Beyoncé: at work, on screen, and online
"Who runs the world? The Beyhive knows. From the Destiny's Child 2001 hit single "Survivor" to her 2019 jam "7/11," Beyoncé Knowles-Carter has confronted dominant issues around the world. Because her image is linked with divisive political movements, including debates o...
Gespeichert in:
| Weitere Verfasser: | , |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Bloomington, Indiana
Indiana University Press
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Who runs the world? The Beyhive knows. From the Destiny's Child 2001 hit single "Survivor" to her 2019 jam "7/11," Beyoncé Knowles-Carter has confronted dominant issues around the world. Because her image is linked with divisive political movements, including debates on race, sexuality, and female empowerment, she has become a central figure in pop music and pop culture. Beyoncé: At Work, On Screen, and Online explores her work as a singer, activist, and artist by taking a deep dive into her songs, videos, and performances, as well as responses from her fans. Contributors look at Beyoncé's entire body of work to examine her status as a canonical figure in modern music and do not shy away from questioning scandals or weighing her social contributions against the evolution of feminism, critical race theory, authenticity, and more. Full of examples from throughout Beyoncé's career, this volume presents listening as a political undertaking that generates meaning and creates community. Beyoncé: At Work, On Screen, and Online contends that because of her willingness to address societal issues within her career, Beyoncé has become an important touchstone for an entire generation-all in a day's work for Queen Bey"-- |
| Beschreibung: | 263 Seiten Illustrationen |
| ISBN: | 9780253052841 9780253052827 |
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| 520 | 3 | |a "Who runs the world? The Beyhive knows. From the Destiny's Child 2001 hit single "Survivor" to her 2019 jam "7/11," Beyoncé Knowles-Carter has confronted dominant issues around the world. Because her image is linked with divisive political movements, including debates on race, sexuality, and female empowerment, she has become a central figure in pop music and pop culture. Beyoncé: At Work, On Screen, and Online explores her work as a singer, activist, and artist by taking a deep dive into her songs, videos, and performances, as well as responses from her fans. Contributors look at Beyoncé's entire body of work to examine her status as a canonical figure in modern music and do not shy away from questioning scandals or weighing her social contributions against the evolution of feminism, critical race theory, authenticity, and more. Full of examples from throughout Beyoncé's career, this volume presents listening as a political undertaking that generates meaning and creates community. Beyoncé: At Work, On Screen, and Online contends that because of her willingness to address societal issues within her career, Beyoncé has become an important touchstone for an entire generation-all in a day's work for Queen Bey"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Introduction / Melanie L. Marshall and Martin Iddon і I. Beyoncé at Work, Making Bey once 1. Emily J. Lordi / Surviving the Hustle: Beyoncé’s Performance ofWork 23 2. Will Fulton / “A Scientist of Songs”: Beyoncé, the Recording Studio, and Popular Music Authorship 40 3. Lisa Colton / “Singing All the Time”: Constructions of Cultural Identity in Beyoncé’s I Am... Sasha Fierce 68 II. Beyoncé on Screen, Reading Beyoncé 4. Julia Cox / Beyoncé’s Mixed-Media Feminism: Sounding, Staging, and Sampling Gender Politics in “***Flawless” 93 5. Jaap Kooijman / “At Last a Dream That I Can Call My Own”: Beyoncé and the Performance of Stardom in Dreamgirls and Cadillac Records 114 6. Omise eke Natasha Tinsley / For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyoncé’s “Sorry” 136 7. Eduardo Viñuela / Gypsying Beyoncé: The Latin Crossover through Hispanic Stereotypes 157 III. Beyoncé Online, Re-presenting Beyoncé 8. Mary Fogarty Woehrel / Unlikely Resemblances: Beyoncé, “Single Ladies,” and C omparative Judgment of Popular Dance 179 9. Aine Mangaoang / “I See Music”: Beyoncé, YouTube, and the Qpestion of Signed Songs 198 10. Melissa Avdeeff/ “Girl I’m Tryna Kick It with Ya”: Tracing the Reception of the Embodiment of Girl/ Bedroom Culture in “7/11” 226 Index 251
|
| adam_txt |
CONTENTS Introduction / Melanie L. Marshall and Martin Iddon і I. Beyoncé at Work, Making Bey once 1. Emily J. Lordi / Surviving the Hustle: Beyoncé’s Performance ofWork 23 2. Will Fulton / “A Scientist of Songs”: Beyoncé, the Recording Studio, and Popular Music Authorship 40 3. Lisa Colton / “Singing All the Time”: Constructions of Cultural Identity in Beyoncé’s I Am. Sasha Fierce 68 II. Beyoncé on Screen, Reading Beyoncé 4. Julia Cox / Beyoncé’s Mixed-Media Feminism: Sounding, Staging, and Sampling Gender Politics in “***Flawless” 93 5. Jaap Kooijman / “At Last a Dream That I Can Call My Own”: Beyoncé and the Performance of Stardom in Dreamgirls and Cadillac Records 114 6. Omise'eke Natasha Tinsley / For the Texas Bama Femme: A Black Queer Femme-inist Reading of Beyoncé’s “Sorry” 136 7. Eduardo Viñuela / Gypsying Beyoncé: The Latin Crossover through Hispanic Stereotypes 157 III. Beyoncé Online, Re-presenting Beyoncé 8. Mary Fogarty Woehrel / Unlikely Resemblances: Beyoncé, “Single Ladies,” and C omparative Judgment of Popular Dance 179 9. Aine Mangaoang / “I See Music”: Beyoncé, YouTube, and the Qpestion of Signed Songs 198 10. Melissa Avdeeff/ “Girl I’m Tryna Kick It with Ya”: Tracing the Reception of the Embodiment of Girl/ Bedroom Culture in “7/11” 226 Index 251 |
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| spelling | Beyoncé at work, on screen, and online edited by Martin Iddon and Melanie L. Marshall Bloomington, Indiana Indiana University Press [2020] 263 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier "Who runs the world? The Beyhive knows. From the Destiny's Child 2001 hit single "Survivor" to her 2019 jam "7/11," Beyoncé Knowles-Carter has confronted dominant issues around the world. Because her image is linked with divisive political movements, including debates on race, sexuality, and female empowerment, she has become a central figure in pop music and pop culture. Beyoncé: At Work, On Screen, and Online explores her work as a singer, activist, and artist by taking a deep dive into her songs, videos, and performances, as well as responses from her fans. Contributors look at Beyoncé's entire body of work to examine her status as a canonical figure in modern music and do not shy away from questioning scandals or weighing her social contributions against the evolution of feminism, critical race theory, authenticity, and more. Full of examples from throughout Beyoncé's career, this volume presents listening as a political undertaking that generates meaning and creates community. Beyoncé: At Work, On Screen, and Online contends that because of her willingness to address societal issues within her career, Beyoncé has become an important touchstone for an entire generation-all in a day's work for Queen Bey"-- Beyoncé 1981- (DE-588)129053813 gnd rswk-swf Geschlechterrolle (DE-588)4071776-8 gnd rswk-swf Visuelle Medien (DE-588)4188423-1 gnd rswk-swf Popmusik (DE-588)4046781-8 gnd rswk-swf Beyoncé / 1981- / Criticism and interpretation Popular music / 2001-2010 / History and criticism Popular music / 2011-2020 / History and criticism Popular music / Social aspects Beyoncé / 1981- Popular music 2001-2020 Music criticism and reviews Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content Beyoncé 1981- (DE-588)129053813 p Popmusik (DE-588)4046781-8 s Visuelle Medien (DE-588)4188423-1 s Geschlechterrolle (DE-588)4071776-8 s DE-604 Iddon, Martin 1975- (DE-588)1030210764 edt Marshall, Melanie L. (DE-588)105222508X edt Erscheint auch als Online-Ausgabe 9780253052834 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032514546&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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