The philosophy of curatorial practice: between work and world

"This book walks us through the process of how artworks eventually get their meaning. Using notions of belonging and membership and applying analytic perspectives, it shows us how curated exhibitions invite audience members to infer an exhibition's narrative threads, giving artworks their...

Ausführliche Beschreibung

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Bibliographische Detailangaben
1. Verfasser: Spaid, Sue 1961- (VerfasserIn)
Format: Buch
Sprache:English
Veröffentlicht: London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2020
Schlagworte:
Zusammenfassung:"This book walks us through the process of how artworks eventually get their meaning. Using notions of belonging and membership and applying analytic perspectives, it shows us how curated exhibitions invite audience members to infer an exhibition's narrative threads, giving artworks their contents and discursive sense. By drawing on a range of case studies from Impressionism, Dada, and Surrealism to more contemporary exhibitions such as Maurizio Cattelan's "All" and "Damien Hirst", this is a new reading of exploration, conceptualisation, presentation, and reception, informing and illuminating current debates in curatorial practice"--
Beschreibung:xvi, 274 Seiten Illustrationen
ISBN:9781350114890
9781350184015

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