Solo dance in archaic and classical Greek literature: representing the unruly body
""Ancient Greek dance" traditionally evokes images of stately choruses or lively Dionysiac revels - communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It ar...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Port Melbourne ; New Delhi ; Singapore
Cambridge University Press
2021
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | ""Ancient Greek dance" traditionally evokes images of stately choruses or lively Dionysiac revels - communal acts of performance. This is the first book to look beyond the chorus to the diverse and complex representation of solo dancers in Archaic and Classical Greek literature. It argues that dancing alone signifies transgression and vulnerability in the Greek cultural imagination, as isolation from the chorus marks the separation of the individual from a range of communal social structures. It also demonstrates that the solo dancer is a powerful figure for literary exploration and experimentation, highlighting the importance of the singular dancing body in the articulation of poetic, narrative, and generic interests across Greek literature. Taking a comparative approach and engaging with current work in dance and performance studies, this book reveals the profound literary and cultural importance of the unruly solo dancer in the ancient Greek world"-- |
| Beschreibung: | xiii, 243 Seiten Illustrationen |
| ISBN: | 9781108485036 |
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Datensatz im Suchindex
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| adam_text | Contents List ofFigures Acknowledgments Notes on Texts, Abbreviations, and Styk page viii x xii Introduction: Dance, Literature, and Culture i 1 The Fantastic Phaeacians: Virtuosity, Competition, and Dance in the Odyssey 23 2 Io ’s Dance: Human Mobility and Divine Authority in Aeschylus’ Prometheus Bound 52 3 73 Dance at Work: Performance and Identity in Euripides’ Ion 4 Dance and Dissonance: The Innovative Choreography of Aristophanes’ Wasps 100 5 Staging Madwomen: Dance and Dramatic Form in Euripides and Aristophanes 129 6 Agency, Narrative, and the Dancing Girl 150 7 Dance History 178 Conclusion: Reading Dance with Lucian Bibliography Index Locorum General Index 200 210 238 240 vii
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| adam_txt |
Contents List ofFigures Acknowledgments Notes on Texts, Abbreviations, and Styk page viii x xii Introduction: Dance, Literature, and Culture i 1 The Fantastic Phaeacians: Virtuosity, Competition, and Dance in the Odyssey 23 2 Io ’s Dance: Human Mobility and Divine Authority in Aeschylus’ Prometheus Bound 52 3 73 Dance at Work: Performance and Identity in Euripides’ Ion 4 Dance and Dissonance: The Innovative Choreography of Aristophanes’ Wasps 100 5 Staging Madwomen: Dance and Dramatic Form in Euripides and Aristophanes 129 6 Agency, Narrative, and the Dancing Girl 150 7 Dance History 178 Conclusion: Reading Dance with Lucian Bibliography Index Locorum General Index 200 210 238 240 vii |
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| author_variant | s o so |
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| format | Book |
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| title | Solo dance in archaic and classical Greek literature representing the unruly body |
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| title_full | Solo dance in archaic and classical Greek literature representing the unruly body Sarah Olsen (Williams College) |
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| title_short | Solo dance in archaic and classical Greek literature |
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