Whose Art Is It?:
Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the mos...
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1994]
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| Schriftenreihe: | Public planet books
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| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community-and New York itself-over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them.This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots-provocative, surprising in its contradictions and complexities and not at all easy to resolve.Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (144 pages) 18 b&w photographs |
| ISBN: | 9780822379058 |
| DOI: | 10.1515/9780822379058 |
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| 520 | |a Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community-and New York itself-over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them.This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots-provocative, surprising in its contradictions and complexities and not at all easy to resolve.Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere | ||
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Datensatz im Suchindex
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| author | Kramer, Jane |
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| dewey-full | 730/.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 730 - Sculpture and related arts |
| dewey-raw | 730/.92 |
| dewey-search | 730/.92 |
| dewey-sort | 3730 292 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| doi_str_mv | 10.1515/9780822379058 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T16:26:53Z |
| indexdate | 2024-07-10T09:02:57Z |
| institution | BVB |
| isbn | 9780822379058 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032519804 |
| oclc_num | 1235884640 |
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| physical | 1 online resource (144 pages) 18 b&w photographs |
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| publishDate | 1994 |
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| publisher | Duke University Press |
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| spelling | Kramer, Jane Verfasser aut Whose Art Is It? Jane Kramer Durham Duke University Press [1994] © 1994 1 online resource (144 pages) 18 b&w photographs txt rdacontent c rdamedia cr rdacarrier Public planet books Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Whose Art Is It? is the story of sculptor John Ahearn, a white artist in a black and Hispanic neighborhood of the South Bronx, and of the people he cast for a series of public sculptures commissioned for an intersection outside a police station. Jane Kramer, telling this story, raises one of the most urgent questions of our time: How do we live in a society we share with people who are, often by their own definitions, "different?" Ahearn's subjects were "not the best of the neighborhood." They were a junkie, a hustler, and a street kid. Their images sparked a controversy throughout the community-and New York itself-over issues of white representations of people of color and the appropriateness of particular images as civic art. The sculptures, cast in bronze and painted, were up for only five days before Ahearn removed them.This compelling narrative raises questions about community and public art policies, about stereotypes and multiculturalism. With wit, drama, sympathy, and circumspection, Kramer draws the reader into the multicultural debate, challenging our assumptions about art, image, and their relation to community. Her portrait of the South Bronx takes the argument to its grass roots-provocative, surprising in its contradictions and complexities and not at all easy to resolve.Accompanied by an introduction by Catharine R. Stimpson exploring the issues of artistic freedom, "political correctness," and multiculturalism, Whose Art Is It? is a lively and accessible introduction to the ongoing debate on representation and private expression in the public sphere In English ART / Sculpture & Installation bisacsh African Americans in art Hispanic Americans in art Public sculpture New York (State) New York Catharine R., Stimpson ctb Jane, Kramer ctb https://doi.org/10.1515/9780822379058 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Kramer, Jane Whose Art Is It? ART / Sculpture & Installation bisacsh African Americans in art Hispanic Americans in art Public sculpture New York (State) New York |
| title | Whose Art Is It? |
| title_auth | Whose Art Is It? |
| title_exact_search | Whose Art Is It? |
| title_exact_search_txtP | Whose Art Is It? |
| title_full | Whose Art Is It? Jane Kramer |
| title_fullStr | Whose Art Is It? Jane Kramer |
| title_full_unstemmed | Whose Art Is It? Jane Kramer |
| title_short | Whose Art Is It? |
| title_sort | whose art is it |
| topic | ART / Sculpture & Installation bisacsh African Americans in art Hispanic Americans in art Public sculpture New York (State) New York |
| topic_facet | ART / Sculpture & Installation African Americans in art Hispanic Americans in art Public sculpture New York (State) New York |
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