unstemmed | Soundtrack Available Essays on Film and Popular Music Arthur Knight, Pamela Robertson Wojcik |
| title_short | Soundtrack Available |
| title_sort | soundtrack available essays on film and popular music |
| title_sub | Essays on Film and Popular Music |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Motion picture music History and criticism Motion pictures and music Popular music History and criticism |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Motion picture music History and criticism Motion pictures and music Popular music History and criticism |
| url | https://doi.org/10.1515/9780822380986 |
| work_keys_str_mv | AT adamknee soundtrackavailableessaysonfilmandpopularmusic AT allisonmccracken soundtrackavailableessaysonfilmandpopularmusic AT altmanrick soundtrackavailableessaysonfilmandpopularmusic AT andrewpkillick soundtrackavailableessaysonfilmandpopularmusic AT arthurknight soundtrackavailableessaysonfilmandpopularmusic AT barbaraching soundtrackavailableessaysonfilmandpopularmusic AT barlowpriscilla soundtrackavailableessaysonfilmandpopularmusic AT coreykcreekmur soundtrackavailableessaysonfilmandpopularmusic AT jeffsmith soundtrackavailableessaysonfilmandpopularmusic AT jillleeper soundtrackavailableessaysonfilmandpopularmusic AT jonathangill soundtrackavailableessaysonfilmandpopularmusic AT kelleyconway soundtrackavailableessaysonfilmandpopularmusic AT knightarthur soundtrackavailableessaysonfilmandpopularmusic AT kringabbard soundtrackavailableessaysonfilmandpopularmusic AT murraypomerance soundtrackavailableessaysonfilmandpopularmusic AT nabeelzuberi soundtrackavailableessaysonfilmandpopularmusic AT neepamajumdar soundtrackavailableessaysonfilmandpopularmusic AT pamelarobertsonwojcik soundtrackavailableessaysonfilmandpopularmusic AT paulbramaeker soundtrackavailableessaysonfilmandpopularmusic AT priscillabarlow soundtrackavailableessaysonfilmandpopularmusic AT rickaltman soundtrackavailableessaysonfilmandpopularmusic AT wojcikpamelarobertsonxxeeditorxx4edtxx4httpidlocgovvocabularyrelatorsedt soundtrackavailableessaysonfilmandpopularmusic |