Lines of Thought: Discourse, Architectonics, and the Origin of Modern Philosophy
It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In Lines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes's Discours de la méthode and Géo...
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1996]
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| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In Lines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes's Discours de la méthode and Géométrie, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and the significance of graphic architectonic form in the genealogy of modern philosophy.While Cartesianism has long served as a synonym for rationalism, the contents of Descartes's method and cogito have remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartes's notion of intuition, the "things" Cartesian intuitions represent bear no resemblance to phenomena. By returning to what Descartes calls the construction of his "foundation" in the Discours, Brodsky Lacour identifies the conceptual problems at the root of Descartes's literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and "I" are the only "things" we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be the cogito, Descartes's theoretical extension of thinking into material being. Describable in accordance with the Géométrie as a freely constructed line of thought, the cogito, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. In conclusion, Brodsky Lacour analyzes such a link in the writings of Claude Perrault, the architectural theorist whose reflections on beauty helped shape the seventeenth-century dispute between "the ancients and the moderns."Part of a growing body of literary and interdisciplinary considerations of philosophical texts, Lines of Thought will appeal to theorists and historians of literature, architecture, art, and philosophy, and those concerned with the origin and identity of the modern |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (176 pages) |
| ISBN: | 9780822379225 |
| DOI: | 10.1515/9780822379225 |
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| 520 | |a It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In Lines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes's Discours de la méthode and Géométrie, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and the significance of graphic architectonic form in the genealogy of modern philosophy.While Cartesianism has long served as a synonym for rationalism, the contents of Descartes's method and cogito have remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartes's notion of intuition, the "things" Cartesian intuitions represent bear no resemblance to phenomena. | ||
| 520 | |a By returning to what Descartes calls the construction of his "foundation" in the Discours, Brodsky Lacour identifies the conceptual problems at the root of Descartes's literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and "I" are the only "things" we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be the cogito, Descartes's theoretical extension of thinking into material being. Describable in accordance with the Géométrie as a freely constructed line of thought, the cogito, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. | ||
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| spelling | Brodsky Lacour, Claudia Verfasser aut Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy Claudia Brodsky Lacour Durham Duke University Press [1996] © 1996 1 online resource (176 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) It is considerably easier to say that modern philosophy began with Descartes than it is to define the modernity and philosophy to which Descartes gave rise. In Lines of Thought, Claudia Brodsky Lacour describes the double origin of modern philosophy in Descartes's Discours de la méthode and Géométrie, works whose interrelation, she argues, reveals the specific nature of the modern in his thought. Her study examines the roles of discourse and writing in Cartesian method and intuition, and the significance of graphic architectonic form in the genealogy of modern philosophy.While Cartesianism has long served as a synonym for rationalism, the contents of Descartes's method and cogito have remained infamously resistant to rational analysis. Similarly, although modern phenomenological analyses descend from Descartes's notion of intuition, the "things" Cartesian intuitions represent bear no resemblance to phenomena. By returning to what Descartes calls the construction of his "foundation" in the Discours, Brodsky Lacour identifies the conceptual problems at the root of Descartes's literary and aesthetic theory as well as epistemology. If, for Descartes, linear extension and "I" are the only "things" we can know exist, the Cartesian subject of thought, she shows, derives first from the intersection of discourse and drawing, representation and matter. The crux of that intersection, Brodsky Lacour concludes, is and must be the cogito, Descartes's theoretical extension of thinking into material being. Describable in accordance with the Géométrie as a freely constructed line of thought, the cogito, she argues, extends historically to link philosophy with theories of discursive representation and graphic delineation after Descartes. In conclusion, Brodsky Lacour analyzes such a link in the writings of Claude Perrault, the architectural theorist whose reflections on beauty helped shape the seventeenth-century dispute between "the ancients and the moderns."Part of a growing body of literary and interdisciplinary considerations of philosophical texts, Lines of Thought will appeal to theorists and historians of literature, architecture, art, and philosophy, and those concerned with the origin and identity of the modern In English PHILOSOPHY / History & Surveys / Modern bisacsh Architecture and philosophy Methodology Philosophy, Modern 17th century https://doi.org/10.1515/9780822379225 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Brodsky Lacour, Claudia Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy PHILOSOPHY / History & Surveys / Modern bisacsh Architecture and philosophy Methodology Philosophy, Modern 17th century |
| title | Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy |
| title_auth | Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy |
| title_exact_search | Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy |
| title_exact_search_txtP | Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy |
| title_full | Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy Claudia Brodsky Lacour |
| title_fullStr | Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy Claudia Brodsky Lacour |
| title_full_unstemmed | Lines of Thought Discourse, Architectonics, and the Origin of Modern Philosophy Claudia Brodsky Lacour |
| title_short | Lines of Thought |
| title_sort | lines of thought discourse architectonics and the origin of modern philosophy |
| title_sub | Discourse, Architectonics, and the Origin of Modern Philosophy |
| topic | PHILOSOPHY / History & Surveys / Modern bisacsh Architecture and philosophy Methodology Philosophy, Modern 17th century |
| topic_facet | PHILOSOPHY / History & Surveys / Modern Architecture and philosophy Methodology Philosophy, Modern 17th century |
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