Damaged: musicality and race in early American punk
"Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival resear...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Jackson
University Press of Mississippi
[2020]
|
| Schriftenreihe: | American made music series
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America's cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis"-- |
| Beschreibung: | Includes appendix, discography, and filmography |
| Beschreibung: | x, 351 Seiten Illustrationen, Porträt |
| ISBN: | 9781496831224 9781496831217 |
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| 520 | 3 | |a "Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America's cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis"-- | |
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Acknowledgments............................................................................................................. ix 1.1 ntro: The Meanings of a Musical Style......................................................................... В Part One: punk (adj.)................................................................................................ 27 2. Raw Power : ProtopunkTransformations of the Blues............................................... 35 3. Ignorance of Your Culture Is Not Considered Cool : Reconsidering the Avant-Garde Impulse in American Punk..................................................................63 4. Pure Rock and Roll with No Blues or Folk or Any of That Stuff In It .........................9З Part Two: punk(n.)................................................................................................. 133 5. Punk and the White Atlantic........................................................................................ 139 6. Less Art and More Machine : The California Crucible................................................171 7. Decisions with Precisions : New Directions for Hardcore in Washington, DC.......205 8. Outro: A New Way to Pay Old Debts...........................................................................233 Appendix............................................................................................ 261 Notes.................................................................................................................................265
Bibliography..................................................................................................................... 305 Discography..................................................................................................................... 323 Filmography..................................................................................................................... 329 Credits................................................................................................................................ 331 Index..................................................................................................................................333
|
| adam_txt |
CONTENTS Acknowledgments. ix 1.1 ntro: The Meanings of a Musical Style. В Part One: punk (adj.). 27 2. "Raw Power": ProtopunkTransformations of the Blues. 35 3. "Ignorance of Your Culture Is Not Considered Cool": Reconsidering the Avant-Garde Impulse in American Punk.63 4. "Pure Rock and Roll with No Blues or Folk or Any of That Stuff In It".9З Part Two: punk(n.). 133 5. Punk and the White Atlantic. 139 6. "Less Art and More Machine": The California Crucible.171 7. "Decisions with Precisions": New Directions for Hardcore in Washington, DC.205 8. Outro: A New Way to Pay Old Debts.233 Appendix. 261 Notes.265
Bibliography. 305 Discography. 323 Filmography. 329 Credits. 331 Index.333 |
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| contents | The meanings of a musical style -- "Raw power": protopunk transformations of the blues "Ignorance of your culture is not considered cool": reconsidering the avant-garde impulse in American punk "Pure rock and roll with no blues or folk or any of that stuff in it" -- Punk and the white Atlantic "Less art and more machine": the California crucible "Decisions with precisions": new directions for hardcore in Washington, DC -- A new way to pay old debts |
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| spelling | Rapport, Evan Verfasser (DE-588)1047824426 aut Damaged musicality and race in early American punk Evan Rapport Jackson University Press of Mississippi [2020] x, 351 Seiten Illustrationen, Porträt txt rdacontent n rdamedia nc rdacarrier American made music series Includes appendix, discography, and filmography The meanings of a musical style -- "Raw power": protopunk transformations of the blues "Ignorance of your culture is not considered cool": reconsidering the avant-garde impulse in American punk "Pure rock and roll with no blues or folk or any of that stuff in it" -- Punk and the white Atlantic "Less art and more machine": the California crucible "Decisions with precisions": new directions for hardcore in Washington, DC -- A new way to pay old debts "Damaged: Musicality and Race in Early American Punk is the first book-length portrait of punk as a musical style with an emphasis on how punk developed in relation to changing ideas of race in American society from the late 1960s to the early 1980s. Drawing on musical analysis, archival research, and new interviews, Damaged provides fresh interpretations of race and American society during this period and illuminates the contemporary importance of that era. Evan Rapport outlines the ways in which punk developed out of dramatic changes to America's cities and suburbs in the postwar era, especially with respect to race. The musical styles that led to punk included transformations to blues resources, experimental visions of the American musical past, and bold reworkings of the rock-and-roll and rhythm-and-blues sounds of the late 1950s and early 1960s, revealing a historically oriented approach to rock that is strikingly different from the common myths and conceptions about punk. Following these approaches, punk itself reflected new versions of older exchanges between the US and the UK, the changing environments of American suburbs and cities, and a shift from the expressions of older baby boomers to that of younger musicians belonging to Generation X. Throughout the book, Rapport also explores the discourses and contradictory narratives of punk history, which are often in direct conflict with the world that is captured in historical documents and revealed through musical analysis"-- Geschichte 1968-1981 gnd rswk-swf Musikleben (DE-588)4075128-4 gnd rswk-swf Ethnische Identität (DE-588)4153096-2 gnd rswk-swf Punk Rock (DE-588)4176370-1 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Punk rock music / United States / History and criticism Music and race / United States / History / 20th century Music and race Punk rock music United States 1900-1999 Criticism, interpretation, etc History USA (DE-588)4078704-7 g Punk Rock (DE-588)4176370-1 s Musikleben (DE-588)4075128-4 s Ethnische Identität (DE-588)4153096-2 s Geschichte 1968-1981 z DE-604 Erscheint auch als Online-Ausgabe, epub single 9781496831231 Erscheint auch als Online-Ausgabe, pdf single 9781496831255 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032514537&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Rapport, Evan Damaged musicality and race in early American punk The meanings of a musical style -- "Raw power": protopunk transformations of the blues "Ignorance of your culture is not considered cool": reconsidering the avant-garde impulse in American punk "Pure rock and roll with no blues or folk or any of that stuff in it" -- Punk and the white Atlantic "Less art and more machine": the California crucible "Decisions with precisions": new directions for hardcore in Washington, DC -- A new way to pay old debts Musikleben (DE-588)4075128-4 gnd Ethnische Identität (DE-588)4153096-2 gnd Punk Rock (DE-588)4176370-1 gnd |
| subject_GND | (DE-588)4075128-4 (DE-588)4153096-2 (DE-588)4176370-1 (DE-588)4078704-7 |
| title | Damaged musicality and race in early American punk |
| title_alt | The meanings of a musical style -- "Raw power": protopunk transformations of the blues "Ignorance of your culture is not considered cool": reconsidering the avant-garde impulse in American punk "Pure rock and roll with no blues or folk or any of that stuff in it" -- Punk and the white Atlantic "Less art and more machine": the California crucible "Decisions with precisions": new directions for hardcore in Washington, DC -- A new way to pay old debts |
| title_auth | Damaged musicality and race in early American punk |
| title_exact_search | Damaged musicality and race in early American punk |
| title_exact_search_txtP | Damaged musicality and race in early American punk |
| title_full | Damaged musicality and race in early American punk Evan Rapport |
| title_fullStr | Damaged musicality and race in early American punk Evan Rapport |
| title_full_unstemmed | Damaged musicality and race in early American punk Evan Rapport |
| title_short | Damaged |
| title_sort | damaged musicality and race in early american punk |
| title_sub | musicality and race in early American punk |
| topic | Musikleben (DE-588)4075128-4 gnd Ethnische Identität (DE-588)4153096-2 gnd Punk Rock (DE-588)4176370-1 gnd |
| topic_facet | Musikleben Ethnische Identität Punk Rock USA |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032514537&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT rapportevan damagedmusicalityandraceinearlyamericanpunk |