Realism and role-play: the human figure in French art from Callot to the Brothers Le Nain
"After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors a...
Gespeichert in:
1. Verfasser: | |
---|---|
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
Newark, Delaware
University of Delaware Press
2020
[Charlottesville, Virginia] University of Virginia Press |
Schriftenreihe: | Studies in seventeenth- and eighteenth-century art and culture
|
Schlagworte: | |
Zusammenfassung: | "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"-- |
Beschreibung: | XIV, 308 Seiten Illustrationen 23 cm |
ISBN: | 9781644532058 9781644531808 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV047102707 | ||
003 | DE-604 | ||
005 | 20220222 | ||
007 | t | ||
008 | 210124s2020 a||| |||| 00||| eng d | ||
020 | |a 9781644532058 |c (pbk.) |9 978-1-64453-205-8 | ||
020 | |a 9781644531808 |c (hbk.) |9 978-1-64453-180-8 | ||
035 | |a (OCoLC)1228726675 | ||
035 | |a (DE-599)BVBBV047102707 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-12 |a DE-Y3 |a DE-19 |a DE-255 |a DE-Y2 | ||
084 | |a LM 83520 |0 (DE-625)101493: |2 rvk | ||
084 | |a 1 |2 KUBA2 | ||
100 | 1 | |a Knowles, Marika |e Verfasser |0 (DE-588)1081907290 |4 aut | |
245 | 1 | 0 | |a Realism and role-play |b the human figure in French art from Callot to the Brothers Le Nain |c Marika Takanishi Knowles |
264 | 1 | |a Newark, Delaware |b University of Delaware Press |c 2020 | |
264 | 1 | |a [Charlottesville, Virginia] |b University of Virginia Press | |
300 | |a XIV, 308 Seiten |b Illustrationen |c 23 cm | ||
336 | |b txt |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
490 | 0 | |a Studies in seventeenth- and eighteenth-century art and culture | |
520 | 3 | |a "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"-- | |
648 | 7 | |a Geschichte 1600-1650 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Kunst |0 (DE-588)4114333-4 |2 gnd |9 rswk-swf |
650 | 0 | 7 | |a Mensch |g Motiv |0 (DE-588)4114567-7 |2 gnd |9 rswk-swf |
651 | 7 | |a Frankreich |0 (DE-588)4018145-5 |2 gnd |9 rswk-swf | |
653 | 0 | |a Human beings in art | |
653 | 0 | |a Figurative art, French / 17th century | |
653 | 0 | |a Social status in art | |
653 | 0 | |a Role playing in art | |
653 | 0 | |a Figurative art, French | |
653 | 0 | |a Human beings in art | |
653 | 0 | |a Role playing in art | |
653 | 0 | |a Social status in art | |
653 | 4 | |a 1600-1699 | |
689 | 0 | 0 | |a Frankreich |0 (DE-588)4018145-5 |D g |
689 | 0 | 1 | |a Kunst |0 (DE-588)4114333-4 |D s |
689 | 0 | 2 | |a Mensch |g Motiv |0 (DE-588)4114567-7 |D s |
689 | 0 | 3 | |a Geschichte 1600-1650 |A z |
689 | 0 | |5 DE-604 | |
776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-1-64453-182-2 |
999 | |a oai:aleph.bib-bvb.de:BVB01-032509052 |
Datensatz im Suchindex
_version_ | 1804182130476974080 |
---|---|
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Knowles, Marika |
author_GND | (DE-588)1081907290 |
author_facet | Knowles, Marika |
author_role | aut |
author_sort | Knowles, Marika |
author_variant | m k mk |
building | Verbundindex |
bvnumber | BV047102707 |
classification_rvk | LM 83520 |
ctrlnum | (OCoLC)1228726675 (DE-599)BVBBV047102707 |
discipline | Kunstgeschichte |
discipline_str_mv | Kunstgeschichte |
era | Geschichte 1600-1650 gnd |
era_facet | Geschichte 1600-1650 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03060nam a2200553 c 4500</leader><controlfield tag="001">BV047102707</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20220222 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">210124s2020 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781644532058</subfield><subfield code="c">(pbk.)</subfield><subfield code="9">978-1-64453-205-8</subfield></datafield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781644531808</subfield><subfield code="c">(hbk.)</subfield><subfield code="9">978-1-64453-180-8</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1228726675</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV047102707</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-19</subfield><subfield code="a">DE-255</subfield><subfield code="a">DE-Y2</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LM 83520</subfield><subfield code="0">(DE-625)101493:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">1</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Knowles, Marika</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1081907290</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Realism and role-play</subfield><subfield code="b">the human figure in French art from Callot to the Brothers Le Nain</subfield><subfield code="c">Marika Takanishi Knowles</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Newark, Delaware</subfield><subfield code="b">University of Delaware Press</subfield><subfield code="c">2020</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">[Charlottesville, Virginia]</subfield><subfield code="b">University of Virginia Press</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">XIV, 308 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">23 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Studies in seventeenth- and eighteenth-century art and culture</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"--</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1600-1650</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Mensch</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4114567-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Human beings in art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Figurative art, French / 17th century</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Social status in art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Role playing in art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Figurative art, French</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Human beings in art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Role playing in art</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Social status in art</subfield></datafield><datafield tag="653" ind1=" " ind2="4"><subfield code="a">1600-1699</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Frankreich</subfield><subfield code="0">(DE-588)4018145-5</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Kunst</subfield><subfield code="0">(DE-588)4114333-4</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Mensch</subfield><subfield code="g">Motiv</subfield><subfield code="0">(DE-588)4114567-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="3"><subfield code="a">Geschichte 1600-1650</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-1-64453-182-2</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-032509052</subfield></datafield></record></collection> |
geographic | Frankreich (DE-588)4018145-5 gnd |
geographic_facet | Frankreich |
id | DE-604.BV047102707 |
illustrated | Illustrated |
index_date | 2024-07-03T16:23:24Z |
indexdate | 2024-07-10T09:02:39Z |
institution | BVB |
isbn | 9781644532058 9781644531808 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032509052 |
oclc_num | 1228726675 |
open_access_boolean | |
owner | DE-12 DE-Y3 DE-19 DE-BY-UBM DE-255 DE-Y2 |
owner_facet | DE-12 DE-Y3 DE-19 DE-BY-UBM DE-255 DE-Y2 |
physical | XIV, 308 Seiten Illustrationen 23 cm |
publishDate | 2020 |
publishDateSearch | 2020 |
publishDateSort | 2020 |
publisher | University of Delaware Press University of Virginia Press |
record_format | marc |
series2 | Studies in seventeenth- and eighteenth-century art and culture |
spelling | Knowles, Marika Verfasser (DE-588)1081907290 aut Realism and role-play the human figure in French art from Callot to the Brothers Le Nain Marika Takanishi Knowles Newark, Delaware University of Delaware Press 2020 [Charlottesville, Virginia] University of Virginia Press XIV, 308 Seiten Illustrationen 23 cm txt rdacontent n rdamedia nc rdacarrier Studies in seventeenth- and eighteenth-century art and culture "After the heroic nudes of the Renaissance and depictions of the tortured bodies of Christian saints, early seventeenth-century French artists turned their attention to their fellow humans, to nobles and beggars seen on the streets of Paris, to courtesans standing at their windows, to vendors advertising their wares, to peasants standing before their landlords. Fascinated by the intricate politics of the encounter between two human beings, artists such as Jacques Callot, Daniel Rabel, Abraham Bosse, Claude Vignon, Georges de la Tour, Jean de Saint-Igny, the Brothers Le Nain, Pierre Brebiette, Jean I Le Blond, and Charles David represented the human figure as a performer who acted out his or her social role. The resulting figures were everyday types whose representations in series of prints, painted galleries, and illustrated books created a repertoire of contemporary social roles. The Real Performer draws upon literature, social history, and affect theory in order to understand the way that figuration performed social positions"-- Geschichte 1600-1650 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Mensch Motiv (DE-588)4114567-7 gnd rswk-swf Frankreich (DE-588)4018145-5 gnd rswk-swf Human beings in art Figurative art, French / 17th century Social status in art Role playing in art Figurative art, French 1600-1699 Frankreich (DE-588)4018145-5 g Kunst (DE-588)4114333-4 s Mensch Motiv (DE-588)4114567-7 s Geschichte 1600-1650 z DE-604 Erscheint auch als Online-Ausgabe 978-1-64453-182-2 |
spellingShingle | Knowles, Marika Realism and role-play the human figure in French art from Callot to the Brothers Le Nain Kunst (DE-588)4114333-4 gnd Mensch Motiv (DE-588)4114567-7 gnd |
subject_GND | (DE-588)4114333-4 (DE-588)4114567-7 (DE-588)4018145-5 |
title | Realism and role-play the human figure in French art from Callot to the Brothers Le Nain |
title_auth | Realism and role-play the human figure in French art from Callot to the Brothers Le Nain |
title_exact_search | Realism and role-play the human figure in French art from Callot to the Brothers Le Nain |
title_exact_search_txtP | Realism and role-play the human figure in French art from Callot to the Brothers Le Nain |
title_full | Realism and role-play the human figure in French art from Callot to the Brothers Le Nain Marika Takanishi Knowles |
title_fullStr | Realism and role-play the human figure in French art from Callot to the Brothers Le Nain Marika Takanishi Knowles |
title_full_unstemmed | Realism and role-play the human figure in French art from Callot to the Brothers Le Nain Marika Takanishi Knowles |
title_short | Realism and role-play |
title_sort | realism and role play the human figure in french art from callot to the brothers le nain |
title_sub | the human figure in French art from Callot to the Brothers Le Nain |
topic | Kunst (DE-588)4114333-4 gnd Mensch Motiv (DE-588)4114567-7 gnd |
topic_facet | Kunst Mensch Motiv Frankreich |
work_keys_str_mv | AT knowlesmarika realismandroleplaythehumanfigureinfrenchartfromcallottothebrotherslenain |