The philosophy of curatorial practice: between work and world

"This book walks us through the process of how artworks eventually get their meaning. Using notions of belonging and membership and applying analytic perspectives, it shows us how curated exhibitions invite audience members to infer an exhibition's narrative threads, giving artworks their...

Full description

Saved in:
Bibliographic Details
Main Author: Spaid, Sue 1961- (Author)
Format: Book
Language:English
Published: London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020
Subjects:
Summary:"This book walks us through the process of how artworks eventually get their meaning. Using notions of belonging and membership and applying analytic perspectives, it shows us how curated exhibitions invite audience members to infer an exhibition's narrative threads, giving artworks their contents and discursive sense. By drawing on a range of case studies from Impressionism, Dada, and Surrealism to more contemporary exhibitions such as Maurizio Cattelan's "All" and "Damien Hirst", this is a new reading of exploration, conceptualisation, presentation, and reception, informing and illuminating current debates in curatorial practice"--
Physical Description:xvi, 274 Seiten Illustrationen
ISBN:9781350114890
9781350184015

There is no print copy available.

Interlibrary loan Place Request Caution: Not in THWS collection!