Aesthetics and Marxism: Chinese Aesthetic Marxists and Their Western Contemporaries
Although Chinese Marxism-primarily represented by Maoism-is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Mar...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2000]
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| Schriftenreihe: | Post-Contemporary Interventions
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | Although Chinese Marxism-primarily represented by Maoism-is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Marxist traditions, Liu reveals the extent to which Chinese Marxists incorporate ideas about aesthetics and culture in their theories and practices. In doing so, he constructs a wholly new understanding of Chinese Marxism.Far from being secondary considerations in Chinese Marxism, aesthetics and culture are in fact principal concerns. In this respect, such Marxists are similar to their Western counterparts, although Europeans have had little understanding of the Chinese experience. Liu traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin, and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a postrevolutionary society and have affected a wide field of issues involving the problems of modernity.Forcefully argued and theoretically sophisticated, this book will appeal to students and scholars of contemporary Marxism, cultural studies, aesthetics, and modern Chinese culture, politics, and ideology |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (248 pages) |
| ISBN: | 9780822380535 |
| DOI: | 10.1515/9780822380535 |
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| 520 | |a Although Chinese Marxism-primarily represented by Maoism-is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Marxist traditions, Liu reveals the extent to which Chinese Marxists incorporate ideas about aesthetics and culture in their theories and practices. In doing so, he constructs a wholly new understanding of Chinese Marxism.Far from being secondary considerations in Chinese Marxism, aesthetics and culture are in fact principal concerns. In this respect, such Marxists are similar to their Western counterparts, although Europeans have had little understanding of the Chinese experience. Liu traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin, and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a postrevolutionary society and have affected a wide field of issues involving the problems of modernity.Forcefully argued and theoretically sophisticated, this book will appeal to students and scholars of contemporary Marxism, cultural studies, aesthetics, and modern Chinese culture, politics, and ideology | ||
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| index_date | 2024-07-03T16:26:54Z |
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| isbn | 9780822380535 |
| language | English |
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| spelling | Liu, Kang Verfasser aut Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries Kang Liu; Fredric Jameson, Stanley Fish Durham Duke University Press [2000] © 2000 1 online resource (248 pages) txt rdacontent c rdamedia cr rdacarrier Post-Contemporary Interventions Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Although Chinese Marxism-primarily represented by Maoism-is generally seen by Western intellectuals as monolithic, Liu Kang argues that its practices and projects are as diverse as those in Western Marxism, particularly in the area of aesthetics. In this comparative study of European and Chinese Marxist traditions, Liu reveals the extent to which Chinese Marxists incorporate ideas about aesthetics and culture in their theories and practices. In doing so, he constructs a wholly new understanding of Chinese Marxism.Far from being secondary considerations in Chinese Marxism, aesthetics and culture are in fact principal concerns. In this respect, such Marxists are similar to their Western counterparts, although Europeans have had little understanding of the Chinese experience. Liu traces the genealogy of aesthetic discourse in both modern China and the West since the era of classical German thought, showing where conceptual modifications and divergences have occurred in the two traditions. He examines the work of Mao Zedong, Lu Xun, Li Zehou, Qu Qiubai, and others in China, and from the West he discusses Kant, Schiller, Schopenhauer, and Marxist theorists including Horkheimer, Adorno, Benjamin, and Marcuse. While stressing the diversity of Marxist positions within China as well as in the West, Liu explains how ideas of culture and aesthetics have offered a constructive vision for a postrevolutionary society and have affected a wide field of issues involving the problems of modernity.Forcefully argued and theoretically sophisticated, this book will appeal to students and scholars of contemporary Marxism, cultural studies, aesthetics, and modern Chinese culture, politics, and ideology In English PHILOSOPHY / Political bisacsh Aesthetics Culture Philosophy, German 19th century Philosophy, German 20th century Philosophy, Marxist China Fish, Stanley edt Jameson, Fredric edt https://doi.org/10.1515/9780822380535 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Liu, Kang Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries PHILOSOPHY / Political bisacsh Aesthetics Culture Philosophy, German 19th century Philosophy, German 20th century Philosophy, Marxist China |
| title | Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries |
| title_auth | Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries |
| title_exact_search | Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries |
| title_exact_search_txtP | Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries |
| title_full | Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries Kang Liu; Fredric Jameson, Stanley Fish |
| title_fullStr | Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries Kang Liu; Fredric Jameson, Stanley Fish |
| title_full_unstemmed | Aesthetics and Marxism Chinese Aesthetic Marxists and Their Western Contemporaries Kang Liu; Fredric Jameson, Stanley Fish |
| title_short | Aesthetics and Marxism |
| title_sort | aesthetics and marxism chinese aesthetic marxists and their western contemporaries |
| title_sub | Chinese Aesthetic Marxists and Their Western Contemporaries |
| topic | PHILOSOPHY / Political bisacsh Aesthetics Culture Philosophy, German 19th century Philosophy, German 20th century Philosophy, Marxist China |
| topic_facet | PHILOSOPHY / Political Aesthetics Culture Philosophy, German 19th century Philosophy, German 20th century Philosophy, Marxist China |
| url | https://doi.org/10.1515/9780822380535 |
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