Terminal Identity: The Virtual Subject in Postmodern Science Fiction
Scott Bukatman's Terminal Identity-referring to both the site of the termination of the conventional "subject" and the birth of a new subjectivity constructed at the computer terminal or television screen--puts to rest any lingering doubts of the significance of science fiction in con...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1993]
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Scott Bukatman's Terminal Identity-referring to both the site of the termination of the conventional "subject" and the birth of a new subjectivity constructed at the computer terminal or television screen--puts to rest any lingering doubts of the significance of science fiction in contemporary cultural studies. Demonstrating a comprehensive knowledge, both of the history of science fiction narrative from its earliest origins, and of cultural theory and philosophy, Bukatman redefines the nature of human identity in the Information Age.Drawing on a wide range of contemporary theories of the postmodern-including Fredric Jameson, Donna Haraway, and Jean Baudrillard-Bukatman begins with the proposition that Western culture is suffering a crisis brought on by advanced electronic technologies. Then in a series of chapters richly supported by analyses of literary texts, visual arts, film, video, television, comics, computer games, and graphics, Bukatman takes the reader on an odyssey that traces the postmodern subject from its current crisis, through its close encounters with technology, and finally to new self-recognition. This new "virtual subject," as Bukatman defines it, situates the human and the technological as coexistent, codependent, and mutally defining.Synthesizing the most provocative theories of postmodern culture with a truly encyclopedic treatment of the relevant media, this volume sets a new standard in the study of science fiction-a category that itself may be redefined in light of this work. Bukatman not only offers the most detailed map to date of the intellectual terrain of postmodern technology studies-he arrives at new frontiers, providing a propitious launching point for further inquiries into the relationship of electronic technology and culture |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (420 pages) 30 b&w illustrations |
| ISBN: | 9780822379287 |
| DOI: | 10.1515/9780822379287 |
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| 520 | |a Scott Bukatman's Terminal Identity-referring to both the site of the termination of the conventional "subject" and the birth of a new subjectivity constructed at the computer terminal or television screen--puts to rest any lingering doubts of the significance of science fiction in contemporary cultural studies. Demonstrating a comprehensive knowledge, both of the history of science fiction narrative from its earliest origins, and of cultural theory and philosophy, Bukatman redefines the nature of human identity in the Information Age.Drawing on a wide range of contemporary theories of the postmodern-including Fredric Jameson, Donna Haraway, and Jean Baudrillard-Bukatman begins with the proposition that Western culture is suffering a crisis brought on by advanced electronic technologies. Then in a series of chapters richly supported by analyses of literary texts, visual arts, film, video, television, comics, computer games, and graphics, Bukatman takes the reader on an odyssey that traces the postmodern subject from its current crisis, through its close encounters with technology, and finally to new self-recognition. This new "virtual subject," as Bukatman defines it, situates the human and the technological as coexistent, codependent, and mutally defining.Synthesizing the most provocative theories of postmodern culture with a truly encyclopedic treatment of the relevant media, this volume sets a new standard in the study of science fiction-a category that itself may be redefined in light of this work. Bukatman not only offers the most detailed map to date of the intellectual terrain of postmodern technology studies-he arrives at new frontiers, providing a propitious launching point for further inquiries into the relationship of electronic technology and culture | ||
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| spelling | Bukatman, Scott Verfasser aut Terminal Identity The Virtual Subject in Postmodern Science Fiction Scott Bukatman Durham Duke University Press [1993] © 1993 1 online resource (420 pages) 30 b&w illustrations txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Scott Bukatman's Terminal Identity-referring to both the site of the termination of the conventional "subject" and the birth of a new subjectivity constructed at the computer terminal or television screen--puts to rest any lingering doubts of the significance of science fiction in contemporary cultural studies. Demonstrating a comprehensive knowledge, both of the history of science fiction narrative from its earliest origins, and of cultural theory and philosophy, Bukatman redefines the nature of human identity in the Information Age.Drawing on a wide range of contemporary theories of the postmodern-including Fredric Jameson, Donna Haraway, and Jean Baudrillard-Bukatman begins with the proposition that Western culture is suffering a crisis brought on by advanced electronic technologies. Then in a series of chapters richly supported by analyses of literary texts, visual arts, film, video, television, comics, computer games, and graphics, Bukatman takes the reader on an odyssey that traces the postmodern subject from its current crisis, through its close encounters with technology, and finally to new self-recognition. This new "virtual subject," as Bukatman defines it, situates the human and the technological as coexistent, codependent, and mutally defining.Synthesizing the most provocative theories of postmodern culture with a truly encyclopedic treatment of the relevant media, this volume sets a new standard in the study of science fiction-a category that itself may be redefined in light of this work. Bukatman not only offers the most detailed map to date of the intellectual terrain of postmodern technology studies-he arrives at new frontiers, providing a propitious launching point for further inquiries into the relationship of electronic technology and culture In English LITERARY CRITICISM / Science Fiction & Fantasy bisacsh American fiction 20th century History and criticism Identity (Psychology) in literature Postmodernism (Literature) United States Science fiction, American History and criticism Virtual reality in literature https://doi.org/10.1515/9780822379287 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Bukatman, Scott Terminal Identity The Virtual Subject in Postmodern Science Fiction LITERARY CRITICISM / Science Fiction & Fantasy bisacsh American fiction 20th century History and criticism Identity (Psychology) in literature Postmodernism (Literature) United States Science fiction, American History and criticism Virtual reality in literature |
| title | Terminal Identity The Virtual Subject in Postmodern Science Fiction |
| title_auth | Terminal Identity The Virtual Subject in Postmodern Science Fiction |
| title_exact_search | Terminal Identity The Virtual Subject in Postmodern Science Fiction |
| title_exact_search_txtP | Terminal Identity The Virtual Subject in Postmodern Science Fiction |
| title_full | Terminal Identity The Virtual Subject in Postmodern Science Fiction Scott Bukatman |
| title_fullStr | Terminal Identity The Virtual Subject in Postmodern Science Fiction Scott Bukatman |
| title_full_unstemmed | Terminal Identity The Virtual Subject in Postmodern Science Fiction Scott Bukatman |
| title_short | Terminal Identity |
| title_sort | terminal identity the virtual subject in postmodern science fiction |
| title_sub | The Virtual Subject in Postmodern Science Fiction |
| topic | LITERARY CRITICISM / Science Fiction & Fantasy bisacsh American fiction 20th century History and criticism Identity (Psychology) in literature Postmodernism (Literature) United States Science fiction, American History and criticism Virtual reality in literature |
| topic_facet | LITERARY CRITICISM / Science Fiction & Fantasy American fiction 20th century History and criticism Identity (Psychology) in literature Postmodernism (Literature) United States Science fiction, American History and criticism Virtual reality in literature |
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