Moving objects: a cultural history of emotive design
"Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. These emotionally laden, highly authored works are often produced in limited editions and sold like art. Examples given in the book include a chair made from cuddly toys, a leathe...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Bloomsbury Visual Arts
2020
|
| Schlagworte: | |
| Zusammenfassung: | "Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. These emotionally laden, highly authored works are often produced in limited editions and sold like art. Examples given in the book include a chair made from cuddly toys, a leather sofa that resembles a cow, and a jewellery box fashioned from human hair. If Postmodernism demanded ironic distance, and Critical Design is all about questions, then emotive design runs hotter than this, confronting how designers are using feelings in what they make. Tracing the phenomenon back to the 'Dutch inflection' that began with Droog designers like Jurgen Bey and Hella Jongerius, Moving Objects follows the development of such work back through Italian radical design and looks for its origins in the uncanny explorations of surrealism. Through analysis of the rising popularity of designer-makers like Nacho Carbonell and Studio Swine, the book establishes a critical and theoretical framework for understanding the performative nature of this emotive and sometimes disturbing work. Through a critique of Speculative Design, and an examination of the work of designers such as Mathias Bengtsson who are 'growing' furniture inside computers, Moving Furniture asks what happens when the tangible melts into the datascape and design becomes a question of mobilities. In this way Moving Objects examines contemporary issues of how we live with artefacts and what design can do"-- |
| Beschreibung: | vii, 237 pages 50 Illustrationen (schwarz-weiß) 24 cm |
| ISBN: | 9781350088610 |
Internformat
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| 245 | 1 | 0 | |a Moving objects |b a cultural history of emotive design |c Damon Taylor |
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| 505 | 8 | |a Droog : The dry and the moist -- Framing design art -- Viscerealities -- Valuing emotive design -- Rhetorical devices and lyrical things -- To the ends of the earth | |
| 520 | 3 | |a "Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. These emotionally laden, highly authored works are often produced in limited editions and sold like art. Examples given in the book include a chair made from cuddly toys, a leather sofa that resembles a cow, and a jewellery box fashioned from human hair. If Postmodernism demanded ironic distance, and Critical Design is all about questions, then emotive design runs hotter than this, confronting how designers are using feelings in what they make. Tracing the phenomenon back to the 'Dutch inflection' that began with Droog designers like Jurgen Bey and Hella Jongerius, Moving Objects follows the development of such work back through Italian radical design and looks for its origins in the uncanny explorations of surrealism. Through analysis of the rising popularity of designer-makers like Nacho Carbonell and Studio Swine, the book establishes a critical and theoretical framework for understanding the performative nature of this emotive and sometimes disturbing work. Through a critique of Speculative Design, and an examination of the work of designers such as Mathias Bengtsson who are 'growing' furniture inside computers, Moving Furniture asks what happens when the tangible melts into the datascape and design becomes a question of mobilities. In this way Moving Objects examines contemporary issues of how we live with artefacts and what design can do"-- | |
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Datensatz im Suchindex
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| contents | Droog : The dry and the moist -- Framing design art -- Viscerealities -- Valuing emotive design -- Rhetorical devices and lyrical things -- To the ends of the earth |
| ctrlnum | (OCoLC)1225565126 (DE-599)BVBBV047102833 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T16:23:28Z |
| indexdate | 2024-07-10T09:02:40Z |
| institution | BVB |
| isbn | 9781350088610 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032509172 |
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| physical | vii, 237 pages 50 Illustrationen (schwarz-weiß) 24 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
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| publisher | Bloomsbury Visual Arts |
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| spelling | Taylor, Damon ca. 20./21.Jh. Verfasser (DE-588)1044772964 aut Moving objects a cultural history of emotive design Damon Taylor London ; New York ; Oxford ; New Delhi ; Sydney Bloomsbury Visual Arts 2020 vii, 237 pages 50 Illustrationen (schwarz-weiß) 24 cm txt rdacontent n rdamedia nc rdacarrier Droog : The dry and the moist -- Framing design art -- Viscerealities -- Valuing emotive design -- Rhetorical devices and lyrical things -- To the ends of the earth "Moving Objects deals with emotive design: designed objects that demand to be engaged with rather than simply used. These emotionally laden, highly authored works are often produced in limited editions and sold like art. Examples given in the book include a chair made from cuddly toys, a leather sofa that resembles a cow, and a jewellery box fashioned from human hair. If Postmodernism demanded ironic distance, and Critical Design is all about questions, then emotive design runs hotter than this, confronting how designers are using feelings in what they make. Tracing the phenomenon back to the 'Dutch inflection' that began with Droog designers like Jurgen Bey and Hella Jongerius, Moving Objects follows the development of such work back through Italian radical design and looks for its origins in the uncanny explorations of surrealism. Through analysis of the rising popularity of designer-makers like Nacho Carbonell and Studio Swine, the book establishes a critical and theoretical framework for understanding the performative nature of this emotive and sometimes disturbing work. Through a critique of Speculative Design, and an examination of the work of designers such as Mathias Bengtsson who are 'growing' furniture inside computers, Moving Furniture asks what happens when the tangible melts into the datascape and design becomes a question of mobilities. In this way Moving Objects examines contemporary issues of how we live with artefacts and what design can do"-- Psychologie (DE-588)4047704-6 gnd rswk-swf Industriedesign (DE-588)4072788-9 gnd rswk-swf Design / Psychological aspects Industriedesign (DE-588)4072788-9 s Psychologie (DE-588)4047704-6 s DE-604 Online version Taylor, Damon Moving objects London ; New York : Bloomsbury Visual Arts, 2020 9781350088627 |
| spellingShingle | Taylor, Damon ca. 20./21.Jh Moving objects a cultural history of emotive design Droog : The dry and the moist -- Framing design art -- Viscerealities -- Valuing emotive design -- Rhetorical devices and lyrical things -- To the ends of the earth Psychologie (DE-588)4047704-6 gnd Industriedesign (DE-588)4072788-9 gnd |
| subject_GND | (DE-588)4047704-6 (DE-588)4072788-9 |
| title | Moving objects a cultural history of emotive design |
| title_auth | Moving objects a cultural history of emotive design |
| title_exact_search | Moving objects a cultural history of emotive design |
| title_exact_search_txtP | Moving objects a cultural history of emotive design |
| title_full | Moving objects a cultural history of emotive design Damon Taylor |
| title_fullStr | Moving objects a cultural history of emotive design Damon Taylor |
| title_full_unstemmed | Moving objects a cultural history of emotive design Damon Taylor |
| title_short | Moving objects |
| title_sort | moving objects a cultural history of emotive design |
| title_sub | a cultural history of emotive design |
| topic | Psychologie (DE-588)4047704-6 gnd Industriedesign (DE-588)4072788-9 gnd |
| topic_facet | Psychologie Industriedesign |
| work_keys_str_mv | AT taylordamon movingobjectsaculturalhistoryofemotivedesign |