Shakespeare, Brecht, and the Intercultural Sign:
In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a "textual anthrop...
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| Main Author: | |
|---|---|
| Other Authors: | , |
| Format: | Electronic eBook |
| Language: | English |
| Published: |
Durham
Duke University Press
[2001]
|
| Series: | Post-Contemporary Interventions
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| Subjects: | |
| Online Access: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Summary: | In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a "textual anthropology" Tatlow examines the interplay between interpretations of Shakespeare and readings of Brecht, whose work he rereads in the light of theories of the social subject from Nietzsche to Derrida and in relation to East Asian culture, as well as practices within Chinese and Japanese theater that shape their versions of Shakespearean drama.Reflecting on how, why, and to what effect knowledges and styles of performance pollinate across cultures, Tatlow demonstrates that the employment of one culture's material in the context of another defamiliarizes the conventions of representation in an act that facilitates access to what previously had been culturally repressed. By reading the intercultural, Tatlow shows, we are able not only to historicize the effects of those repressions that create a social unconscious but also gain access to what might otherwise have remained invisible.This remarkable study will interest students of cultural interaction and aesthetics, as well as readers interested in theater, Shakespeare, Brecht, China, and Japan |
| Item Description: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Physical Description: | 1 online resource (308 pages) 9 illustrations |
| ISBN: | 9780822380894 |
| DOI: | 10.1515/9780822380894 |
Staff View
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:26:54Z |
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| institution | BVB |
| isbn | 9780822380894 |
| language | English |
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| spelling | Tatlow, Antony Verfasser aut Shakespeare, Brecht, and the Intercultural Sign Antony Tatlow; Fredric Jameson, Stanley Fish Durham Duke University Press [2001] © 2001 1 online resource (308 pages) 9 illustrations txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In Shakespeare, Brecht, and the Intercultural Sign renowned Brecht scholar Antony Tatlow uses drama to investigate cultural crossings and to show how intercultural readings or performances question the settled assumptions we bring to interpretations of familiar texts. Through a "textual anthropology" Tatlow examines the interplay between interpretations of Shakespeare and readings of Brecht, whose work he rereads in the light of theories of the social subject from Nietzsche to Derrida and in relation to East Asian culture, as well as practices within Chinese and Japanese theater that shape their versions of Shakespearean drama.Reflecting on how, why, and to what effect knowledges and styles of performance pollinate across cultures, Tatlow demonstrates that the employment of one culture's material in the context of another defamiliarizes the conventions of representation in an act that facilitates access to what previously had been culturally repressed. By reading the intercultural, Tatlow shows, we are able not only to historicize the effects of those repressions that create a social unconscious but also gain access to what might otherwise have remained invisible.This remarkable study will interest students of cultural interaction and aesthetics, as well as readers interested in theater, Shakespeare, Brecht, China, and Japan In English LITERARY CRITICISM / Shakespeare bisacsh Intercultural communication in literature History Intercultural communication Theater Fish, Stanley edt Jameson, Fredric edt https://doi.org/10.1515/9780822380894 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tatlow, Antony Shakespeare, Brecht, and the Intercultural Sign LITERARY CRITICISM / Shakespeare bisacsh Intercultural communication in literature History Intercultural communication Theater |
| title | Shakespeare, Brecht, and the Intercultural Sign |
| title_auth | Shakespeare, Brecht, and the Intercultural Sign |
| title_exact_search | Shakespeare, Brecht, and the Intercultural Sign |
| title_exact_search_txtP | Shakespeare, Brecht, and the Intercultural Sign |
| title_full | Shakespeare, Brecht, and the Intercultural Sign Antony Tatlow; Fredric Jameson, Stanley Fish |
| title_fullStr | Shakespeare, Brecht, and the Intercultural Sign Antony Tatlow; Fredric Jameson, Stanley Fish |
| title_full_unstemmed | Shakespeare, Brecht, and the Intercultural Sign Antony Tatlow; Fredric Jameson, Stanley Fish |
| title_short | Shakespeare, Brecht, and the Intercultural Sign |
| title_sort | shakespeare brecht and the intercultural sign |
| topic | LITERARY CRITICISM / Shakespeare bisacsh Intercultural communication in literature History Intercultural communication Theater |
| topic_facet | LITERARY CRITICISM / Shakespeare Intercultural communication in literature History Intercultural communication Theater |
| url | https://doi.org/10.1515/9780822380894 |
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