Groove Tube: Sixties Television and the Youth Rebellion
Critics often claim that prime-time television seemed immune-or even willfully blind-to the landmark upheavals rocking American society during the 1960s. Groove Tube is Aniko Bodroghkozy's rebuttal of this claim. Filled with entertaining and enlightening discussions of popular shows of the time...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2001]
|
| Schriftenreihe: | Console-ing passions: television and cultural power
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Critics often claim that prime-time television seemed immune-or even willfully blind-to the landmark upheavals rocking American society during the 1960s. Groove Tube is Aniko Bodroghkozy's rebuttal of this claim. Filled with entertaining and enlightening discussions of popular shows of the time-such as The Monkees, The Smothers Brothers Comedy Hour, The Mod Squad-this book challenges the assumption that TV programming failed to consider or engage with the decade's youth-lead societal changes.Bodroghkozy argues that, in order to woo an increasingly lucrative baby boomer audience, television had to appeal to the social and political values of a generation of young people who were enmeshed in the hippie counterculture, the antiwar movement, campus protests, urban guerilla action-in general, a culture of rebellion. She takes a close look at the compromises and negotiations that were involved in determining TV content, as well as the ideological difficulties producers and networks faced in attempting to appeal to a youthful cohort so disaffected from dominant institutions. While programs that featured narratives about hippies, draft resisters, or revolutionaries are examined under this lens, Groove Tube doesn't stop there: it also examines how the nation's rebellious youth responded to these representations. Bodroghkozy explains how, as members of the first "TV generation," some made sense of their societal disaffection in part through their childhood experience with this powerful new medium.Groove Tube will interest sociologists, American historians, students and scholars of television and media studies, and others who want to know more about the 1960s |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (335 pages) 34 b&w photographs |
| ISBN: | 9780822380085 |
| DOI: | 10.1515/9780822380085 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV047113421 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 210129s2001 |||| o||u| ||||||eng d | ||
| 020 | |a 9780822380085 |9 978-0-8223-8008-5 | ||
| 024 | 7 | |a 10.1515/9780822380085 |2 doi | |
| 035 | |a (ZDB-23-DGG)9780822380085 | ||
| 035 | |a (OCoLC)1235885829 | ||
| 035 | |a (DE-599)BVBBV047113421 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-1043 |a DE-1046 |a DE-858 |a DE-Aug4 |a DE-859 |a DE-860 |a DE-473 |a DE-739 | ||
| 100 | 1 | |a Bodroghkozy, Aniko |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Groove Tube |b Sixties Television and the Youth Rebellion |c Aniko Bodroghkozy; Lynn Spigel |
| 264 | 1 | |a Durham |b Duke University Press |c [2001] | |
| 264 | 4 | |c © 2001 | |
| 300 | |a 1 online resource (335 pages) |b 34 b&w photographs | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Console-ing passions: television and cultural power | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) | ||
| 520 | |a Critics often claim that prime-time television seemed immune-or even willfully blind-to the landmark upheavals rocking American society during the 1960s. Groove Tube is Aniko Bodroghkozy's rebuttal of this claim. Filled with entertaining and enlightening discussions of popular shows of the time-such as The Monkees, The Smothers Brothers Comedy Hour, The Mod Squad-this book challenges the assumption that TV programming failed to consider or engage with the decade's youth-lead societal changes.Bodroghkozy argues that, in order to woo an increasingly lucrative baby boomer audience, television had to appeal to the social and political values of a generation of young people who were enmeshed in the hippie counterculture, the antiwar movement, campus protests, urban guerilla action-in general, a culture of rebellion. She takes a close look at the compromises and negotiations that were involved in determining TV content, as well as the ideological difficulties producers and networks faced in attempting to appeal to a youthful cohort so disaffected from dominant institutions. While programs that featured narratives about hippies, draft resisters, or revolutionaries are examined under this lens, Groove Tube doesn't stop there: it also examines how the nation's rebellious youth responded to these representations. Bodroghkozy explains how, as members of the first "TV generation," some made sense of their societal disaffection in part through their childhood experience with this powerful new medium.Groove Tube will interest sociologists, American historians, students and scholars of television and media studies, and others who want to know more about the 1960s | ||
| 546 | |a In English | ||
| 650 | 7 | |a PERFORMING ARTS / Television / History & Criticism |2 bisacsh | |
| 650 | 4 | |a New Left |z United States | |
| 650 | 4 | |a Television and youth |z United States | |
| 700 | 1 | |a Spigel, Lynn |4 edt | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9780822380085 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-032519851 | ||
| 966 | e | |u https://doi.org/10.1515/9780822380085 |l FAB01 |p ZDB-23-DGG |q FAB_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380085 |l FAW01 |p ZDB-23-DGG |q FAW_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380085 |l FCO01 |p ZDB-23-DGG |q FCO_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380085 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380085 |l FKE01 |p ZDB-23-DGG |q FKE_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380085 |l FLA01 |p ZDB-23-DGG |q FLA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380085 |l UPA01 |p ZDB-23-DGG |q UPA_PDA_DGG |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1515/9780822380085 |l UBG01 |p ZDB-23-DGG |q UBG_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804182149594611712 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Bodroghkozy, Aniko |
| author2 | Spigel, Lynn |
| author2_role | edt |
| author2_variant | l s ls |
| author_facet | Bodroghkozy, Aniko Spigel, Lynn |
| author_role | aut |
| author_sort | Bodroghkozy, Aniko |
| author_variant | a b ab |
| building | Verbundindex |
| bvnumber | BV047113421 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9780822380085 (OCoLC)1235885829 (DE-599)BVBBV047113421 |
| doi_str_mv | 10.1515/9780822380085 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04039nmm a2200505zc 4500</leader><controlfield tag="001">BV047113421</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">210129s2001 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780822380085</subfield><subfield code="9">978-0-8223-8008-5</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9780822380085</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9780822380085</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1235885829</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047113421</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-1043</subfield><subfield code="a">DE-1046</subfield><subfield code="a">DE-858</subfield><subfield code="a">DE-Aug4</subfield><subfield code="a">DE-859</subfield><subfield code="a">DE-860</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-739</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Bodroghkozy, Aniko</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Groove Tube</subfield><subfield code="b">Sixties Television and the Youth Rebellion</subfield><subfield code="c">Aniko Bodroghkozy; Lynn Spigel</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Durham</subfield><subfield code="b">Duke University Press</subfield><subfield code="c">[2001]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2001</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 online resource (335 pages)</subfield><subfield code="b">34 b&w photographs</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Console-ing passions: television and cultural power</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Critics often claim that prime-time television seemed immune-or even willfully blind-to the landmark upheavals rocking American society during the 1960s. Groove Tube is Aniko Bodroghkozy's rebuttal of this claim. Filled with entertaining and enlightening discussions of popular shows of the time-such as The Monkees, The Smothers Brothers Comedy Hour, The Mod Squad-this book challenges the assumption that TV programming failed to consider or engage with the decade's youth-lead societal changes.Bodroghkozy argues that, in order to woo an increasingly lucrative baby boomer audience, television had to appeal to the social and political values of a generation of young people who were enmeshed in the hippie counterculture, the antiwar movement, campus protests, urban guerilla action-in general, a culture of rebellion. She takes a close look at the compromises and negotiations that were involved in determining TV content, as well as the ideological difficulties producers and networks faced in attempting to appeal to a youthful cohort so disaffected from dominant institutions. While programs that featured narratives about hippies, draft resisters, or revolutionaries are examined under this lens, Groove Tube doesn't stop there: it also examines how the nation's rebellious youth responded to these representations. Bodroghkozy explains how, as members of the first "TV generation," some made sense of their societal disaffection in part through their childhood experience with this powerful new medium.Groove Tube will interest sociologists, American historians, students and scholars of television and media studies, and others who want to know more about the 1960s</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Television / History & Criticism</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">New Left</subfield><subfield code="z">United States</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Television and youth</subfield><subfield code="z">United States</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Spigel, Lynn</subfield><subfield code="4">edt</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032519851</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="l">FAB01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAB_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="l">FAW01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FAW_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="l">FCO01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FCO_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="l">FKE01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FKE_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="l">FLA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FLA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="l">UPA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UPA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9780822380085</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">UBG_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV047113421 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:26:53Z |
| indexdate | 2024-07-10T09:02:58Z |
| institution | BVB |
| isbn | 9780822380085 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032519851 |
| oclc_num | 1235885829 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 |
| physical | 1 online resource (335 pages) 34 b&w photographs |
| psigel | ZDB-23-DGG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UPA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG |
| publishDate | 2001 |
| publishDateSearch | 2001 |
| publishDateSort | 2001 |
| publisher | Duke University Press |
| record_format | marc |
| series2 | Console-ing passions: television and cultural power |
| spelling | Bodroghkozy, Aniko Verfasser aut Groove Tube Sixties Television and the Youth Rebellion Aniko Bodroghkozy; Lynn Spigel Durham Duke University Press [2001] © 2001 1 online resource (335 pages) 34 b&w photographs txt rdacontent c rdamedia cr rdacarrier Console-ing passions: television and cultural power Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Critics often claim that prime-time television seemed immune-or even willfully blind-to the landmark upheavals rocking American society during the 1960s. Groove Tube is Aniko Bodroghkozy's rebuttal of this claim. Filled with entertaining and enlightening discussions of popular shows of the time-such as The Monkees, The Smothers Brothers Comedy Hour, The Mod Squad-this book challenges the assumption that TV programming failed to consider or engage with the decade's youth-lead societal changes.Bodroghkozy argues that, in order to woo an increasingly lucrative baby boomer audience, television had to appeal to the social and political values of a generation of young people who were enmeshed in the hippie counterculture, the antiwar movement, campus protests, urban guerilla action-in general, a culture of rebellion. She takes a close look at the compromises and negotiations that were involved in determining TV content, as well as the ideological difficulties producers and networks faced in attempting to appeal to a youthful cohort so disaffected from dominant institutions. While programs that featured narratives about hippies, draft resisters, or revolutionaries are examined under this lens, Groove Tube doesn't stop there: it also examines how the nation's rebellious youth responded to these representations. Bodroghkozy explains how, as members of the first "TV generation," some made sense of their societal disaffection in part through their childhood experience with this powerful new medium.Groove Tube will interest sociologists, American historians, students and scholars of television and media studies, and others who want to know more about the 1960s In English PERFORMING ARTS / Television / History & Criticism bisacsh New Left United States Television and youth United States Spigel, Lynn edt https://doi.org/10.1515/9780822380085 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bodroghkozy, Aniko Groove Tube Sixties Television and the Youth Rebellion PERFORMING ARTS / Television / History & Criticism bisacsh New Left United States Television and youth United States |
| title | Groove Tube Sixties Television and the Youth Rebellion |
| title_auth | Groove Tube Sixties Television and the Youth Rebellion |
| title_exact_search | Groove Tube Sixties Television and the Youth Rebellion |
| title_exact_search_txtP | Groove Tube Sixties Television and the Youth Rebellion |
| title_full | Groove Tube Sixties Television and the Youth Rebellion Aniko Bodroghkozy; Lynn Spigel |
| title_fullStr | Groove Tube Sixties Television and the Youth Rebellion Aniko Bodroghkozy; Lynn Spigel |
| title_full_unstemmed | Groove Tube Sixties Television and the Youth Rebellion Aniko Bodroghkozy; Lynn Spigel |
| title_short | Groove Tube |
| title_sort | groove tube sixties television and the youth rebellion |
| title_sub | Sixties Television and the Youth Rebellion |
| topic | PERFORMING ARTS / Television / History & Criticism bisacsh New Left United States Television and youth United States |
| topic_facet | PERFORMING ARTS / Television / History & Criticism New Left United States Television and youth United States |
| url | https://doi.org/10.1515/9780822380085 |
| work_keys_str_mv | AT bodroghkozyaniko groovetubesixtiestelevisionandtheyouthrebellion AT spigellynn groovetubesixtiestelevisionandtheyouthrebellion |