Authentic Blackness: The Folk in the New Negro Renaissance
What constitutes "blackness" in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more "authentic" than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Move...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1999]
|
| Schriftenreihe: | New Americanists
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | What constitutes "blackness" in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more "authentic" than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement-also known as the Harlem Renaissance-to explore early challenges to the idea that race is a static category.Authentic Blackness looks at the place of the "folk"-those African Americans "furthest down," in the words of Alain Locke-and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how "race" has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (200 pages) |
| ISBN: | 9780822379515 |
| DOI: | 10.1515/9780822379515 |
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| spelling | Favor, J. Martin Verfasser aut Authentic Blackness The Folk in the New Negro Renaissance J. Martin Favor Durham Duke University Press [1999] © 1999 1 online resource (200 pages) txt rdacontent c rdamedia cr rdacarrier New Americanists Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) What constitutes "blackness" in American culture? And who gets to define whether or not someone is truly African American? Is a struggling hip-hop artist more "authentic" than a conservative Supreme Court justice? In Authentic Blackness J. Martin Favor looks to the New Negro Movement-also known as the Harlem Renaissance-to explore early challenges to the idea that race is a static category.Authentic Blackness looks at the place of the "folk"-those African Americans "furthest down," in the words of Alain Locke-and how the representation of the folk and the black middle class both spurred the New Negro Movement and became one of its most serious points of contention. Drawing on vernacular theories of African American literature from such figures as Henry Louis Gates Jr. and Houston Baker as well as theorists Judith Butler and Stuart Hall, Favor looks closely at the work of four Harlem Renaissance fiction writers: James Weldon Johnson, Nella Larsen, George Schuyler, and Jean Toomer. Arguing that each of these writers had, at best, an ambiguous relationship to African American folk culture, Favor demonstrates how they each sought to redress the notion of a fixed black identity. Authentic Blackness illustrates how "race" has functioned as a type of performative discourse, a subjectivity that simultaneously builds and conceals its connections with such factors as class, gender, sexuality, and geography In English LITERARY CRITICISM / American / African-American bisacsh African Americans in literature African Americans Race identity American literature African American authors History and criticism American literature 20th century History and criticism Group identity in literature Harlem Renaissance Race in literature https://doi.org/10.1515/9780822379515 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Favor, J. Martin Authentic Blackness The Folk in the New Negro Renaissance LITERARY CRITICISM / American / African-American bisacsh African Americans in literature African Americans Race identity American literature African American authors History and criticism American literature 20th century History and criticism Group identity in literature Harlem Renaissance Race in literature |
| title | Authentic Blackness The Folk in the New Negro Renaissance |
| title_auth | Authentic Blackness The Folk in the New Negro Renaissance |
| title_exact_search | Authentic Blackness The Folk in the New Negro Renaissance |
| title_exact_search_txtP | Authentic Blackness The Folk in the New Negro Renaissance |
| title_full | Authentic Blackness The Folk in the New Negro Renaissance J. Martin Favor |
| title_fullStr | Authentic Blackness The Folk in the New Negro Renaissance J. Martin Favor |
| title_full_unstemmed | Authentic Blackness The Folk in the New Negro Renaissance J. Martin Favor |
| title_short | Authentic Blackness |
| title_sort | authentic blackness the folk in the new negro renaissance |
| title_sub | The Folk in the New Negro Renaissance |
| topic | LITERARY CRITICISM / American / African-American bisacsh African Americans in literature African Americans Race identity American literature African American authors History and criticism American literature 20th century History and criticism Group identity in literature Harlem Renaissance Race in literature |
| topic_facet | LITERARY CRITICISM / American / African-American African Americans in literature African Americans Race identity American literature African American authors History and criticism American literature 20th century History and criticism Group identity in literature Harlem Renaissance Race in literature |
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