Ambiguity revisited: communicating with pictures
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Stuttgart
ibidem
[2020]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltstext http://www.ibidemverlag.de Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | 263 Seiten Illustrationen 22 cm, 400 g |
| ISBN: | 9783838213897 3838213890 |
Internformat
MARC
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Datensatz im Suchindex
| _version_ | 1804182125012844544 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
INTRODUCTION
...................................................................................................
9
WRITING
ON
AMBIGUITY
...............................................................................................
9
REPORTING
FROM
DARFUR
..........................................................................................
16
LIGHT
ON
LIME
PLASTER
.............................................................................................
17
CHAPTER
1.
ORIGINS
........................................................................................
21
AMBIGUITY
AND
LITERATURE
.......................................................................................
21
BETWEEN
THE
LINES
..................................................................................................
23
OPEN
WORK
.............................................................................................................
26
AMBIGUITY
AT
WORK
.................................................................................................
28
AMBIGUITY
AND
SUGGESTION
....................................................................................
36
CHAPTER
2.
ILLUSION
.......................................................................................
39
OBJECT-AMBIGUITY
..................................................................................................
39
TOWARDS
SURREALISM
...............................................................................................
42
THE
AMBIGUOUS
OBJET
D
ART
.....................................................................................
47
ANALOGY
AND
AMBIGUITY
..........................................................................................
51
SIGNIFICANT
FORM
AND
ITS
DISCONTENTS
......................................................................
59
CHAPTER
3.
VISUAL
POETRY
............................................................................62
CALLIGRAPHIC
FORM
..................................................................................................
62
SLANT
RHYMES
..........................................................................................................
62
POETIQUE
DU
FRAGMENT
............................................................................................
65
HANDS
OF
THE
SIGN
PAINTER
......................................................................................
67
AMBIGUITY
AND
OBTUSE
MEANING
..........................................................................
69
THE
CHARISMATIC
IMAGE
..........................................................................................
74
A
FLAT
IN
COPENHAGEN
.............................................................................................
76
THE
SEEING
SUBJECT
..................................................................................................
79
RESEMBLANCE
AND
REPRESENTATION
..........................................................................
82
AN
ENRAGING
AMBIGUITY?
........................................................................................
84
CHAPTER
4.
TIME
.............................................................................................
90
AMBIGUITY
AS
DISCONTINUITY
...................................................................................
90
A
DECISIVE
MOMENT?
...............................................................................................
93
AMBIGUITY
AND
ANACHRONISM
................................................................................
99
TIME
AND
DEATH
.....................................................................................................
105
BETWEEN
THE
MOTION
AND
THE
ACT
..........................................................................
107
IN
RODINS
GARDEN
..................................................................................................
109
CHAPTER
5.
SPACE
..........................................................................................
113
FRAMING
THE
SEEN
AND
UNSEEN
..............................................................................
113
ART
AND
SPACE
....................
115
WHITE
CUBES
...........................................................................................................
120
STRETCHING
SPACE
....................................................................................................
125
CHAPTER
6.
CONTEXT
.....................................................................................
133
AMBIGUITY
AND
AUTHORSHIP
..................................................................................
134
BLANCO
....................................................................................................................
138
AUTOBIOGRAPHY
AND
METAPHOR
..............................................................................
139
TO
KNOW
OR
NOT
TO
KNOW
......................................................................................
140
ROUEN
....................................................................................................................
142
TAI
AFAR
.................................................................................................................
146
FLAG
STORIES
.............................................................................................................
148
IS
THERE
ANYBODY
OUT
THERE?
.................................................................................
150
THE
OTHER
..............................................................................................................
151
WELCOME
DETAILS
....................................................................................................
153
CHAPTER
7.
HEART
.........................................................................................
155
EMOTIONAL
MESSAGING
...........................................................................................
155
A
MOVEABLE
FEAST
..................................................................................................
163
THE
TARGETED
GAZE
..................................................................................................
168
CHAPTER
8.
MIND
.........................................................................................
175
PSYCHOLOGICAL
MESSAGING
......................................................................................
175
THE
INNER
WORLD
OF
THE
OUTER WORLD
..................................................................
178
PSYCHOGEOGRAPHY
GOES
UNDERGROUND
..................................................................
180
WASHINGTON
SQUARE
PARK
.....................................................................................
185
CONFLICT
AND
THE
IMAGINATION
..............................................................................
187
THE
SORROW
OF
WAR
................................................................................................
190
A
DAY
IN
HISTORY
...................................................................................................
191
CHAPTER
9.
INTENTION
...................................................................................
194
INTERTEXTUALITY
AND
AMBIGUITY
..............................................................................
194
THE
CURSE
OF
INFLUENCE?
........................................................................................
195
PHOTO-PAINTING
TO
ABSTRACTION:
GERHARD
RICHTER
...............................................
203
CHAPTER
10.
NARRATIVE
................................................................................
213
CONTINUOUS
NARRATIVE
..........................................................................................
213
SUSANNA
................................................................................................................
215
SCULPTING
IN
TIME
................................................................................................
219
INTERCUTTING
IN
SPACE-TIME
...................................................................................
224
PROTAGONISTS
..........................................................................................................
227
CHAPTER
11.
AMBIGUITY
AND
PHOTOGRAPHY
-
AFTERTHOUGHTS
...................
231
IN
AMSTERDAM
......................................................................................................
233
CONCLUSION
..................................................................................................
239
BIBLIOGRAPHY
..............................................................................................247
ACKNOWLEDGEMENTS
...................................................................................
257
INDEX
..........................................................................................................
258
|
| adam_txt |
TABLE
OF
CONTENTS
INTRODUCTION
.
9
WRITING
ON
AMBIGUITY
.
9
REPORTING
FROM
DARFUR
.
16
LIGHT
ON
LIME
PLASTER
.
17
CHAPTER
1.
ORIGINS
.
21
AMBIGUITY
AND
LITERATURE
.
21
BETWEEN
THE
LINES
.
23
OPEN
WORK
.
26
AMBIGUITY
AT
WORK
.
28
AMBIGUITY
AND
SUGGESTION
.
36
CHAPTER
2.
ILLUSION
.
39
OBJECT-AMBIGUITY
.
39
TOWARDS
SURREALISM
.
42
THE
AMBIGUOUS
OBJET
D
ART
.
47
ANALOGY
AND
AMBIGUITY
.
51
SIGNIFICANT
FORM
AND
ITS
DISCONTENTS
.
59
CHAPTER
3.
VISUAL
POETRY
.62
CALLIGRAPHIC
FORM
.
62
SLANT
RHYMES
.
62
POETIQUE
DU
FRAGMENT
.
65
HANDS
OF
THE
SIGN
PAINTER
.
67
AMBIGUITY
AND
OBTUSE
MEANING
.
69
THE
CHARISMATIC
IMAGE
.
74
A
FLAT
IN
COPENHAGEN
.
76
THE
SEEING
SUBJECT
.
79
RESEMBLANCE
AND
REPRESENTATION
.
82
AN
ENRAGING
AMBIGUITY?
.
84
CHAPTER
4.
TIME
.
90
AMBIGUITY
AS
DISCONTINUITY
.
90
A
DECISIVE
MOMENT?
.
93
AMBIGUITY
AND
ANACHRONISM
.
99
TIME
AND
DEATH
.
105
BETWEEN
THE
MOTION
AND
THE
ACT
.
107
IN
RODINS
GARDEN
.
109
CHAPTER
5.
SPACE
.
113
FRAMING
THE
SEEN
AND
UNSEEN
.
113
ART
AND
SPACE
.
115
WHITE
CUBES
.
120
STRETCHING
SPACE
.
125
CHAPTER
6.
CONTEXT
.
133
AMBIGUITY
AND
AUTHORSHIP
.
134
BLANCO
.
138
AUTOBIOGRAPHY
AND
METAPHOR
.
139
TO
KNOW
OR
NOT
TO
KNOW
.
140
ROUEN
.
142
TAI
AFAR
.
146
FLAG
STORIES
.
148
IS
THERE
ANYBODY
OUT
THERE?
.
150
THE
OTHER
.
151
WELCOME
DETAILS
.
153
CHAPTER
7.
HEART
.
155
EMOTIONAL
MESSAGING
.
155
A
MOVEABLE
FEAST
.
163
THE
TARGETED
GAZE
.
168
CHAPTER
8.
MIND
.
175
PSYCHOLOGICAL
MESSAGING
.
175
THE
INNER
WORLD
OF
THE
OUTER WORLD
.
178
PSYCHOGEOGRAPHY
GOES
UNDERGROUND
.
180
WASHINGTON
SQUARE
PARK
.
185
CONFLICT
AND
THE
IMAGINATION
.
187
THE
SORROW
OF
WAR
.
190
A
DAY
IN
HISTORY
.
191
CHAPTER
9.
INTENTION
.
194
INTERTEXTUALITY
AND
AMBIGUITY
.
194
THE
CURSE
OF
INFLUENCE?
.
195
PHOTO-PAINTING
TO
ABSTRACTION:
GERHARD
RICHTER
.
203
CHAPTER
10.
NARRATIVE
.
213
CONTINUOUS
NARRATIVE
.
213
SUSANNA
.
215
SCULPTING
IN
TIME
.
219
INTERCUTTING
IN
SPACE-TIME
.
224
PROTAGONISTS
.
227
CHAPTER
11.
AMBIGUITY
AND
PHOTOGRAPHY
-
AFTERTHOUGHTS
.
231
IN
AMSTERDAM
.
233
CONCLUSION
.
239
BIBLIOGRAPHY
.247
ACKNOWLEDGEMENTS
.
257
INDEX
.
258 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Franklin, Stuart 1956- |
| author_GND | (DE-588)122588886 |
| author_facet | Franklin, Stuart 1956- |
| author_role | aut |
| author_sort | Franklin, Stuart 1956- |
| author_variant | s f sf |
| building | Verbundindex |
| bvnumber | BV047099666 |
| classification_rvk | AP 15040 |
| ctrlnum | (OCoLC)1237345271 (DE-599)DNB1208722654 |
| dewey-full | 701.15 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 701 - Philosophy of fine & decorative arts |
| dewey-raw | 701.15 |
| dewey-search | 701.15 |
| dewey-sort | 3701.15 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte Allgemeines |
| discipline_str_mv | Kunstgeschichte Allgemeines |
| format | Book |
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| id | DE-604.BV047099666 |
| illustrated | Illustrated |
| index_date | 2024-07-03T16:22:25Z |
| indexdate | 2024-07-10T09:02:34Z |
| institution | BVB |
| institution_GND | (DE-588)1064121934 |
| isbn | 9783838213897 3838213890 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-032506088 |
| oclc_num | 1237345271 |
| open_access_boolean | |
| owner | DE-12 DE-739 |
| owner_facet | DE-12 DE-739 |
| physical | 263 Seiten Illustrationen 22 cm, 400 g |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | ibidem |
| record_format | marc |
| spelling | Franklin, Stuart 1956- Verfasser (DE-588)122588886 aut Ambiguity revisited communicating with pictures Stuart Franklin Stuttgart ibidem [2020] 263 Seiten Illustrationen 22 cm, 400 g txt rdacontent n rdamedia nc rdacarrier Ambiguität (DE-588)4138525-1 gnd rswk-swf Bild (DE-588)4006568-6 gnd rswk-swf Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Fotografie Kunst Interpretation Photography Art Bild (DE-588)4006568-6 s Visuelle Kommunikation (DE-588)4131112-7 s Ambiguität (DE-588)4138525-1 s DE-604 ibidem-Verlag (DE-588)1064121934 pbl X:MVB text/html http://deposit.dnb.de/cgi-bin/dokserv?id=657b1e3580be4c819af17ebca71e8af9&prov=M&dok_var=1&dok_ext=htm Inhaltstext X:MVB http://www.ibidemverlag.de B:DE-101 application/pdf https://d-nb.info/1208722654/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032506088&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20210105 DE-101 https://d-nb.info/provenance/plan#dnb 2\p dnb 20210105 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Franklin, Stuart 1956- Ambiguity revisited communicating with pictures Ambiguität (DE-588)4138525-1 gnd Bild (DE-588)4006568-6 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd |
| subject_GND | (DE-588)4138525-1 (DE-588)4006568-6 (DE-588)4131112-7 |
| title | Ambiguity revisited communicating with pictures |
| title_auth | Ambiguity revisited communicating with pictures |
| title_exact_search | Ambiguity revisited communicating with pictures |
| title_exact_search_txtP | Ambiguity revisited communicating with pictures |
| title_full | Ambiguity revisited communicating with pictures Stuart Franklin |
| title_fullStr | Ambiguity revisited communicating with pictures Stuart Franklin |
| title_full_unstemmed | Ambiguity revisited communicating with pictures Stuart Franklin |
| title_short | Ambiguity revisited |
| title_sort | ambiguity revisited communicating with pictures |
| title_sub | communicating with pictures |
| topic | Ambiguität (DE-588)4138525-1 gnd Bild (DE-588)4006568-6 gnd Visuelle Kommunikation (DE-588)4131112-7 gnd |
| topic_facet | Ambiguität Bild Visuelle Kommunikation |
| url | http://deposit.dnb.de/cgi-bin/dokserv?id=657b1e3580be4c819af17ebca71e8af9&prov=M&dok_var=1&dok_ext=htm http://www.ibidemverlag.de https://d-nb.info/1208722654/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=032506088&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT franklinstuart ambiguityrevisitedcommunicatingwithpictures AT ibidemverlag ambiguityrevisitedcommunicatingwithpictures |