What Makes Sound Patterns Expressive?: The Poetic Mode of Speech Perception
Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur's point of departure in this investigation into the expressive effect of sound patterns, a...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[1992]
|
| Schriftenreihe: | Sound and Meaning: The Roman Jakobson Series in Linguistics and Poetics
|
| Schlagworte: | |
| Online-Zugang: | FAB01 FAW01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur's point of departure in this investigation into the expressive effect of sound patterns, addressing questions of great concern for literary theorists and critics as well as for linguists and psychologists.Research in recent decades has established two distinct types of aural perception: a nonspeech mode, in which the acoustic signals are received in the manner of musical sounds or natural noises; and a speech mode, in which acoustic signals are excluded from awareness and only an abstract phonetic category is perceived. Here, Tsur proposes a third type of speech perception, a poetic mode in which some part of the acoustic signal becomes accessible, however faintly, to consciousness.Using Roman Jakobson's model of childhood acquisition of the phonological system, Tsur shows how the nonreferential babbling sounds made by infants form a basis for aesthetic valuation of language. He tests the intersubjective and intercultural validity of various spatial and tactile metaphors for certain sounds. Illustrating his insights with reference to particular literary texts, Tsur considers the relative merits of cognitive and psychoanalytic approaches to the emotional symbolism of speech sounds |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) |
| Beschreibung: | 1 online resource (188 pages) |
| ISBN: | 9780822378365 |
| DOI: | 10.1515/9780822378365 |
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| 520 | |a Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur's point of departure in this investigation into the expressive effect of sound patterns, addressing questions of great concern for literary theorists and critics as well as for linguists and psychologists.Research in recent decades has established two distinct types of aural perception: a nonspeech mode, in which the acoustic signals are received in the manner of musical sounds or natural noises; and a speech mode, in which acoustic signals are excluded from awareness and only an abstract phonetic category is perceived. Here, Tsur proposes a third type of speech perception, a poetic mode in which some part of the acoustic signal becomes accessible, however faintly, to consciousness.Using Roman Jakobson's model of childhood acquisition of the phonological system, Tsur shows how the nonreferential babbling sounds made by infants form a basis for aesthetic valuation of language. He tests the intersubjective and intercultural validity of various spatial and tactile metaphors for certain sounds. Illustrating his insights with reference to particular literary texts, Tsur considers the relative merits of cognitive and psychoanalytic approaches to the emotional symbolism of speech sounds | ||
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Datensatz im Suchindex
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| indexdate | 2024-07-10T09:02:57Z |
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| isbn | 9780822378365 |
| language | English |
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| series2 | Sound and Meaning: The Roman Jakobson Series in Linguistics and Poetics |
| spelling | Tsur, Reuven Verfasser aut What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception Reuven Tsur Durham Duke University Press [1992] © 1992 1 online resource (188 pages) txt rdacontent c rdamedia cr rdacarrier Sound and Meaning: The Roman Jakobson Series in Linguistics and Poetics Description based on online resource; title from PDF title page (publisher's Web site, viewed 12. Dez 2020) Poets, academics, and those who simply speak a language are subject to mysterious intuitions about the perceptual qualities and emotional symbolism of the sounds of speech. Such intuitions are Reuven Tsur's point of departure in this investigation into the expressive effect of sound patterns, addressing questions of great concern for literary theorists and critics as well as for linguists and psychologists.Research in recent decades has established two distinct types of aural perception: a nonspeech mode, in which the acoustic signals are received in the manner of musical sounds or natural noises; and a speech mode, in which acoustic signals are excluded from awareness and only an abstract phonetic category is perceived. Here, Tsur proposes a third type of speech perception, a poetic mode in which some part of the acoustic signal becomes accessible, however faintly, to consciousness.Using Roman Jakobson's model of childhood acquisition of the phonological system, Tsur shows how the nonreferential babbling sounds made by infants form a basis for aesthetic valuation of language. He tests the intersubjective and intercultural validity of various spatial and tactile metaphors for certain sounds. Illustrating his insights with reference to particular literary texts, Tsur considers the relative merits of cognitive and psychoanalytic approaches to the emotional symbolism of speech sounds In English LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology bisacsh Sound symbolism Speech perception Versification https://doi.org/10.1515/9780822378365 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Tsur, Reuven What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology bisacsh Sound symbolism Speech perception Versification |
| title | What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception |
| title_auth | What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception |
| title_exact_search | What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception |
| title_exact_search_txtP | What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception |
| title_full | What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception Reuven Tsur |
| title_fullStr | What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception Reuven Tsur |
| title_full_unstemmed | What Makes Sound Patterns Expressive? The Poetic Mode of Speech Perception Reuven Tsur |
| title_short | What Makes Sound Patterns Expressive? |
| title_sort | what makes sound patterns expressive the poetic mode of speech perception |
| title_sub | The Poetic Mode of Speech Perception |
| topic | LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology bisacsh Sound symbolism Speech perception Versification |
| topic_facet | LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology Sound symbolism Speech perception Versification |
| url | https://doi.org/10.1515/9780822378365 |
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