Reading the Figural, or, Philosophy after the New Media:
In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of "the figural" to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction betw...
Gespeichert in:
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2001]
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| Schriftenreihe: | Post-Contemporary Interventions
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of "the figural" to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick-one of the foremost film theorists writing today-contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated.To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of digital phenomena and of societies of control.Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (296 pages) 55 illustrations |
| ISBN: | 9780822380764 |
| DOI: | 10.1515/9780822380764 |
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| 520 | |a In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of "the figural" to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick-one of the foremost film theorists writing today-contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated.To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of digital phenomena and of societies of control.Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book | ||
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| isbn | 9780822380764 |
| language | English |
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| spelling | Rodowick, David Verfasser aut Reading the Figural, or, Philosophy after the New Media David Rodowick; Fredric Jameson, Stanley Fish Durham Duke University Press [2001] © 2001 1 online resource (296 pages) 55 illustrations txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In Reading the Figural, or, Philosophy after the New Media D. N. Rodowick applies the concept of "the figural" to a variety of philosophical and aesthetic issues. Inspired by the aesthetic philosophy of Jean-François Lyotard, the figural defines a semiotic regime where the distinction between linguistic and plastic representation breaks down. This opposition, which has been the philosophical foundation of aesthetics since the eighteenth century, has been explicitly challenged by the new electronic, televisual, and digital media. Rodowick-one of the foremost film theorists writing today-contemplates this challenge, describing and critiquing the new regime of signs and new ways of thinking that such media have inaugurated.To fully comprehend the emergence of the figural requires a genealogical critique of the aesthetic, Rodowick claims. Seeking allies in this effort to deconstruct the opposition of word and image and to create new concepts for comprehending the figural, he journeys through a range of philosophical writings: Thierry Kuntzel and Marie-Claire Ropars-Wuilleumier on film theory; Jacques Derrida on the deconstruction of the aesthetic; Siegfried Kracauer and Walter Benjamin on the historical image as a utopian force in photography and film; and Gilles Deleuze and Michel Foucault on the emergence of the figural as both a semiotic regime and a new stratagem of power coincident with the appearance of digital phenomena and of societies of control.Scholars of philosophy, film theory, cultural criticism, new media, and art history will be interested in the original and sophisticated insights found in this book In English SOCIAL SCIENCE / Media Studies bisacsh Aesthetics Mass media Philosophy Semiotics Visual communication Fish, Stanley edt Jameson, Fredric edt https://doi.org/10.1515/9780822380764 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rodowick, David Reading the Figural, or, Philosophy after the New Media SOCIAL SCIENCE / Media Studies bisacsh Aesthetics Mass media Philosophy Semiotics Visual communication |
| title | Reading the Figural, or, Philosophy after the New Media |
| title_auth | Reading the Figural, or, Philosophy after the New Media |
| title_exact_search | Reading the Figural, or, Philosophy after the New Media |
| title_exact_search_txtP | Reading the Figural, or, Philosophy after the New Media |
| title_full | Reading the Figural, or, Philosophy after the New Media David Rodowick; Fredric Jameson, Stanley Fish |
| title_fullStr | Reading the Figural, or, Philosophy after the New Media David Rodowick; Fredric Jameson, Stanley Fish |
| title_full_unstemmed | Reading the Figural, or, Philosophy after the New Media David Rodowick; Fredric Jameson, Stanley Fish |
| title_short | Reading the Figural, or, Philosophy after the New Media |
| title_sort | reading the figural or philosophy after the new media |
| topic | SOCIAL SCIENCE / Media Studies bisacsh Aesthetics Mass media Philosophy Semiotics Visual communication |
| topic_facet | SOCIAL SCIENCE / Media Studies Aesthetics Mass media Philosophy Semiotics Visual communication |
| url | https://doi.org/10.1515/9780822380764 |
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