High Contrast: Race and Gender in Contemporary Hollywood Films
In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen-most often with little apparent regard for the political...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1997]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-739 DE-473 Volltext |
| Zusammenfassung: | In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen-most often with little apparent regard for the political context in which they operate-Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino.Capturing the political complexity of these films, Willis argues that race, gender, and sexuality, as they are figured in the fantasy of popular film, do not function separately, but rather inform and determine each other's meaning. She demonstrates how collective anxieties regarding social difference are mapped onto big budget movies like the Die Hard and Lethal Weapon series, Basic Instinct, Fatal Attraction, Thelma and Louise, Terminator 2, and others. Analyzing the artistic styles of directors Lynch, Tarantino, and Lee, in such films as Wild at Heart, Pulp Fiction, and Do the Right Thing, she investigates how these interactions of difference are linked to the production of specific authorial styles, and how race functions for each of these directors, particularly in relation to gender identity, erotics, and fantasy |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (280 pages) |
| ISBN: | 9780822379218 |
| DOI: | 10.1515/9780822379218 |
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| spelling | Willis, Sharon Verfasser aut High Contrast Race and Gender in Contemporary Hollywood Films Sharon Willis Durham Duke University Press [1997] © 1997 1 online resource (280 pages) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) In High Contrast, Sharon Willis examines the dynamic relationships between racial and sexual difference in Hollywood film from the 1980s and 1990s. Seizing on the way these differences are accentuated, sensationalized, and eroticized on screen-most often with little apparent regard for the political context in which they operate-Willis restores that context through close readings of a range of movies from cinematic blockbusters to the work of the new auteurs, Spike Lee, David Lynch, and Quentin Tarantino.Capturing the political complexity of these films, Willis argues that race, gender, and sexuality, as they are figured in the fantasy of popular film, do not function separately, but rather inform and determine each other's meaning. She demonstrates how collective anxieties regarding social difference are mapped onto big budget movies like the Die Hard and Lethal Weapon series, Basic Instinct, Fatal Attraction, Thelma and Louise, Terminator 2, and others. Analyzing the artistic styles of directors Lynch, Tarantino, and Lee, in such films as Wild at Heart, Pulp Fiction, and Do the Right Thing, she investigates how these interactions of difference are linked to the production of specific authorial styles, and how race functions for each of these directors, particularly in relation to gender identity, erotics, and fantasy In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh https://doi.org/10.1515/9780822379218 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Willis, Sharon High Contrast Race and Gender in Contemporary Hollywood Films PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| title | High Contrast Race and Gender in Contemporary Hollywood Films |
| title_auth | High Contrast Race and Gender in Contemporary Hollywood Films |
| title_exact_search | High Contrast Race and Gender in Contemporary Hollywood Films |
| title_exact_search_txtP | High Contrast Race and Gender in Contemporary Hollywood Films |
| title_full | High Contrast Race and Gender in Contemporary Hollywood Films Sharon Willis |
| title_fullStr | High Contrast Race and Gender in Contemporary Hollywood Films Sharon Willis |
| title_full_unstemmed | High Contrast Race and Gender in Contemporary Hollywood Films Sharon Willis |
| title_short | High Contrast |
| title_sort | high contrast race and gender in contemporary hollywood films |
| title_sub | Race and Gender in Contemporary Hollywood Films |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism |
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